When it comes to drumming, there is no place like Yan 'an. Those experts racked their brains and finally came up with the word "Yan 'an Gu Wu", which truly embodies the characteristics of Yan 'an Drum. I don't know from what era, Gu Wu in Yan 'an has been handed down. Of course, there was no difference between Wen drum and Wu drum at that time. Groups of young people in their prime walked out of the loess high slope and gully, walked out of their own unique dance steps and played their own rhythmic drums. Today, snare drum in Yan 'an has gradually formed three schools: Ansai waist drum, Luochuan jumping drum and Yichuan chest drum.
When it comes to "martial arts", as far as costumes are concerned, they are all dressed as warriors. The drummer in Luochuan, with the same eyebrows and leopard eyes, is wearing a square towel and holding the flag of a military commander in ancient Chinese opera, which is completely a soldier's demeanor. Although Yichuan chest drums are divided into men and women, they are all heroes' scarves, heroes' knots on their chests, hiking shoes on their feet, tight sleeves and leg wraps, and they are free and easy.
"Wu" is not only in clothing, but also in connotation. Yan Drum is vigorous and passionate, wrapped in the wind of the Loess Plateau, with the neigh of frontier war horses, with the roar of Hukou Waterfall and the thunder of July rainstorm ... Ansai waist drum immediately conquered hundreds of millions of viewers as soon as it appeared on the TV screen. Those who are used to being quiet in the lake of life are inspired and infected by Ansai's waist drum. They can't sit still, they can't stand. They can't wait to join in running, jumping, running, kicking and turning.
You may not have experienced the elegance of Luochuan drum, just like a group of heavenly soldiers will fall from the sky. Everyone has a big drum wrapped around his waist, and red drumsticks are flying up and down. Drummers play while playing (jumping), sometimes gather and sometimes disperse, drums are ringing, hammers are beating, flags are being displayed, and an enviable fight is put in front of you.
A samurai has the courage and gentleness of a samurai. Look at Yichuan's chest drum. The samurai were covered with colorful flowers. The drummer holds a hard mallet in his left hand and a cowhide mallet in his right hand, and his waist is soft, his legs are closed, his legs are kicked, he turns around, he hits the chain, turns his neck and hits his waist around, and all the viciousness, madness, fierceness and tiger-beating are integrated into the beautiful and exquisite dance, which is full of fun.
Gu Wu in Yan 'an once caused a sensation in China. At the Asian Games, Ansai waist drum dumped foreign audience; The first national folk yangko competition, Yan 'an three drums boiling Shenyang City.
One side of the soil and water support one side. Yan 'an Gu Wu shows the natural attributes of the Loess Plateau with its "madness" and "wildness". For thousands of years, the plateau has been a battlefield. This is not only a battleground for military strategists, but also a place where all ethnic groups live together. Han, Xiongnu, Xixia, Hui, Qiang, Mongolia and other ethnic groups interact here, and farming culture and nomadic culture exchange here, and family and hatred grow at the same time, eventually creating a unique plateau people who have both farming civilization and riding wild horses. Seen from a distance, Qin Huang and Hanwu, with their great talents, left the Qin Straight Road and the hanging armor that shocked the world in the Huangdi Temple. The battle between Meng Tian and Li Guang, and the relationship between Fan Zhongyan and Di Qing added many tragic colors to the history of the plateau. The uprisings of Li Zicheng and Zhang vividly showed the tenacious character of plateau people who did not want to be oppressed and enslaved. The world-famous Yang Jialing was originally the tomb of Yang Zhao, the minister of the Ministry of War of the Ming Dynasty. His real name was Yang Jialing. Later, the Central Committee of the Communist Party of China was stationed here and changed its name to Yang Jialing. In the turbulent China Revolution, Liu Zhidan and Xie Zichang rose up until War of Resistance against Japanese Aggression and the War of Liberation, and Yan 'an became the headquarters of the revolutionary war. The personality of the plateau people's respect for literature and martial arts deeply penetrated into the snare drum of Yan 'an. Therefore, it can be said that snare drum in Yan 'an is a strong masculinity and a strong and brave soul in the north.
Knock, knock, bold drums, crazy drums. As soon as the drummer comes on stage, he forgets the sky, the ground and everything. They are like standing on the top of the mountain, they can call the wind and rain, and they can make Gan Kun reverse Gan Kun. This kind of confidence and boldness of vision, I dare say, is unmatched by any art category. Is this a unique phenomenon of the yellow land culture, or is it the return of human beings to nature? I don't know. I just think that if we let this cultural atmosphere edify China people from generation to generation and use this temperament to achieve change, Gaoyuan will have a different look.
reading skills
Uncontrolled ecstasy, wild pouring and violent scenes, the snare drum of Yan 'an, a man in the northwest, is a warm tribute to the plateau life and a lofty tribute to the national soul. It brings us the pentium of strength and the sublimation of life. Let us seriously appreciate the majestic momentum, carefully feel the rhythm of life, keep up with its sonorous rhythm and stir our hearts!
Reading training
In what ways does this article 1 describe the characteristics of yangu?
Why do you say "Gu Wu in Yan 'an is a north with strong masculinity and a strong and brave soul"? (Please extract the original sentence to answer)
In the last paragraph, "I just feel that if this cultural atmosphere is allowed to influence China people from generation to generation and change with this temperament, lofty will have a different look", and "this culture" is _ _ _ _ _ _ _ _ _ _ _ _ _; "This kind of temperament" refers to _ _ _ _ _ _ _ _ _ _.
What is the function of the sentence "A samurai is brave and gentle" in the sixth paragraph?
What is the function of the sentence "This is not only a place where military strategists fight, but also a place where all ethnic groups live together" in the eighth paragraph?
6 Yan 'an snare drum is divided into three factions. What are the characteristics of these three schools?
Luochuan Bouncing Drum: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Yichuan Chest Drum: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Ansai waist drum: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
What kind of thoughts and feelings does this article pin on the author by writing snare drum in Yan 'an?
(Guo Junchen, Zhang Lei/Design)
Yan' an Gu Wu Reference Answer:
1 (1) "Wu" clothing; (2) the connotation of "martial arts"; (3) the style of drumming. 2. The personality of the plateau people who respect literature and martial arts has deeply penetrated into Yan 'an snare drum. 3 Yan 'an snare drum culture; Masculinity, strength, courage and confidence. 4 the transitional role of connecting the preceding with the following. 5 always lead the whole section. Luochuan drum: the style of soldiers, the drum is full of sound, the mallet is full of hair, and the flag is full of exhibition. Yichuan chest drum: free and easy, good or soft with rigidity, rigidity with softness, flowers without chaos, interesting. Ansai waist drum: rushing or vigorous, strong and enthusiastic. 7. Praise the cultural characteristics of Yan 'an Drum and the heroism of the Chinese nation shown by Wu Drum.