Secondly, a story is too long, and the focus on the plot is easily interrupted by real life. It is normal that the emotions accumulated these days have been diluted by the climax of the play. What's more, the design of many plays is just slow or not successful at all. Whether you can accumulate emotions is another matter. The more it develops, the more literary the temperament of the work will be. This is the freedom of expression he got from the studio and the market, but he didn't abuse it like some popular programs.
Besides, Jimmy's performance was so cute that his inner feelings were written on his face. Then, I found the two brothers touching porcelain, and I was relieved and calm. You two are breaking ground, son. Later, Jimmy, as a senior, also made a brief evaluation and scoring for two underachievers. On the one hand, it is an embarrassing life, on the other hand, it is a check for $26,000 written by the law firm. It only takes a few seconds to think and tear it off. Jimmy likes speculation, cleverness and money, but he turned a blind eye to the $26,000, and the tension of his role suddenly appeared.
You know, one of the highlights of this drama is the driving force of the plot. What the characters do in each episode will contribute to the next climax. Like laro? Back from the dead? Similarly, I went to the north to painstakingly find evidence to defeat Uncle Fried Chicken. It doesn't have many scenes, but it can vaguely string these details together, and finally push them to the life-and-death showdown between Lalo and Uncle Fried Chicken. Similarly, in order not to reveal his identity, Saul found the taxi driver Jeff and used the methods of stealing from the supermarket and reselling personal information after drinking in the bar.