I may be the last groom's official among thousands of people, and I have only been "intimate" with r 1 for three days. It's time to go back and express my opinion. Before the first upgrade, it was a bit "grabbing fire" for reference only.
R 1 can get it, and it's amazing! Passers-by are amazing, and I can't hide my smile: light, beautiful, unique, full of science and technology, international style, realistic timbre and high cost performance.
The rise of China against the trend, the innovation of an ancient cultural country, and the addition of a musical instrument family have made the world shine and have a smooth sailing!
I saw the gongs and cymbals standing behind r 1: handsome, bold, ambitious and tasteful, worthy of the pride of the times. Things change, and the afterlife is awesome.
What I think of is the unique background, strategy, structure and mechanism behind r 1, which has sufficient stamina and a bright future.
Background: The silver-haired people in China have stories, pursuits and money. They have too many feelings to express, and they lack a handy guy (see (1)). They were dissatisfied with imported pipes, so domestic R 1 came into being.
Strategy: focus on simulating timbre, few but fine, simple and expert. If you don't sing, it will be a blockbuster.
Structure: It has the characteristics of first softening and then hardening, combining soft and hard (see (2), "1+1> 2 ",you can also use" hard simple soft supplement "to deal with the contradiction between simplicity and freedom (see below), the way is right.
Mechanism: The family interaction between the company and the user group is forming the complementary advantages of "black+white" and "1+N": the black-haired "boy" just has the white-haired "old musician" as a fan, providing a steady stream of high praise.
This group of old people is not simple, crouching tiger: there are first-generation senior tube players and multi-brand tube players; There are elites who have retired from all walks of life, rich social experience, stubbornness in encountering difficulties, and self-restraint in shrinking (not selling old attitudes and not listening); Strong hands-on ability, time, spare money and innovative methods; Willing to contribute, giving a little sunshine will be brilliant-as long as there is a little respect, not only you don't need money, but you will also be given money, and you are willing to be a trial user or even a supernumerary employee (some not only say it, but also show it to you), as shown in figure 1.
Where can I find such a good "God" all over the world?
It is against human nature to be open-minded when you smell it and happy when you smell it. Great men can't keep such a mind forever, let alone young people? However, there is no harm in listening to the old man.
The details are incomplete, and the group friends have said enough. I'll summarize and add a little, and send it later. Let's say something imaginary this time:
I. Simplicity and freedom
As soon as the flashlight was born, it faced such a contradiction:
Cheap and high-end (easy, the company began to make a profit. )
It's hard to have your cake and eat it, because it requires the simplicity that white people can master and the freedom that experts can freely sway.
But old musicians want to have both. Who will buy some pianos at home?
There is a way. For example:
-difficulty rating. The basic functions are obvious, and novices can understand them at a glance. When you blow, it will ring, and when you blow, it will be like, enough! ? Use breath, posture, lips and teeth to summon and control the unique techniques of each timbre, put down a step, explore one by one, and slowly ponder.
-"hard, simple and soft supplement". Avenue to Jane, Jane is beautiful. The pipeline is the same, with simple shape, few function keys and strong adjustability. A large number of complex function settings, except the menu, can be put into the self-study software, giving the master a free choice.
-A layered tone. Timbre is classified by instrument. The same instrument has a timbre by default, and the others are placed in the secondary menu. Simple and clear.
Second, learning and innovation.
R 1 is a junior, so we should give full play to the advantages of latecomers, follow up modestly and learn from other brands. The company should have full-time departments and personnel engaged in this research, and provide professional analysis reports for developers in time. We should also give full play to the role of users' supernumerary teams. Imitate first, then innovate; Imitate innovation and apply for patents in time (such as lanterns). If you don't apply for a patent for a design that is particularly good for others, you will "bring it" and "pay". If they have patents, they should spend money, from "following" to "leading".
Third, technical functions.
The electric blowpipe is no better than the original musical instrument, and its manipulation means are limited. The choice of techniques should be logical, and it is necessary to distinguish which ones are the most basic, which ones are preset in advance and the whole song is "from beginning to end", which ones need to be triggered at any time, "second change" or even slowing down during the performance, and then arrange troops. ? In my opinion, timbre and timbre are commonly used and should be simple and easy to use; Tremolo, glide and inflection are all universal and should be easy to call at any time; Everything else can be preset in advance.
Fourth, function keys
Is it better to have more function keys or less? This question is a matter of opinion (see related videos of Ann Edition), and I think: the less the better. "Jane" is the characteristic of r 1, which can be simple but not complicated, simple and multifunctional (some operations are complicated at first glance, and practice makes perfect).
1. Can the magic key be omitted?
I found that the existing function keys have not been fully developed and utilized, such as simply pressing the menu key. The way of pressing keys is also single, and there are some possibilities, such as length, frequency and combination, which do not need to be added.
2. Can the key signature be set synchronously?
The fingering is different now, so it's more troublesome to change key signature and then transfer. Fingering should be synchronized with key signature. After the user selects fingering, the key signature will be automatically converted and aligned. It seems that Yajia did it.
Verb (abbreviation of verb) index system
Gong and cymbals are really hard work-I try my best to adjust them repeatedly until the end of the year. However, after getting the pipe, there are still so many people complaining, which is both reasonable and unexpected. Some problems can be avoided, such as "it is difficult to take off your hat". Many of them will be found with a little inspection and corrected in time. Such as vibrato, glide is not obvious. I remember Mr. Ou Sheng tried to play the vibrato of desire, which was good. Why don't you change it again )
Of course, some of them vary from person to person, so get used to them. Some of them are too tight to be corrected when they are found.
According to my preliminary exploration in the past three days, many phenomena are sporadic and unsystematic. For example, when the octave pipe sound is in the erhu timbre, the downward bending sound does not work; Qu Di can automatically produce vibrato when playing again, but it is only limited to the middle octave pipe sound. Other sounds with the same timbre, as well as erhu, Ma Touqin, cucurbit silk and bassoon, are also marked as vibrato in Skill 2, but cannot be transferred through breath. The list goes on and on.
The reasons may be: first, a variable should be global, but it is "a headache", and the result is "pressing the gourd to float the ladle", paying attention to one thing and losing another; Or find that the problem has changed, and there is no time to adjust and unify, retest, and correct again, and then leave the factory if it is qualified.
But what I am worried about is whether there is a comprehensive, thorough, systematic and scientific detection index system and process in this "grid", that is, the process flow. Maybe, I worry too much. )
Hardware upgrades are waiting, and software upgrades are just around the corner. Let me say something soft.
-If only the note keys can be customized (for example, Luo 30). For example, when the two sounds are connected together, it is easy to connect badly (the middle finger should just fall when the index finger is raised). #4 is rarely used, so it is much easier to change it. When you need #4, just press the 4+ semitone key.
-The lower finger has an unusual influence on the pronunciation of the upper finger key. For example, Qu Di: All hands are scattered, only the middle finger of the right hand is pressed, but other sounds are made.
-The manual needs to be revised. Take "Tone List" on page 39 as an example. First of all, this is not a "timbre list", but a "timbre technique list". What should it be, not "simple". For example, what skills can be called through breath.
-The "separated fingering" labeled "simple fingering" (pressing a key every once in a while will lower the sound by half a degree) has a lot of imagination: why not apply this combination to the realization of the above-mentioned custom keys and many techniques?
I was surprised to find that when I fingered the flute, the little finger of my right hand was bass 3, so I didn't have to press the low octave key +3. The bass of many songs is bass 3, which is very convenient to play, such as the "37" string of erhu! Why not let the bass 2 and 1 be realized by customizing the "+,-"keys?
In addition, the "Golden Gong Dance" in the timbre was originally a surprise for the pipe users-there was an extra head (buy 12, get 1), but the timbre was neither gong nor dance, but the strings played together. How did this name come from? Where did it come from? The name timbre can be unconventional, but it is very logical.
As for other tricks and tricks to add, modify and use existing pipelines, many netizens have provided them, so I won't repeat them here.
I hope that as Guan You said, the company has gathered experts in electronic software and hardware, industrial design, sound source production, various musical instruments (especially electric blowpipes), as well as masters and craftsmen such as music theorists, and analyzed (even dismantled) all electric blowpipes at home and abroad. It is best to find and hire some amateur experts (oxymoron) from front-line management friends, expand the research, experiment and research team, support senior management friends, and establish service, promotion, teaching and research outlets all over the country.
Moved by the attitude of changing owners, a noisy man, and the spirit of making suggestions and suggestions with the majority of management friends? Hasty advice, laugh!