When watching movies, the laughter in the cinema is very dense, especially in the first half. The punch line is Ge You's dialogue. As long as Ge You starts to say that the audience laughs at everything, this psychological suggestion is too powerful. Everyone seems to think that we are watching Xiaogang Feng's New Year comedy, so we have to laugh. Even if we don't laugh, we will laugh. If you don't laugh, you're sorry for the movie ticket. If we don't laugh, we're not watching a Xiaogang Feng comedy movie. So I laughed with other audience several times at first, but I soon felt something was wrong. This disgusting thing is not funny as an interesting and outdated thing!
I used to say that making people cry doesn't mean a good movie, but making people laugh isn't necessarily a good movie, because laughter can be divided into active knowing laughter and passive being made to laugh, and there are essential differences between them. Xiaogang Feng's jokes in If You Are the One basically belong to the latter.
? It's a pity to find that Xiaogang Feng's mastery of language is still at the level of Wang Shuo's novels more than ten years ago. A normal person can't say that kind of clever teasing in normal life. Not to mention that listening to such language all the time will cause aesthetic fatigue. The proliferation of this language will have a estranged effect. The audience will not think that this is a character talking, but only think that this is Ge You talking. It was Ge You who arranged the lines for him after the writer and director thought hard. The audience can't enter the play. We don't laugh because of the characters in the play, but the actors themselves are laughing. It's like watching a sketch. When we watch, we don't care about the characters in the sketch, but only care that this is Zhao Benshan, this is Song Dandan and this is Fan Wei, which is determined by the characteristics of the art form of sketch. For a 15 minute program, the audience should laugh every 30 seconds.