The Tang Dynasty was an era when my country's politics and economy were highly developed, culture and art flourished, and it was an era when feudal culture was splendid. The Tang Dynasty unified the chaotic and divided states of the Wei, Jin, Southern and Northern Dynasties and the Sui Dynasty, and established a unified and powerful country. Its foreign trade was developed, productivity was greatly developed, and the country was peaceful and the people were safe for a long time. Especially when the prosperous Tang Dynasty became the center for economic and cultural exchanges among various ethnic groups in Asia, it was the most glorious page in the cultural history of our country. During this period, Indian and Iranian culture was absorbed and integrated into Chinese culture, which is fully reflected in murals, stone carvings, sculptures, calligraphy, paintings, silk embroidery, pottery figurines and costumes.
By the Sui and Tang Dynasties, the most obvious feature of Chinese clothing was the dual-track system. In large sacrificial scenes, traditional Han clothes are worn. In normal times, the regular clothing in the Tang Dynasty was the Hufu (i.e. Xianbei clothing) system.
In the Tang Dynasty, the country was unified, the economy was prosperous, the style was more open, and the costumes became more and more gorgeous. The characteristic of women's clothing in the Tang Dynasty is the unity of skirt, shirt and belt. Among women, the image of bare breasts and arms appeared. On the mural on the east wall of the tomb of Princess Yongtai, there is an image of a Tang Dynasty woman with a high bun, exposed breasts, a red silk draped over her shoulders, a yellow narrow-sleeved blouse, a green floor-length skirt, and a red belt hanging from her waist, thus reflecting the " The pink breasts are half covered with doubts and dark snow", and "when I sit, my belt is lingering in the grass, when I walk, my skirt sweeps away the fallen plum blossoms", which has a more vivid understanding.
Not everyone can do a slow-skirted skirt with half-revealed breasts. In the Tang Dynasty, only those with status could wear open-breasted shirts. Princess Yongtai could be half-naked, and singers could be half-nude to please the ruling class. However, women from common people were not allowed to be half-nude. At that time, the half-breasted skirts of the Tang Dynasty were somewhat similar to modern Western evening dresses, except that the shoulders and back were not allowed to be exposed.
The collars of women's clothing in the Tang Dynasty include round collars, square collars, oblique collars, straight collars and sweetheart collars. The characteristic of the long skirt is that the waist is tied higher, usually above the waist, and some are even tied under the armpits, giving people a pretty and slender look.
"The leaves of the Luo shirt are heavily embroidered, with a trace of gold, phoenix and silver goose each." "The eyebrows with black eyebrows capture the color of daylilies, and the red skirt kills the pomegranate flowers with jealousy." The skirts of the Tang Dynasty were colorful, with red, purple, yellow and green competing for beauty, with red skirts being the most beautiful ones. The popularity of red skirts on the street is not just for modern people. As early as the prosperous Tang Dynasty, dance skirts were already dyed with pomegranate flowers everywhere.
Perhaps influenced by the theory of yin and yang and the five elements, Concubine Yang likes yellow skirts the most, which is a symbol of status.
"Slowly wearing skirts and half-revealing breasts" reflects the degree of open-mindedness of society at that time.
A social ideology formed on a certain economic basis. It is an important factor affecting social fashion and clothing. Clothing is a barometer of the socio-political climate. The Tang Dynasty was the heyday of China's feudal society, especially during the Zhenguan and Kaiyuan years, when the political climate was relaxed and people lived and worked in peace and contentment. Chang'an, the capital of the Tang Dynasty, was the center of politics, economy, and culture at that time, and it was also the center of cultural exchanges between the East and the West. In the ancient city of Xi'an, the sounds of the prosperous Tang Dynasty still seem to linger around the morning bells of the Wild Goose Pagoda, the smoke in the thatched cottage, the wind and snow in the Willows, the evening light on the Lishan Mountain, the cactus in the Huayue Mountains, and the stone carvings in the Forest of Steles. There were more than 300 countries that had friendly relations with the Tang government. The splendid Chinese culture has been spread to all over the world through them. To this day, some countries in East Asia still use costumes from the Tang Dynasty as formal dresses, which shows the long-lasting influence. Foreign friendly envoys gathered in Chang'an and spread the seeds of their culture across the eight hundred miles of Qinchuan. The Tang Dynasty's paintings, sculptures, music, dance and other arts all attracted foreign techniques and styles. The eclectic collection of exotic clothes made the costumes of the Tang Dynasty more colorful and dazzling.
Because the Tang Dynasty adopted an open policy and adopted an eclectic mix of costumes from the Western Regions and Tubo, "Hundred Hats" and "Shishizhuang" became popular. This is the third major change in the history of ancient Chinese clothing. What is different from the previous two major clothing changes is that this time the clothing exchange flows from north to south to east to west.
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