The answers searched on Baidu look very professional, as follows:
It is generally believed that this is a set of sentence couplets. Similar ones include "There is no ink painting on the mountain with faint clouds; there is a sentimental poem about the moving shadows of the flowers on the moon", "There is no ink painting on the mountain falling in love with the clear clouds; there is a sound poem on the bamboo knocking on the autumn rain", "There is no ink painting on the light smoke outside the curtain; there is a sound poem on the sparse rain in the forest" etc. wait.
Critical researchers mostly believe that the above couplet "Mountain with slight clouds is no ink painting; the moon is moving shadows of flowers, there is a sentimental poem", and the first couplet "Mountain with slight clouds" comes from Qin Guan's poem "Man Ting Fang" ": "The mountains are covered with faint clouds, the sky is sticky with decaying grass, and the sound of drawing horns cuts off the Qiaomen." This poem has been passed down for a long time. The words "Mo" and "微" are used ingeniously and novelly, which won the applause of literati of all ages. For this reason, Qin Guan was praised by Su Shi as "Shan Mo Weiyun Qin Scholar". It can be said that "the mountains are covered with faint clouds" is Qin Guan's "patent". The line "The moon moves the shadow of the flowers" in the second line comes from Li Qingzhao's poem "Huanxisha": "The moon moves the shadow of the flowers and promises to come again."
What sentence does "Bamboo beats the autumn rain..." come from? Ancient poems include "The wind in the night blows the autumn rhyme through the bamboos, and the thousands of leaves and thousands of voices are full of hatred" ("Magnolia", Ouyang Xiu) and so on. "Autumn rain" is ubiquitous in ancient poems: "The peach and plum blossoms are blooming in the spring breeze, and the sycamore leaves are falling in the autumn rain" ("Song of Everlasting Sorrow", Bai Juyi); "Carrying silver lanterns, checking the beaded door, the embroidered quilt is slightly cold to coincide with the autumn rain" ("Song of Everlasting Sorrow", Bai Juyi); "Ying Tianchang", Feng Yansi); "Where Nuwa refines stones to mend the sky, the stones break the sky and make the autumn rain startle" ("Li Ping Konghou Yin", Li He); "In the rustling autumn rain, light pomegranates are shed" ("Luan Jialai", "Luan Jia Lai", Wang Wei)......
"Inkless paintings" and "poems with sound" are often seen in couplets. For example, someone wrote a couplet praising Gong Weiluo, a Jinshi scholar in the 16th year of Chongzhen in the Ming Dynasty, in his "Chun Yu Caotang Poetry Notes" The description in the book includes a couplet: "There is no ink painting in the dim light outside the hall; there are audio poems on the spring rain in front of the eaves" (Anonymous); "There is light smoke and no ink painting outside the temple; there are audio poems on the sparse rain in the forest" (Liangbu) and so on.
According to this, it is believed that the couplet in this question is a collection of sentence couplets from later generations, and the person who collected the sentences is unknown.
As for the celebrities mentioned by people, we might as well conduct a brief discussion:
Zhang Zongxiang (1882-1965) is a famous scholar and calligrapher in my country. He was mainly engaged in literature and education throughout his life. , book business. The couplet he is best known to calligraphy enthusiasts is "Two Sima in the Western Han Dynasty for articles, and one Wolong for economics in Nanyang". It is not known whether he wrote in handwriting "Mountains are painted with faint clouds without ink; bamboos knock on autumn rain with sound", and even if so, it is difficult to infer. He is the author of the couplet.
Qin Runqing (1877-1966), named Zuze. An introduction to his life: "I admired Qin Shaoyou's literary works. He named himself 'Old Man of Moyun' based on the sentence 'Mountain wipes the faint clouds as a bachelor of Qin' and the couplet 'Mountain wipes the faint clouds without ink painting, bamboo beats the autumn rain with sound poems'." That's all. That's all, it didn't involve him creating the couplet. The same article also said that he "did not receive advanced education when he was young, and he regretted it throughout his life." Therefore, evidence that he was the author of the couplet is lacking.
The calligraphers He Jinming (born in 1942) and Ren Zheng (born in 1916) in the Bingyin and Xinyou years have the same calligraphy works with the same content, but there is no indication of the original source.
Try to describe the main idea of ??the couplet:
The light smoke and clouds linger on the mountainside in late autumn, just like a landscape painting without ink; the fresh autumn wind pushes the dark green bamboos, The misty autumn rain fell on the bamboo leaves, making a beautiful sound. The bamboos swayed rhythmically, like an intoxicated poet singing softly. It was clearly a landscape poem with sound.
The "drifting" of drizzle and the "swaying" of bamboo branches are described as "knocking", and the "wrap-up" of smoke and clouds is described as "smearing". The two are indeed similar but have the same purpose. This is a true portrayal of the magnificent and delicate nature, and also a vivid expression of the author's relaxed and free mood. The wording of this couplet is exquisite and unique, and it is otherworldly. It makes people appreciate the extremely beautiful realm of "paintings in poems and sounds in paintings". It is truly worthy of praise!