Red actors sometimes become beggars, and third-rate actors sometimes play grandfathers. -Fukuzawa Yukichi's farce is closer to tragedy than comedy in essence.
-Coleridge's A World Without Resistance lacks touching dramatic tension. Wang Daozheng, this is the national treasure of China. This kind of art should be classified as a state secret. We should cherish the essence of the country. Zhou Enlai Sichuan Opera is one of the traditional operas, which is popular in eastern and central Sichuan, Chongqing and parts of Guizhou and Yunnan.
The facial makeup of Sichuan Opera is an important part of the performing arts of Sichuan Opera, and it is an artistic treasure created and inherited by Sichuan Opera artists in past dynasties. The historical origin of Sichuan Opera is like breathing fire on Shaanxi Opera. They are all signs and tricks! Classification of Sichuan Opera Sichuan Opera stunt: Changing face is a stunt used in shaping characters in Sichuan Opera art.
Revealing the inner thoughts and feelings of the characters in the play is a romantic technique. Technical characteristics However, as a second-class national secret, Sichuan Opera's changing face will also cause certain cultural losses when it is spread abroad. If it is not protected, it may be registered as a patent of another country by the Japanese like rice paper.
2. What are the sentences describing Sichuan Opera? Sichuan Opera, as its name implies, is a local opera popular in Sichuan.
2. This scene of Sichuan Opera is novel and unconventional.
Changing face is one of the unique skills in Sichuan opera performance.
4. Sichuan Opera is a representative local opera in Sichuan.
5. The sixth part analyzes the achievements and shortcomings of Sichuan opera games.
6. Sichuan Opera can make tourists love Sichuan's unique art more and more.
Of course, Sichuan opera is the most important part of all entertainment activities.
8. Dancers wear the flower feathers of traditional Sichuan Opera, and show women's playfulness, cuteness and movement with beautiful body language.
9. Later, I fell in love with the Sichuan Opera performance in Chengdu Teahouse.
10, Sichuan Opera is an ancient traditional repertoire, which is famous all over the country. The local people in Sichuan have a special liking for the Lantern Festival adapted from folklore.
1 1 With the rhythmic sound of gongs and drums, yesterday morning, Pan Jianlong, a classic high-pitched opera of Sichuan Opera, kicked off on the stage of Pingle ancient town in Qionglai.
12, at the launching ceremony, Feng Yunying, a young artist of Sichuan Opera, performed a wonderful filament dance "Flowers Want to Be Beautiful", and the disciples of the famous martial artist Wang Xingong also brought wonderful free fighting performances.
13, some citizens listened to Sichuan Opera art lectures in the morning and continued to listen to Liushahe five-character poems in the afternoon. Liushahe explained the "Appreciation Series of Ancient Poetry" for a long time.
14, in the simulated photo area, you can also experience the five roles of "life, Dan, static, extreme and ugly" in Sichuan Opera, and the shapes can be changed at will.
15 In addition, there are more humorous Sichuan dialect comedies, such as "Big Stick in the City" and "Happy New Year", which show the cultural characteristics of Bashu.
16, yesterday, Liao Youpeng, the former president and old newspaper reporter of Chengdu Friends of Sichuan Opera Association, specially reminded reporters when popularizing Sichuan Opera knowledge to reporters.
17, Anhui Opera, Han Opera, Beijing Opera, xiang opera Opera, Guangxi Opera, Sichuan Opera and Yunnan Opera are all performed, and Bangzi Opera such as Tongzhou Opera, Shanxi Opera and Henan Opera is also popular.
18, the provincial Sichuan theater is about to usher in the weekend performance season.
19 In addition, Beijing Opera, Sichuan Opera, Wu Opera, Guangxi Opera, xiang opera Opera, Qi Opera, Gan Opera and other operas still retain some operas, tunes and qupai of Kunqu Opera.
20. Speaking of the classic repertoire of Sichuan Opera, he knows a lot, but he also knows the new Sichuan Opera like the back of his hand.
3. What's life like a play in the poem about "Sichuan Opera Changing Face"?
Red actors are sometimes called E799BE5BAE6E4B 893E5B19E3133363396334, and third-rate actors sometimes play grandfathers. -Fukuzawa Yukichi people, especially China people, will always be spectators of this drama.
Sacrifice to play, if they appear generous, they watch tragic drama; If they are in infancy (that is, shaking with fear), they are watching a farce. How many people often open their mouths in mutton shops in Beijing? It seems quite pleasant to watch the sheep being skinned, and the benefits that human sacrifice can give them are nothing more than that.
However, after a few steps, they forgot this. -Lu Xun's farce is closer to tragedy than comedy in essence.
-Coleridge's A World Without Resistance lacks touching dramatic tension. Wang Daozheng, this is my national treasure. This kind of art should be classified as a state secret, and we should cherish the essence of the country. From the beginning of Zhou Enlai's own drama, its purpose has been to reflect life, show the true colors of good and evil, and show its own evolution and development model to its times.
-Shakespeare's truly outstanding tragedy should be staged on the stage of human soul, so that people's reason can become the only audience. -All Cabel's plays have the significance of improving the goal of human life, and they are by no means for fun ... Some people may say that people wear clothes to eat. Can't we eat and dress except entertain others? We can't be so ambitious! -Cheng All tragedies end in death, and all comedies end in marriage.
Byron always seems to play those three people: husband, wife and lover. -George meredith's struggle for happiness, no matter how difficult, is not a kind of pain, but happiness, not a tragedy, but just a drama.
-Chernyshevski's Change of Mind-Mr. Wang Daozheng, a famous face-changing artist in Sichuan Opera, this is my national treasure. This kind of art will be divided into state secrets, so we should cherish the quintessence of our country. -Premier Zhou Enlai visited Sichuan and delivered a speech.
4. The phrase "Dou Erdun with blue face steals the royal horse, Guan Gong with red face fights Changsha ..." which describes the sudden change of face of Sichuan Opera, students must.
Is the song "Speaking of Singing Face" familiar to everyone? Yes, this is a face change. I came here today.
The birthplace of changing face-Sichuan.
At 7 o'clock in the evening, the party officially started, and every program was wonderful, but I still
Looking forward to the finale-changing face. Magic, tea art, martial arts and sketch performances all make everyone
I am full of personal praise, especially the performance of the sketch "On my Ear", which makes people laugh.
He was so afraid of his wife that he never dared not do what she asked him to do.
Yes, I was fined another oil lamp to drill the bench. After watching the sketch for about 30 minutes,
Face-changing is finally about to begin. First, a group of beautifully dressed dancers were divided into left and right groups.
Doing graceful movements, three face-changing masters suddenly appeared from the background. they
Some are wearing rockhoppers, some are wearing robes, and some are holding fans. Everyone is different.
Features, the master on the left began to change his face! I saw him turn around quickly and wave gently.
I slapped a few times, and then when I turned around, my green face suddenly turned yellow.
Unconsciously, he turned his face away again, and his face changed again with a wave of his fan.
Blue, in just a few seconds, has changed three colors, which is incredible! The one on the right is very big.
The teacher shook his sleeves, but his face changed from black to red, and then shook his sleeves and changed from red to red.
It turned white, and in the blink of an eye, it turned into a big face. I can't believe my eyes.
! A master in the middle walked around the stage first, then waved his sleeves and strode away.
He walked to the center of the stage, then turned his head, and his purple face turned into gold.
I turned my head again, and instantly my golden face turned green again, and then the master simply walked off the dance floor.
Taiwan Province, coming to the audience, turned around and changed several times in a row, almost only.
In ten seconds, the master changed his face seven or eight times, which surprised everyone present.
My mouth is Zhang Kaicheng "O"-shaped, and I applaud one after another. The first time I saw my face change at zero distance,
It's no exaggeration to describe it as flawless. I haven't come up with a clue after thinking for a long time.
Changing face is a treasure created and inherited by Sichuan opera artists in past dynasties. we must
Protect and spread well, so as not to lose our culture!
5. There are three ways to describe the face change of Sichuan Opera: wiping face, blowing face and pulling. In addition, there is a kind of "luck" face change.
"Wipe your face" is to apply makeup paint to a specific part of your face, and then wipe it on your face with your hands to become another face. If you want to change everything, draw it on your forehead or eyebrows. If you just want to change the lower part of your face, draw them on your face or nose. If you only need to change one part, you can only paint the part to be changed. For example, in The Legend of the White Snake, the old ghosts in Pei Li and Fei Yunjian all use the technique of "wiping their faces".
"Face Blowing" is only suitable for powdered cosmetics, such as gold powder, toner and silver powder. Some put a small box on the floor of the stage, which contains powder. When the actor danced on the floor, he took the opportunity to blow his face close to the box, and the powder was sprinkled on his face, which immediately turned into a face of another color. Be sure to pay attention: close your eyes, shut your mouth and hold your breath when blowing. Zizi in Capturing Zizi alive and Le Yangzi in Treating Zhongshan were all transformed by blowing their faces.
"Face-pulling" is a complicated face-changing method. It is to draw a face on a piece of silk in advance, cut it open, tie a silk thread to each face, and then stick it on the face one by one. The silk thread is tied in a convenient and inconspicuous place (such as a belt) in the clothes. As the story progressed, under the cover of dance movements, they were torn down one by one. For example, the bowl in The Legend of the White Snake (Zijin Bowl) can turn seven or eight different faces, such as green, red, white and black. Another example is the thief in The Old Main Building, and Nie Long in Watching Niang Beach. It's hard to pull a face. First, don't have too much glue on your face, lest you tear it off at that time or tear off all the faces at once. Second, the action should be clean and neat, and the fake action should be clever, which can deceive the eyes of the audience.
The face-changing of Sichuan Opera has become a hot topic in recent years because of its novelty, strangeness, swiftness and coolness. Then, how did the face-changing stunt appear and how rich it was?
At the end of the Qing Dynasty and the beginning of the Republic of China, Sichuan Opera entered a prosperous period with many famous actors. Among them, Kang Zilin (A.D. 1870~ 1930) and Cao Junchen (A.D. 1882 ~ 1946) are famous for being both civil and military. Looking back, the stunt of "pulling the wire and changing face" popular in the entertainment circle today was born in the artistic competition and exchange between them.
The incarnation of Sanbian, also known as Guizhenlou, is a high-pitched Sichuan opera. Describe Qiu Yuanshun, a rich boy, smoking opium and gambling, and selling his possessions. When cornered, he forced his wife Su Yueniang to take guests into prostitution. Su Yueniang was lucky enough to meet the chivalrous Bei Rong to save her. She married her brother and sister and fled the bitter sea ... Bei Rong played by Wu Sheng is not only good at martial arts, but also good at makeup. He changed his face three times in the play, which is very mysterious.
According to Liu Zonglin, Kang Zilin's apprentice, in the past, to play Bei Rong, you had to bring a paper shell prepared in advance, go out, tear off the shell and sing, which was the initial bud of "incarnation". Later, Cao Junchen covered his face with toilet paper and painted it with color. When performing, sprinkle powder fire (made of rosin, etc.). ), wipe your face with your hands, erase the paper face, show your true colors, and then start singing. This is a great progress.
Kang Zilin is an open-minded person. Inspired by Cao Junchen, he first gave up the paper shell and didn't have to sprinkle powder fire. He just pulled the toilet paper to change his face. Then after repeated pondering, the method of covering your face with toilet paper was improved. Change the toilet paper into sandwich paper with good toughness, change one layer into three layers, and open it three times to change the appearance. In actual operation, paper uncovering errors often occur, and they are not easy. Later, suddenly inspired by the "film-pulling", I began to design thread ends, and as soon as I pulled the thread ends, I opened a face. He succeeded: with the help of a small thread, he received ever-changing effects.
There is also a kind of face-rubbing discoloration, which is commonly used on stage. There is a prominent example: in the 1930s, Yuelai Tea Garden performed The Legend of the White Snake? "Broken Bridge" is played by Xiao (the chairman of the "Three Celebrations" after Kang Zilin), Zhou Mulian plays the white snake and Xie Guoxiang plays it.
In Sichuan Opera, the story of White Snake tells that Qing Er was originally a man, but she was comforted by White Snake and became a handmaid. She wanted to show her true colors in a rage, so the broken bridge was played by a male martial artist. Xie Guoxiang used the stunt of "playing fangs" and "changing face" in this play. Qing Er meets treacherous Xu Xian head-on, and suddenly shows a ghost image with blue face and fangs and an open mouth. Xie Guoxiang has to prepare to "wipe his face" before the performance. He wrapped three groups of pigeon eggs-sized white, red and black glazes with the tin foil in the cigarette case at that time, and the openings were in one direction.
During the performance, Qing Er came down from the gate and stood on the tripod. In the face of ungrateful Xu Xian, his left hand swung, his sleeve shook, and suddenly he wiped it down from his forehead with his right hand-"white color" had been sandwiched under the "bag", his face was painted white, and his mouth was facing down, meaning "face turned white with anger". Then, Qing Er and the white snake "clash", and the white snake begged her not to act rashly to protect Xu Xian. Qing Er waited for an opportunity to paint "red color" on his face with his left hand, so red covered white. Qing Er drove Xu Xian away again. Xie Guoxiang quickly washed his hands in the basin, began to dry, and chased the game with "black color". When he jumped on Xu Xian and grabbed it, he got his face dirty; At the same time, the fangs in the mouth stick out and turn left and right, showing the ferocity of their blue fangs.
When people suddenly encounter unexpected and thrilling changes, they tend to be "pale" and "so angry". Art reflects life. Sichuan opera is one of Sichuan opera stunts, which refines exaggeration from real life and creates a unique face change.