Ming dynasty.
Yan Song was the only official who had been in charge of the cabinet for 20 years in the history of Ming Dynasty, and was regarded as the first traitor in the history of Ming Dynasty. He had many henchmen and forces in the ruling and opposition parties, but after his property was confiscated and his son was beheaded, he was able to protect his body until his death. It's hard to play such a villain. Besides, Yan Song is over 80 years old at this time, and the action of the role is very, very little. All performances are based on lines and eyes. And the big red mud really put the big rape and evil into action.
There is no war in Peiping.
The Republic of China is full of wind, several major film emperors are on the same stage, the script is carefully polished, and the golden ratio of the background of the characters is just right. The director doesn't have a pure lineup, which really endows each character with distinctive personality characteristics, and each big name does perform a taste.
Eight brothers.
The play is close to reality in all directions, using a lot of real details from life, arousing the audience's true love, and at the same time being related to people and things around them. Moreover, Red Mud, Zhu Yuanyuan and others in the play vividly depict the characters that can be seen everywhere in real life, such as migrant workers, rich people, rich women and Xiaomi.
Chang 'an, Ye Luo.
Almost every character in the play is a microcosm of social reality, and the elements of good and evil in human nature have been portrayed to varying degrees, which is very realistic for the audience. Moreover, the play does not play up conflicts, but focuses on grasping the characters' personalities and letting the audience see the warmth of the little people in this historical background.