After a tryst one day, they drove away from the villa, but there was a car accident on the way. In order to cover up the truth of the incident, they decided to sink the young man Daniel who died in the car accident into the lake together with his car. Later, Laura met a kind old man who took Laura's broken car home to repair it. What Laura didn't expect was that this old man turned out to be Daniel's father.
The film constructs a subtle story that is constantly reversing, using the double-edged nature of lies to the extreme. On the surface, the entire process is an iteration of the case. In fact, the focus is on the battle of wits and courage between female lawyers and entrepreneurs.
The details of these preparations and the rendering of emotions carefully arrange the hidden reversal in the case, and also hint at the shocking ending of the film. It can be said that it is the basis for the film script and the director's technique to complement each other.
Extended data:
The people in the film are all normal people. They are only squeezed and deformed due to occasional abnormalities, and new squeezes and fissions occur during the deformation. This process not only allows people to enjoy the tight grip on their nerves, but also feels the reality of being "scared" by the same kind of darkness in their hearts, creating a lingering fear.
The story is peeled off layer by layer in the constant disguise of men and lawyers, presenting one version after another. As the story turns around, the audience's understanding of the story continues to advance to the next level. Spanish director and screenwriter Oriol Paulo arranged the story very delicately, with obscure details and a desolate atmosphere, but it is not a surprise at first glance.