Lin Ying, played by Mu Tingting, graduated from the Performance Department of Beijing Film Academy.
The quiet and kind-hearted Lin Ying, as the niece of Lin Qi, the coach of the Qingxue tennis team, is the most loyal supporter of the Qingxue players. In every game and training, you can see her silently supporting her on the sidelines. The interpretation of her faint and hazy love for Ryoma in the original comic book is also a highlight of this performance.
[Edit this paragraph]♂Little Incident♀
About the studio:
Ryoma, who disdains everything on the court, actually longs for others to treat him in his heart. learn. Lin Ying's studio is a quiet place where Ryoma likes to study the opponent's tactics, likes to think about problems alone, and also likes to look at Lin Ying's paintings here. The scene in the studio is an important part of enriching Ryoma's character and gives the audience clues to truly understand Ryoma's complete story.
[Edit this paragraph]★Number of Appearances★
Episode Notes
NO.1 Lin Ying’s new painting was destroyed in the subway, Ryoma helped to save the siege< /p>
In the studio, he was asked by a kid to find a coach
He met Ryoma in the foreign language class, but he had no impression of Lin Ying
NO.2 Ryoma entered by mistake Lin Ying's studio
Lin Ying's new paintings were destroyed again, and the studio glass was broken (Ryoma did it)
Ryoma ordered drawing boards for Lin Ying
NO.3 Lin Ying was talking to Ryoma in the studio (keywords: "not training", "confidence")
Long Ma was in the studio (reason: the locker room was too noisy), Lin Ying cheered for Ryoma ( Knockout)
Lin Ying knew that Ryoma had won and congratulated him
Lin Ying asked Xiaopeng to investigate who Ryoma was competing against
Lin Ying told Ryoma "Catfish" "Effect"
NO.4 Lin Ying watched Long Ma's game with Chen Haitang and Qian Zhenzhi
Lin Ying met Long Ma in the corridor (keyword: "It seems that some people don't want I put on the team uniform")
NO.5 Lin Ying apologized to Ryoma (catfish effect)
Lin Ying chatted with her aunt at home (keyword: "Unfair to Ryoma" )
Little Peng asked Lin Ying to call Longma for an interview
NO.6 Lin Ying worked in the restaurant
Longma helped Lin Ying mend the windows of the studio ( Nadal's curtain)
Longma asked Lin Ying to help get the team uniforms
NO.7 Lin Ying and Xiaopeng saw the feud between Longma and Tao Chengwu (it was still a doubles match... ...囧~)
Longma made an agreement with Lin Ying in the studio (keywords: Ice Emperor, art exhibition)
Lin Ying and Xiaopeng were in the studio (keywords: " Auntie must have her reasons for keeping Ryoma”)
Rongma broke into the studio and asked Lin Ying to find a coach
NO.8 Lin Ying met Qu Xing during the competition
Lin Ying gave Ryoma a tennis ball signed by Nadal
Lin Ying stopped the kid who wanted to ask Ryoma for his theory
NO.9 Lin Ying saw Ryoma in the studio. Apology can be painted well
This is the number of appearances as of the ninth episode~ Welcome to add~~~
[Edit this paragraph]※Actor introduction※
《 "Prince of Tennis" Part 1 - Lin Ying played
Name: Mu Tingting
Nickname: Tingting Amu
English name: Haven't decided yet
Gender: Female
Nationality: Chinese
Height: 1.66M
Birthday: December 23, 1984
Constellation: Capricorn
Graduation school: Bachelor of Acting, Beijing Film Academy
Weight: 45KG
Nationality: Han
Occupation: Actor
Blood type: O
Language; Mandarin English
Hometown: Chongqing
Birthplace: Chongqing
< p>Personality: It has changed so much that I can’t explain it clearly:)Education: Bachelor’s degree
Lucky number: I don’t know yet
Hobbies: Watching Listening to movies, raising dogs, reading psychology books, learning foreign languages ??(are these considered hobbies)
Idol: Leslie Cheung, Zhou Xun JACK NICOSON JULIA ROBERTS
Favorite singer: Jacky Cheung HITNEY HOUSTON
p>Favorite sports: Yoga, badminton, swimming
Food: All fruits, arctic clams
Favorite place: LA (LOS ANGELES) Any place that makes me feel free Like them all
Favorite movie: Too many to mention
Favorite brand/cartoon: Paul Frank
People to whom I am most grateful: Grandparents
What I want to do most: make a movie that satisfies me and the audience and fly in the sky
The second part of "The Prince of Tennis" - Lin Ying plays< /p>
Name: Wang Ziwen
Birthday: February 28, 1982
Nationality: Han
Weight: 40KG
Height: 162cm
Constellation: Double
Fish
Blood type: Type B
Birthplace: Sichuan
Graduation school: Central Academy of Drama
Hobbies: singing, dancing , writing, swimming
[Edit this paragraph] ↙Starred in film and television↗
Drama title: Prince of Tennis
TV station: Premiere on Dragon TV
Broadcast date: July 25, 2008
Original screenwriter: Xu Feigang
Theme song: Sunshine without a rainbow
Interlude; Brothers; Shoulders
Ending theme: Young battlefield
Main actors: Qin Junjie as Long Ma, Bai Xuxu as Zhong Guoguang
Zhang Dianfei as Chen Haitang, Zhang Chao as Shi Yi
p>Mao Fangyuan plays Ju Wan, Wang Chuanjun plays Qian Zhenzhi
Chen Zeyu plays Zhou Zhu, Xue Haowen plays He Chunlong
Yang Demin plays Tao Chengwu, Xiang Ding plays Huang Juewei
Zhong Kai plays Wang Yajin, Wu Diwen plays Ji Bu
Zhang Xiaochen plays Guan Yue, Song Xiaobo plays Xiaobo
Wei Bin plays Zhou Yu, and Shen Renjie plays Qian Shi
Mu Tingting plays Lin Ying, Zhan Jingyi plays Xiaopeng
Zhang Wen plays Qu Xing, Xu Jingwei plays Long Zhengnan
Jiang Hongbo plays Lin Qi, Fu Dongyu plays Coach Tian
Cheng Xiaodong plays Xu Feigang
Plot summary:
Long Ma, who won four consecutive U.S. Junior Tennis Competitions and was hailed as a genius boy, joined the Youth Academy, which is famous for tennis, after returning to China. . Not long after Ryoma joined, he successfully became the first first-year regular player of Qinggao, and participated in the regional preliminaries with his seniors...
In fact, Ryoma's father, Ryong Masao, was also a short-lived player in the world of tennis. Tennis player who won championships in the United States but retired from tennis for unknown reasons. Ryoma learned tennis from a young age under his father's almost teasing attitude. For him, tennis is not a hobby, but a goal to defeat his father, so he has an unsurpassable figure in his heart.
Under the influence of his father, Ryoma also loves tennis very much and has good strength. Before joining Youth Academy, he gradually grew up through game after game and became the US Junior Tennis League champion for 4 consecutive years. At the beginning of the new semester, a freshman came to the powerful tennis department of Youth College - Long Ma. Although he helped other freshmen in the tennis club to avoid being bullied by the seniors, his attitude was really cool, so he soon decided the winner in a match with his seniors. Unexpectedly, his strength was indeed astonishingly high, which attracted the attention of coach Lin Qi and president Zhong Guoguang, who made an exception and selected him into the official team, starting the journey to the national competition...
< p>[Edit this paragraph] Architectural designer Lin YingShe is the youngest doctorate so far from Yale University in the United States; in 1980, 20-year-old Lin Ying became famous for designing the Vietnam War Memorial; in 1999, she was The American "Life" magazine named her "One of the One Hundred Most Important Americans of the Twentieth Century" and "The Fifty Future Leaders of the United States"; on May 30, 2002, she was elected as a trustee of Yale University with an absolute advantage.
Lin Ying is a winner. Her design concepts come from different elements. In this increasingly smaller planet, human thoughts should transcend region and culture.
The U.S. Vietnam War Memorial Sculpture designed by Lin Ying It was a few years ago when I was reading Lin Da’s book that I learned that the U.S. Vietnam War Memorial was the work of Lin Ying, a Chinese female architect. Lin Ying studied at Yale, a prestigious school in the United States. This frail woman, who was rarely seen smiling, suddenly entered the ranks of well-known architectural design masters because of the design of a monument. Although the Vietnam War Memorial was opposed by Vietnam War veterans, as the years passed, this work designed by a foreign woman who was only 21 years old and had never experienced the war has become a model of American memorial architecture.
This is Lin Ying’s work made of bricks to express that the connection between the sea and the island is one, and the island is a continuation of the waves of the sea. It also expresses her desire for natural connection in landscape art.
Lin Ying, a landscape poet with family roots, said that she likes things that are simple and not complicated, which can be seen from her recent installation called "Rule Landscape" exhibited at the Henry Art Museum in Washington, USA. This can be seen in the works at the art exhibition. Richard Andis, director of the museum, said: "Lin Ying has an extraordinary ability to convey complex and poetic situations in simple ways and natural materials.
"She uses natural and concise production to closely connect ideals and reality.
Lin Ying creates architectural works in the name of art, connecting visual enjoyment with environmental art. She often designs landscapes for clients. Design. When can we find a few architects in China who can design buildings in the name of art? There are many artists now involved in architectural design, such as He Duoling, whose studio designed Helan Mountain Residence. It seems beautiful when taken out alone, but if it is blended with the surrounding environment and looked down, it will be a mess. And can we get some inspiration from Lin Ying's works? Can we stop being pretentious and face it calmly? Nature, facing the cities and villages where we live, and then planning our landscape with an idea that is not lofty in an impossible ideal kingdom
Memories of war, war of memories - Lin Tassel and "Vietnam War Soldiers Memorial"
Zheng Da: Assistant Professor of English Department, Suffolk University, USA
In the history of the United States, there have been three shocks. War that divided the country: the first was the American Revolutionary War in 1776, which forced people to think about whether to continue to exist as a British colony or to strive for independence and become a sovereign country; the second was the 1861-1865 War During the civil war, people faced a severe choice, whether to divide the north and the south and become two independent governments, or to maintain unity and continue the federal system; the third one was the Vietnam War from 1959 to 1975, which caused a long and fierce conflict. Thinking rationally and emotionally, is it a war to safeguard justice and freedom, or is it a nightmare of wrong policies and stupid tactics? The American War of Independence gave birth to a new and vigorous country in the world. In order to commemorate the leadership of this country. After a war, Washington, who then served as the first president, built the towering Washington Monument in the capital; the civil war ended with the leader of the Confederate army signing a surrender at the negotiating table. Although both the North and the South suffered countless casualties, the country's unity was maintained. In order to show respect for President Lincoln who liberated the black slaves and insisted on reunification, the solemn, majestic and elegant Lincoln Memorial was built in front of the Washington Monument; the Vietnam War lasted for 16 years, with a total of 2.7 million people from the United States participating in the war. Among them, the death toll was as high as 580,000 (including 8 women), and more than 300,000 people were injured. In order to commemorate this war that changed the politics, economy, diplomacy, mentality, and values ??of the United States, in 1982, at the Washington Monument and Lincoln On the Mall near the memorial hall, a black "Vietnam War Soldiers Monument" that looks like a tombstone was built.
The initiator of the "Vietnam War Soldiers Monument" is a Vietnam War veteran. , Jan Scruggs, who was 29 years old and working for the Department of Labor, stayed up all night watching the Vietnam War movie "The Deer Hunter" in March 1979. Unable to sleep, he thought about countless comrades in arms. He had a sudden idea that a monument should be built to commemorate all soldiers who participated in the Vietnam War, and record the names of those soldiers who sacrificed their lives for the country.
Memories of War, War of Memories American researcher Scrogeth’s idea was endorsed by some Vietnam War veterans. Therefore, he, together with attorneys Bob Doubek and Jack Wheeler, formed the "Vietnam Veterans Memorial Foundation" to carry out fundraising and establishment work. They set action goals: in 1980, obtain the site to build the monument; in 1981, complete the work of raising funds; in 1982, build the monument; and on November 11, 1982, Veterans Day (Veterans Day), conduct a celebration ceremony.
However, there were many difficulties in building this monument. First, although the Vietnam War had ended several years ago, the aftermath of the strong anti-war movement was still lingering. Opponents who criticized and denounced this protracted war in the society immediately protested when they heard the news that the monument was to be built, because the establishment of the monument is tantamount to praising the fallen soldiers and is tantamount to recognition and affirmation of the Vietnam War. Second, there are supporters and opponents among veterans. Even among those who believe that the Vietnam War should be commemorated, some feel that instead of building a monument, it is better to directly help veterans and do some tangible benefits. Third, there is the issue of funding.
The Monument Foundation decided not to use state funds but to rely on donations to raise funds. However, raising millions of dollars is not easy. The foundation sent a letter to 200,000 veterans to solicit donations, and only more than 2,000 responded, with an average donation of US$17.39 per person. After deducting expenses, the income is only $6,500. Fourth, to accomplish this, we need the support of the government and must deal with Congress and other agencies and organizations. However, being able to navigate and negotiate with government bureaucracies and systems is not an easy task. But Scruggs and other organizers didn't give in. They work hard, step by step. They first selected the lawn near the Lincoln Memorial on the boulevard as the ideal site for the monument. Near that place, in addition to Capitol Hill, the Washington Monument, and the Lincoln Memorial, there are also the White House, the Jefferson Memorial, the Smithsonian Museum, and six or seven other famous museums. It's a tourist center, and literally and figuratively, it's the center of America, the holiest place. Scruggs lobbied in Congress and won approval from both houses of Congress. On July 1, 1980, President Carter signed a bill of Congress approving the two acres of lawn on the right side of the Lincoln Memorial as the monument site.
Next, the foundation began to solicit work for the design of the monument. They decided to extend an invitation to the entire country and everyone was welcome to attend. The author who wins the first prize will receive a bonus of US$20,000. As a result, applicants were enthusiastic, with 2,573 people signing up. By the deadline, 1,421 designs had been received. The event was unprecedented and could be described as the largest public art competition in American history. The submitted designs, if lined up side by side, could be up to 1.3 miles long.
The selection committee consists of eight renowned artists. All works are hung indoors and selected one by one by the selection committee. After a large number of rough selections, 232 pictures remained. Finally, after layers of screening, entry No. 1026 stood out and was unanimously approved and won the first prize.
Maya Ying Lin, who is still unknown in the architecture and art circles, is the designer who won the first prize. At that time, Lin Ying was still studying at Yale University. It was her first time participating in a national art competition. She saw the news on the Yale bulletin board that the Vietnam Veterans Foundation was soliciting designs. She was eager to try it, but didn't have high hopes. Encouraged by her professor, she took a field trip to Washington, D.C. It was November, the autumn wind was bleak, but the sky was clear and clear. Standing on the boulevard, facing the Washington Monument and the Lincoln Memorial, Lin Ying immediately formed a strong idea in her mind: to build this monument, the ground should be cut and the stone should be raised out of the ground to symbolize the healing of the wound. Monuments should resemble arms stretched out to embrace all of humanity. She also felt that the entire surrounding park was like a living whole, and the monument should be a part of it and should exist harmoniously within it instead of appearing obtrusive. She created sketches and discussed them in class. It was a 125-degree "V" shaped black wall, with the highest junction in the middle and gradually sloping down to both sides. Her classmates and professors criticized aspects of the work such as color and line. But Lin Ying has her own opinion. She believes that her design is an "architectural pun", which is not straightforward, but has connotation and is thought-provoking. Professor Angelus Burr (Andrus Burr) agreed with her basic idea, but suggested that she should make the monument's "V" shape have some meaning. He gave Lin Ying's work a "B" grade. Later, Professor Boer's works also participated in the competition, but his name was lost. Unexpectedly, Lin Ying emerged and became a nationally famous figure.
Lin Ying grew up in Athens, Ohio, a town in the Midwest. Lin Ying's grandfather, Lin Changmin, is a well-known figure in modern Chinese history. He accepted advanced Western ideas and advocated progress and a constitutional system. To borrow the words of Chinese historian Jonathan Spence, Lin Changmin is a "passionate, sociable, and romantic person." Lin Ying's parents came to the United States from mainland China in the 1940s. His father Lin Heng is an expert in ceramic art and teaches at the Art Institute of Ohio University. His mother is a poet who teaches English literature and Chinese literature at Ohio University. Lin Ying grew up in such a family of intellectuals who were familiar with both China and the West, and was influenced by noble art since childhood. Although she was born in the United States, Eastern art, philosophy, literature, and values ????invisibly and subtly influenced her.
On the other hand, the beautiful forests, vast fields, and boundless blue skies of the American Midwest allowed her to enjoy Emerson's supernatural (Transcendental) experience to the fullest. She loves freedom, is unrestrained, has rich emotions, and has an independent personality. She went to Yale University and majored in architecture. She often goes to "The Grove Street Cemetery" near the school, strolls in the solemnity and tranquility, and carefully reads the words on the tombstones. She said: "There is a ferry captain's tomb there, with a ferry boat carved on it. Its lines are simple and beautiful. I like simple but not complicated things."
The news that Lin Ying won the first prize After it was made public, it immediately caused an uproar in society and caused controversy. Praise and criticism, support and criticism come side by side.
First of all, regarding Lin Ying’s qualifications. Lin Ying, who was only 21 years old at the time, had not yet been born when the Vietnam War began. She had never been on a battlefield, never experienced a hail of bullets, and knew almost nothing about the Vietnam War. She has no interest in politics and usually does not care about worldly affairs. What she likes is reading the philosophical works of modern writers Sartre, Camus, or Borges. Besides, Lin Ying is still a college student. She was informal about her clothes. When she attended the press conference to announce the award-winning works, as the central figure, she wore a pair of torn jeans. Many Vietnam War veterans and the general public cannot accept such a "young" and "ignorant" college student setting a monument to the Vietnam War.
Secondly, the form of Lin Ying’s award-winning work itself also caused controversy. This 492-foot-long monument is a modern work of art without any decoration or specific shape. The deep black color and the monument pedestal sunk into the ground are more like a sad tombstone than a monument praising heroes. Its "V" shaped structure is reminiscent of the anti-war "V" shaped peace sign. Lin Ying also advocated that on the monument, except for the list of the dead and "1959" and "1975" indicating the start and end years of the Vietnam War, no words about the Vietnam War should be engraved on it, not even "Vietnam" could be written on it. Many people dispute this. Ross Perot, a millionaire who actively promoted the Vietnam War Veterans Memorial and donated generously, was even more outraged by this and strongly opposed it. They all believed that using this form of the monument would play a derogatory and satirical role. Viewers would naturally think of the death of the soldiers who participated in the war and the defeat of the country, but would not think of the sacred mission and lofty obligations of the Vietnam War soldiers. Furthermore, its form is too abstract, and it belongs to the 21st century art work, which is not popular for its popularity.
Although Lin Ying insisted on not giving in, the opponents actually ignored Lin Ying's creative rights and decided to add text to commemorate the Vietnam War soldiers on the monument. In Lin Ying's absence, the artist approved it. Frederick Hart made a group sculpture and added it in front of the monument as a concrete and figurative addition. The monument was completed on Veterans Day, 1982, as originally planned. Two years later, Hart's sculpture of white, black, and Spanish soldiers was added to the monument. Lin Ying was very indignant about this. She protested: "I can't imagine anyone with a sense of justice adding a beard to someone else's portrait." She dismissed Hart's group of sculptures and sharply criticized: "Three Standing like this to the world - that's cliché. That's vulgarity. Hart gave you an image - he was drawing an illustration."
The third one. The point of contention is over the way the list is arranged. The entire monument is composed of 150 black granite stones, each 3 inches thick, 40 inches wide, and 8 inches to 140 inches high. Lin Ying believes that the names should be arranged alphabetically according to the year of death in battle. She believes that if arranged in this way, it is like reading a Greek epic. As the war develops, the death toll gradually changes. The opposition believes that the names should be arranged entirely in alphabetical order by surnames to facilitate search.
But the latter opinion proved to be insufficient. For example, there are 600 people with the surname "Smith" alone, and as many as 26 people with the same name as "James Johnson". Even if the name was found, the family could not tell which one was the James Johnson they were looking for.
Later, the arrangement was still based on Lin Ying's opinion, starting from the upper right part of the middle junction of the monument "1959", developing to the right, then connecting to the left wall tip, developing to the middle, until the lower part of the middle "1975" year" ends. Looking at these lists, people start in the center, move to the right, back to the left, and finally return to the center. This circular movement seems to symbolize the process of a war and also marks the starting point of a new movement.
The "Vietnam War Soldiers Monument" has neither lofty and solemn splendor nor luxurious decoration. However, with its simplicity and simplicity, it produces a breathtaking and unique artistic effect. The "V" shape is like the two sides of a triangular tomb, and together with the invisible third side, it forms a spacious and magnificent memorial hall. It is like two long arms, extending outward, extending to the Lincoln Memorial on one side and the Washington Monument on the other, linking the three wars together and calling on the world to think about their significance. The "Vietnam War Soldiers Monument" does not stun people with its luxury and create a sense of distance; it invites and welcomes visitors, asking us to come forward, get closer to the black monument, and read the names on it carefully. To read these names, you have to walk along the monument and down the sloping ground. At the same time, the monument gradually rises, creating a sense of sublimity rising toward the blue sky. The black granite is as smooth as a mirror, and the blue sky, white clouds, lawns, and tourists are all reflected in it. When we face the monument and read the names on it carefully, it is like facing a bright mirror. We can clearly see our own shadow and see it merged with the name of the deceased. We, as the living, cannot avoid communicating with the dead at this moment, reflecting on them, and gaining emotional sublimation.
The "Vietnam War Soldiers Monument" is like a modern place of worship. Tourists come here to relive the past in front of the names of deceased relatives, friends and comrades-in-arms, and some even kiss the names on the monument. They leave a memorial message, a bouquet of flowers, or a photo in front of the monument. The black memorial helps Vietnam War soldiers, their families, relatives and friends, and the entire society heal their mental scars. It awakens painful memories that have been suppressed for a long time and achieves emotional purification. More importantly, facing the large walls on both sides of the monument, visitors begin to think seriously about the value of life, the meaning of war, the meaning of freedom, and the future of society.
The selection of Lin Ying's design is equivalent to an architect of oriental descent getting the right to use his work to interpret a war that took place in Asia. In addition, Lin Ying's work has a deeper meaning than this, because she used the large walls on both sides of the monument to symbolically raise a profound question: Do high walls still exist in our world? During the preparation, design, and construction of this monument, we saw many invisible walls, such as patriarchy and Western-centrism. Lin Ying did not explain this. She just built this high wall in the form of art, allowing us to think, explore, and find satisfactory solutions.