Unparalleled skills
Sichuan Opera stunt: Changing face is a stunt used by Sichuan Opera to create characters. Revealing the inner thoughts and feelings of the characters in the play is a romantic technique. According to legend, "changing face" means that ancient humans faced fierce beasts in different ways in order to survive.
Draw different forms to scare the invading wild animals. Sichuan Opera puts "changing face" on the stage, making it a unique art with wonderful skills.
classify
Generally speaking, there are three ways to change your face: wiping your face, blowing your face and pulling your face. In addition, there is a kind of "luck" face change. "Wipe your face" is to apply makeup paint to a specific part of your face, and then wipe it on your face with your hands to become another face. If you want to change everything, draw it on your forehead or eyebrows. If you just want to change the lower part of your face, draw them on your face or nose. If you only need to change one part, you can only paint the part to be changed. For example, in The Legend of the White Snake, the old ghosts in Pei Li and Fei Yunjian all use the technique of "wiping their faces". "Face Blowing" is only suitable for powdered cosmetics, such as gold powder, toner and silver powder. There is a face change in Sichuan Opera.
The purpose is to put a small box on the ground of the stage, which is filled with powder. When the actor is doing the prone dance, he takes the opportunity to blow his face close to the box, and the powder is sprinkled on his face, which immediately becomes a face of another color. Be sure to pay attention: close your eyes, shut your mouth and hold your breath when blowing. Zizi in Capturing Zizi alive and Le Yangzi in Treating Zhongshan were all transformed by blowing their faces. "Face-pulling" is a complicated face-changing method. It is to draw a face on a piece of silk in advance, cut it open, tie a silk thread to each face, and then stick it on the face one by one. The silk thread is tied in a convenient and inconspicuous place (such as a belt) in the clothes. With the development of the plot, under the cover of dance movements, they were demolished one by one. For example, the bowl in The Legend of the White Snake (Zijin Bowl) can turn seven or eight different faces, such as green, red, white and black. Another example is the thief in The Old Main Building, and Nie Long in Watching Niang Beach. It's hard to pull a face. First, don't have too much glue on your face, lest you tear it off at that time or tear off all the faces at once. Second, the action should be clean and neat, and the fake action should be clever and can deceive the audience's eyes. Another way is to "change your face with luck." Legend has it that Peng Sihong, a famous actor in Sichuan Opera, was able to turn his face from red to white with qigong when Qin Gui returned Sima Yi's troops to withdraw, and then from white to Sichuan Opera.
Green means Zhuge Liang's fear after he was relieved.
skill
In a word, changing face is a unique skill in Sichuan opera, which has been borrowed from other brother operas and spread abroad. As a second-class national secret, Sichuan Opera's changing face will also cause certain cultural losses when it is spread abroad. If it is not protected, it may be registered as a patent of another country by the Japanese like rice paper.
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There are many places in Chengdu where Sichuan Opera has changed its face. Except for the poor performance, my Sichuan opera has changed its face now.
Two places are recommended: Shuyun: The theater was formerly a folk Sichuan Opera Troupe. A few years ago, in order to meet the needs of tourism culture and development of tourism, the theater gathered several famous people in Sichuan Opera, and displayed various unique skills of Sichuan Opera, which has strong appreciation and good reputation in Sichuan Opera. Jinjiang Theatre:
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stunt
Changing the face of Sichuan Opera is a stunt in shaping characters in Sichuan Opera art. Revealing the inner thoughts and feelings of the characters in the play is a romantic technique. According to legend, "changing face" means that ancient humans changed their faces into Sichuan opera in order to survive in front of wild animals.
My face is outlined in different ways to scare the invading wild animals. Sichuan Opera puts "changing face" on the stage, making it a unique art with wonderful skills.
Emotional makeup
Emotional composition of China's traditional operas. Face changing was first used for supernatural figures and existed in the Ming Dynasty. There is a record of "changing face" in Ming Dynasty's zaju "Jiro Guan Kou Chops Jiao Jian". The change of face at that time was that the actors went backstage to change clothes. Later generations changed their faces on the spot and became stunts, which were found in many local operas, with Sichuan Opera being the most famous. Face changing can be divided into big face changing and small face changing. Full face changes, including 3 changes, 5 changes, and even 9 changes; A small face change is a partial face change. There are three main ways to change your face: wiping your eyes, blowing powder and pulling your face. The first two are painted makeup, such as popping eyes, which means that the actor's fingers are painted with dark blue pre-stored in the brow or temple, and it changes immediately; Blowing powder is rougher, that is, the actor blows toner to change his face; The latter adds a mask, which is attached to the face layer by layer. It is elastic and life-threatening, and it is torn off one by one when it is changed. There are also torn noodles and sticky noodles, which are no longer used. Changing faces requires quick action and no trace. It is mainly used for sudden changes in the mood of characters, such as panic, despair, anger, etc.
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Changing your face to Sichuan Opera is like breathing fire into Shaanxi Opera, both of which are signs and unique skills! When it comes to changing faces, it is necessary to return to Sichuan Opera first. Sichuan opera face
In other words, during the reign of Qing Qianlong and Jiaqing, temple fairs in various towns and villages in Sichuan set up a stage to celebrate the holidays. Over time, Sichuan opera has gradually become a climate in the streets. In Qing dynasty, "two lakes filling Sichuan" brought many new elements to Sichuan culture. Kunqu Opera, Gao Opera, Hu Opera and Deng Opera are gathered in the restaurant blocks of major cities in Bashu, and students, Dan Opera, Beijing Opera and Ugly Monsters appear on the small stage of the teahouse together, gradually forming a * * * style over time. In the late Qing Dynasty, it was collectively called "Sichuan Opera" and later changed to "Sichuan Opera". Compared with the origin and broadness of Sichuan opera art itself, the formation of face-changing techniques belongs to the twentieth century. During this period, changing face has gradually become a major feature of Sichuan opera by constantly exploring, evolving and refining in the opera troupe's drama against Taiwan. The tragedy of Sichuan Opera is unique, and the comedy is also unique. It is useful to change your face where there are emotional twists and turns and sudden changes in your heart. With its grotesque and ferocious facial changes, it shows the unspeakable rhythm of the characters' hearts. As a very unique way of expressing characters' inner feelings, it undoubtedly greatly increases the expressive power of Sichuan Opera itself. Every time a famous actor changes his face, it often triggers an explosion. It can be seen that the people really recognize this extremely beautiful trick.
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Generally speaking, there are three ways to change your face: "wipe your face", "blow your face" and "pull". In addition, there is a kind of "luck" face change. "Wipe your face" is to apply makeup paint to a specific part of your face, and then wipe it on your face with your hands to become another face. If you want to change everything, you can paint your forehead or eyebrows. If you only change the lower part of your face, you can change your face with the oil paints of Sichuan Opera.
On the face or nose. If you only need to change one part, you can only paint the part to be changed. For example, in The Legend of the White Snake, the old ghosts in Pei Li and Fei Yunjian all use the technique of "wiping their faces". "Face Blowing" is only suitable for powdered cosmetics, such as gold powder, toner and silver powder. Some put a small box on the floor of the stage, which contains powder. When the actor danced on the floor, he took the opportunity to blow his face close to the box, and the powder was sprinkled on his face, which immediately turned into a face of another color. Be sure to pay attention: close your eyes, shut your mouth and hold your breath when blowing. Zizi in Capturing Zizi alive and Le Yangzi in Treating Zhongshan were all transformed by blowing their faces. "Face-pulling" is a complicated face-changing method. It is to draw a face on a piece of silk in advance, cut it open, tie a silk thread to each face, and then stick it on the face one by one. The silk thread is tied in a convenient and inconspicuous place (such as a belt) in the clothes. As the story progressed, under the cover of dance movements, they were torn down one by one. For example, the bowl in The Legend of the White Snake (Zijin Bowl) can turn seven or eight different faces, such as green, red, white and black. Another example is the thief in The Old Main Building, and Nie Long in Watching Niang Beach. It's hard to pull a face. First, don't have too much glue on your face, lest you tear it off at that time or tear off all the faces at once. Second, the action should be clean and neat, and the fake action should be clever, which can deceive the eyes of the audience. Another way is to "change your face with luck." Legend has it that when Peng Sihong, a famous actor in Sichuan Opera, played Zhuge Liang in "Empty City Plan", when Qin Gui reported Sima Yi's abdication, he could turn his face from red to white and then from white to green with qigong to show Zhuge Liang's fear after liberation. In a word, changing face is a unique skill in Sichuan opera, which has been borrowed from other brother operas and spread abroad.
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The face-changing stunt of Sichuan Opera is incredible: it is amazing that a face can change as many as fourteen in an instant. And Lu Xun's frowning "The Change of a Wide Face" also surprised the audience. Sichuan opera face
A "face change": once the road ends, it will be miserable. Once in power, it's hard to look people in the eye. I didn't contact my friends and acquaintances, and I didn't say hello when I saw them. Even when walking, skirts are flying, wiping people close at hand. The second kind of "changing face": In the real society, people can often see dignitaries driving luxury cars, going in and out of luxury villas and clubs, and frequently participating in so-called social entertainment with clothes and clothes. Once they are "double-regulated" and once they lose power, they hang their heads and look helpless and sorry, which makes people laugh and cry, which is very funny and profound. The third kind of "face change": I know a manager who is engaged in engineering construction and repair. A few years ago, he was well dressed and had a good face. He didn't want to be knocked down recently, but he changed a lot. He looked like a petty man and was down and out, and he was not confident enough to speak, which made people feel poor. When asked, I realized that it was because migrant workers were cheated by more than 300 thousand, and the loans of banks and individuals could not be returned when they expired. The fourth kind of "face change": an ugly woman does not enhance her loveliness through the cultivation of her own quality, but beautifies a delicate and beautiful face with the help of modern plastic surgery technology, but actually can exchange money or even a future for her. That's great! Indeed, money is a man's face. With money, men can dress up as Song Yu and Pan An, and even do whatever they want. Without money, a man has no courage, just like an empty shell without soul. When a woman is rich, she can also shape herself into a good family, a charming beauty or a demon princess. However, there are too many kinds of "face-changing", and no one wants this kind of "face-changing" to continue to change in every corner of society, so take out precious courage and be a necessary soul!
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The secret of Wang Daozheng's "changing face" lies in Zhuang Qi and He Hongqing: Wang Daozheng's "changing face" began at 1985. In June of that year, Sichuan Sichuan Theatre went to West Berlin to attend the 3rd Horizon 85 World Cultural Festival and perform "The Legend of the White Snake". He got special clothes and props to change his face from his brother Liu Zhongyi. 1980- 12, Liu Zhongyi went to Hong Kong with the theater to perform the purple cymbals of The Legend of the White Snake, and changed four faces, which made Hong Kong people an eye-opener. Wang Daozheng followed his brother Liu Zhongyi's example, and after hard study and repeated exploration, it increased to five faces, which caused a sensation at the opening ceremony of the Third World Cultural Festival and fascinated the western audience, and was known as the "world master of changing roles in makeup". 1in may, 1987, Sichuan opera "the legend of white snake" went to fusang in the east, performed in Tokyo, Japan 16, and toured 8 performances in 7 major cities. Four Japanese journalists followed 24 videos to study the secret of Wang Daozheng's "face changing" and found that his "face changing" speed was within 1 second. As for the secret, where is it? During the period of 1996, Wang Daozheng was invited to perform in Singapore and Hongkong, and performed Sichuan Opera's unique skill "Changing Face" alone. In just three and a half minutes, eight faces such as green, blue, red, yellow, brown, black, white and gold changed one after another. 1996 At the National Day Gala in Hong Kong, the host, Miss Shen Dianxia, gave a thumbs-up and praised again and again: "Wonderful, wonderful! We stood by and couldn't see any change in your face. I only know that you have organs on your head and many organs on your body. " Hong Kong's "gold medal host" Mr. He Shouxin also joked: "Even if you don't blink, you can't see the trick. Black face and red light are shining, which is even more dazzling. "
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Wang Daozheng's "changing face" has three characteristics: one, eight sides, all of which are full faces. Generally, "changing face" is mostly a half face, which is a bit like the movie Zorro, with the mouth exposed; Wang Dao regularized the whole face and solved the problems of exhaling, inhaling and vocalizing, which looked like a clean angle mask drawn directly. Second, two-way face change. First, the facial makeup of blue, yellow, brown and black reveals its true colors, and then becomes a golden face. In other words, Wang Daozheng first tore down Facebook one by one, unveiled his "true face of Lushan Mountain", and finally covered his face with a golden face, hiding his true body; Third, closely combine the development of the plot to express the inner feelings of the characters. Zijin cymbals have undergone several changes, and the fourth brown face of "magpies make plum blossoms" has appeared. He thought he had a way, subdued the white snake, and was as happy as a child, clapping his hands and jumping. When he opened his magic weapon of yin and yang, he exclaimed, "hey, I ran away!" " Suddenly, he turned blue with anger and was all in a blaze. Here, Wang Daozheng created a vivid image with a dark face and stars, and his head, chest and back shone. Since 1985, how many times has Wang Daozheng "changed" her face in this 10 years? He can't remember for a long time. From Chengdu to Beijing, from hometown to overseas, from east to west, from stage to screen, it is gratifying that there has never been a mistake. Wang Daozheng summed up his "face-changing" trick as 14: "Manual with chest and feet, steady in place." Manual manipulation of the body, including the chest and feet, means that all parts of the body should cooperate closely, know fairly well, strive to be square, vivid in form, and have both form and spirit, so as to be stable, accurate, fast, handsome and beautiful. Just like people use household appliances in real life, the "face change" of Sichuan opera is also a face and a "button". In the performance, the actor can only touch by feeling, but can't see with his eyes. At first glance, they are in poor condition and distracted. Wang Dao is about to master the eight "organs" before he can change his face. Of course, it is not computer operation, and sometimes mistakes will occur, but it will not disappear after changing face, but during operation. Once I changed my face and ordered the third face book, but I touched the "button" of the fourth Facebook. Rich backstage experience made him feel calm and confident. First, I used several performances to confuse the audience, won an extremely precious golden time of 1 2 seconds, and looked for the third "organ" of the face book. Nevertheless, he kept changing in an orderly way.