Deconstruction architecture is the development of post-modern architecture since the late 1980s. Its uniqueness lies in the idea of fragmentation, the process of nonlinear design, and the interest in spending some time on structural surfaces or obviously non-Euclidean geometry, which is formed in the deformation and displacement of architectural design principles, such as some structures and building envelopes. [1] The visual appearance of architecture, stimulated by unpredictable and controlled chaotic depiction, has emerged numerous deconstructive "styles".
Some deconstructive architects were influenced by the works of French philosopher jacques derrida and his deconstructive thoughts. Although the extent of this influence is still a question; Others are influenced by the idea of geometric imbalance that appears repeatedly in the Russian constructivism movement. In deconstruction, there are other references to other twentieth century movements: modernism/postmodernism interaction, expressionism, cubism, minimalism and contemporary art. The overall attempt of deconstruction is to keep architecture away from the strict norms of modernism seen by interns, such as "form obeys function", "purity of form", "true self of material" and "expression of structure".
Important events in the history of deconstruction movement include 1982 architectural design competition in Lavlet Park (especially works by Derrida and Peter eisenmann and winning works by Bernard Chumi), 1988 deconstruction architectural exhibition in new york Museum of Modern Art, organized by philip johnson and Mark wigley, and1988 designed by Peter eisenmann in Columbus, Ohio.