He preached that ancient Chinese characters were created by pictographic characters, knowing characters, indicating characters and pictophonetic characters, and their shapes and meanings, such as cattle, sheep, laughter and crying, were intuitive and concrete. With the progress and development of human society, Chinese characters are becoming more and more abstract, especially from traditional Chinese characters to simplified Chinese characters. But also let people feel the impact of visual beauty, so that the writing of Chinese characters can be promoted to the artistic realm. Such a complex form of expression and visual impact effect are all accomplished through simple lines. Writing Chinese characters is difficult for everyone. Therefore, Chinese characters make everyone feel old and fresh, familiar and unfamiliar, magical and ordinary, distant and close. It is as mysterious as the universe! We all live in the universe. What do you know about the universe? So are Chinese characters. It is my lifelong ideal and pursuit to further study, explore, popularize and popularize the practical technology of Chinese character writing, so that people can approach it faster and fall in love with it!
As early as the early 1990s, Ruan Chunshuang successfully developed Ruan Calligraphy Technology. His inventions "Ruan Shi Hui MiG" and "Chinese Character Copywriting" have successively won national patents, praising him for "uncovering the mystery of Chinese character writing". Ruan Shi has published more than 80 versions at home and abroad, with a circulation of 6,540 copies.
On the basis of the first generation, after nearly 20 years of painstaking research and repeated teaching practice, he explored a new method of "playing with building blocks", that is, the second generation technology of Yu's calligraphy-"writing Chinese characters in geometric blocks"
This is a scientific extension of a generation of technology, which decomposes, arranges, arranges and reorganizes different Chinese character structures, thus solving the problem of people all over the world writing Chinese characters. In July, 2009, the seminar on "The Second Generation Technology of Yu Calligraphy" was successfully held in Beijing, which was highly praised and fully affirmed by leaders and experts.
At the Third Session of the 11th Chinese People's Political Consultative Conference held in March 20 10, improving Chinese writing ability and making "Tuo's calligraphy" play an active role in the foreign exchange of Chinese culture became a topic of concern to members.
In recent years, with the popularization of computers, Chinese character writing has gradually faded in people's daily life, and the Chinese character writing ability of some Chinese people has weakened, and Chinese character calligraphy education has also been ignored. According to reports, Shanghai recently conducted a survey on the current situation of Chinese character writing, and found that 70%-80% of students' writing was irregular and unqualified. There are few clean and tidy homework, and many students' homework, compositions and class notes are mostly scrawled and have many typos. The above phenomenon is also common in the whole country. Even in the key senior high school entrance examination and college entrance examination, some college students, even masters and doctors, are out of reach. They can knock or write. The status quo is worrying! At the National "Two Sessions" held in March this year, you, a member of the Chinese People's Political Consultative Conference, and Xia Zhining, a deputy to the National People's Congress, put forward proposals and motions one after another, suggesting that "Tuo's calligraphy" should be included in Chinese writing textbooks for primary and secondary schools to improve the ability of young people to write Chinese characters. You also gave a speech entitled "Revolutionary Innovation of Chinese Character Writing-Extension of Calligraphy is Worth Popularizing" at the conference.
In his speech at the conference, he said that, unlike the situation in China, nearly four-fifths of the students in neighboring countries, Japan and South Korea, have received different levels of calligraphy education in China, and have made great efforts in Chinese character education. The population of Japan is150,000, accounting for 1/8 of the national population. The perfect calligraphy education system in Japan requires not only students to know and write more than 2,000 Chinese characters, but also primary school calligraphy education. As early as 1950s, Japan consciously introduced calligraphy to the international market. In South Korea, learning China's calligraphy is considered as a necessary process for cultivated people to cultivate their sentiments, which requires the implementation of Chinese character education at the learning stage. In 2008, South Korea even wanted to introduce "calligraphy" into the United Nations Morning Post as a world intangible cultural heritage.
Chinese characters are an important carrier of China culture. Chinese is an important support of Chinese culture for five thousand years, one of the pillars of China traditional art, an important node and carrier in the whole Chinese cultural grid, and plays its own cultural function in the inheritance and development of Chinese culture. However, due to the complex structure of Chinese characters, how to write Chinese characters well and quickly is a big problem for primary and secondary school students. "Tuoshi Huimig", "Tuoshi Chinese character sketch" and "geometric block Chinese character writing" constitute "Tuoshi calligraphy", which can effectively solve the problem of students writing Chinese characters well and quickly. It is suggested that it should be included in the popularization and application of Chinese character writing textbooks in primary and secondary schools, so as to improve the Chinese character writing ability of teenagers, and let the innovative achievement of "Yu Calligraphy" make a contribution to changing the current situation that the younger generation is weakened in writing ability and caught in the dilemma of Chinese character writing, and to inheriting the excellent culture of the Chinese nation.
At the same time, with the rapid development of the comprehensive strength of China countries and the improvement of its international status, the excellent Chinese culture has attracted more attention in the world. In recent years, "China culture craze" and "China calligraphy craze" have gradually set off all over the world, and the number of overseas Chinese learners has exceeded 40 million. At present, China has established 328 Confucius Institutes and more than 50 Confucius Classrooms in 82 countries, but writing Chinese characters is a big obstacle for foreigners to learn Chinese. "Tuoshi Calligraphy" can effectively solve the difficulty of foreigners writing Chinese characters. At the same time, it is also suggested that it should be listed as a Chinese writing textbook of the Confucius Institute in the world, so that it can play an active role in foreign cultural exchanges. Tongliang District put forward "Suggestions on Accelerating the Development of Tuo Calligraphy Culture Industry" and decided to use it as an important carrier for Tongliang District to create "the hometown of calligraphy in China". At present, a series of teaching materials (including soft pen and hard pen copybooks) of the second generation technology of Yu calligraphy are being compiled nervously, ready to be investigated by the Ministry of Education. China Education Television also produced a 28-minute documentary "The Evolution of Books", which has been broadcast in Confucius Institutes all over the country and around the world.