Baoyu visits the sick. How can Qin Keqing's uncle sleep in his niece's room?

Baoyu is a romantic figure who is most used to caring for jade. The police fairy once called him "the first Yin person in the world, ancient and modern times", while Qin Keqing's metaphor is "love can be light" and he is also a romantic figure. Her judgment is that "love is deeper than boundless love, and love will dominate yin", and the judgment of songs is "good customs, grasp the moonlight" and "staying evil is always due to love". It can be seen that their temperament is very similar. Baoyu's predecessor was Shen Ying, a waiter in the Chixia Palace in the sky, and Qin Keqing's predecessor was Jing Xian's sister. She was originally the first in love, in charge of romantic debts. It can be seen that their origins are very far-reaching.

Jia Baoyu was sleepy in the afternoon and was arranged in Qin Keqing's bedroom. What caught Baoyu's eye were Begonia Sleeping in Spring, Qin Taixu's Couplet, Wu Zetian's Mirror, Zhao Lipan, An Lushan's Papaya Splashing Too Real Milk, Princess Shou Chang's Bed, Tongchang Lotus Pearl Account and Xizi Shabei, which not only showed the luxury of the bedroom, but also showed the romantic character. Therefore, as soon as Baoyu entered Qin Keqing's bedroom, he felt "soft cartilage in his eyes" and even said, "It smells good!" And say "it's good here". Qin Keqing's bedroom is so to Baoyu's liking that it is natural for Qin Keqing to appear in the spring dream after sleeping.

Every boy has a goddess in his heart, but Jia Baoyu has two in his heart. One is Lin's younger sister, who is "knowledgeable and versatile, as ill as a child in the west", and the other is "elegant in muscles". Qin Keqing has both: "Bright as Baochai, charming as graceful as Daiyu". The perfect combination of the two.

Besides, Baoyu is an uncle and he is not old. Although Ke Qing is married, he is not old. So, at the right time, in the right place, in the right mood, Qin Keqing became Jia Baoyu's dream lover, the object of spring dreams.

The love story between Jia Baoyu and Lin Daiyu in A Dream of Red Mansions makes young men and women cry, but Baoyu is not just an infatuated person, he also has his own love and desire. Cao Xueqin points out this elegant emotion by "meaning yin" in his novels, but the fact that Jia Baoyu's initial dream object is confusing many people. Why did the author arrange such a bridge? As brother-in-law and niece, is the relationship between them really as simple as that written in the book? With these questions, let's take a look at Qin Keqing first.

Qin Keqing's verdict is "boundless affection, love will be overcast", and Song's verdict is "good amorous feelings, grasp the moonlight". It can be seen that Ke Qing is also a very emotional person, but due to the deletion of the author of A Dream of Red Mansions, some important chapters belonging to her were deleted. However, from Qin Keqing's luxurious and secret boudoir arrangement, we can still see the diversity of her emotional world.

Look: the spring sleep of Haitang, Qin Taixu's couplets, Wu Zetian's precious mirror, Zhao's vertical plate, An Lushan's papaya splashing too real milk, Princess Shou Chang's bed, Princess Tongchang's couplets, and her gauze quilt. Most of these things are utensils used by former women to dress up, or paintings with some spring flavor. In other words, when a heterosexual enters such a small room with strong fragrance, deep curtains and exciting calligraphy and painting, can he sleep?

From a psychological point of view, such objects are actually full of sexual hints, and Qin Keqing should be a little older than Baoyu at that time. This arrangement actually reveals Qin Keqing's provocative and flashy side as a noble woman.

As soon as Jia Baoyu entered Qin Keqing's bedroom, he praised him. In fact, this is because they have common interests. Qin Keqing and Jia Baoyu are both sentimental figures. In a sense, they are both attached to romantic figures. Spring dream only plays a connecting role, releasing Jia Baoyu's true inner desire.

Baoyu, who is in an interesting stage, naturally has other sexual associations in such a private small space, which is an inevitable process of human psychological development, just like some celebrities today recall their early goddesses.

It's just that Baoyu is not only a psychological idea, but also a strong impulse to dominate the body, so he was enlightened by his sister Ke Qing (with a beautiful birth name) in his dream. Qin Keqing actually plays a key role in the book, which is a metaphor for the true animal nature of human beings. In the author's view, this aspect has its own value, but higher-level emotions can only be enriched after experiencing and understanding the physical pleasure.

To sum up, life without experience is incomplete, and life without investigation is not worth living. You can't imagine how a loveless Baoyu is infatuated with Daiyu.

Qin Keqing's secret love with Jia's family is also ironic, and the complicated relationship within Jia's family can be vaguely seen from the "picking up ashes" in the following article. Through Jia Baoyu's continuous narrative of learning about men and women in his dream and going to Wushan with xiren after waking up, it shows a change of life form as an individual, that is to say, only when Baoyu really has the accumulation of physical sexual behavior will he have a higher pursuit of Lin Daiyu's spiritual level. Material body and spirit are two sides of the same body, which are inseparable.

The connection between Qin Keqing and Jia Baoyu is extremely subtle, and the description of A Dream of Red Mansions is also wonderful in this combination of reality and reality. The seemingly nondescript sex in the dream actually paved the way for the unfolding of Jia Fu's story and the richness of Baoyu's emotional world. There are a thousand Jia Baoyu in the eyes of a thousand readers. Baoyu is not an ascetic saint. On the contrary, he also has his own most straightforward desires. This is probably the true human feelings that the Red Chamber wants to convey.

Baoyu's dreamland in A Dream of Red Mansions is the major joint of the book, and it is also the most important evidence for us to study the plot after the 1980s. This time I talked about one thing-Baoyu wet dream.

Baoyu slept in Qin Keqing's room. When he woke up, his pants were wet. Xiren is two years older than Baoyu. He knows what's going on. After returning, Baoyu had sex with xiren.

Many people will find it strange that Baoyu is an uncle and Qin Keqing is a niece. It is impolite for Baoyu to sleep in her room, but Baoyu still has a spiritual first time in her bed. It is the sister of Jingxian who has sex with her, and her birth name is beautiful, also called Ke Qing.

As we all know, the sister of the police fairy is the incarnation of Qin Keqing, so why does an uncle have a spiritual first time with his niece, not someone else?

The main reason may be related to Tsao Gong's setting of the role of Qin Keqing. Qin Keqing's verdict is that "boundless love is in illusion, and when she meets, she will be the main prostitute." I have done analysis in my humble work before. Qin Keqing, a woman, has been a "prostitute" all her life. She also said that her love with the men around her is a "variant of love".

Qin Keqing and Jia Zhen are daughter-in-law, but they are related. This is a variant of love. I infer that her relationship with Jia Qiang in Sister-in-law is also a variant of love, and Baoyu's sex with his uncle in his dream is undoubtedly a variant of love.

What is a "variation of love"? The abnormal relationship between men and women, Qin Keqing ranked last among the twelve women, not because she died early and had few stories, but because she was labeled as "lewd" by Tso. So the fat group said, "Who dreams of entering Hua Xu?" ? Romantic sinner forever.

Secondly, it was inspired by the police dream. Baoyu is an ignorant urchin. If he had not been entrusted by Rong Ning's soul, police illusion might not have entered Baoyu's dream. He wants to warn his stubbornness by various means and guide him on the right path.

The fairy first showed Baoyu the Book of Evil Obstacles, but Baoyu didn't realize it. Later, Jing Huan took him to a dream of red mansions, but Baoyu still didn't realize it. So the fairy had to find another way to secretly teach Baoyu about sex and let him marry his sister.

Guided by this, Baoyu had a spring dream, because Yu Keqing in the dream was tender as water, soft and inseparable. But we know that when Baoyu first fell asleep, he heard such a song: the dream of spring disappears with the clouds, and the flowers chase the water. Send a message to the children, why bother to find leisure. This is actually to alert Baoyu and remind the world, but Baoyu is too stupid to realize it.

Third, Ke Qing's leading role in Baoyu's dream. If we read it carefully, we will find that in Baoyu's spring dream, Ke Qing is at work from beginning to end. It was she who led Baoyu to the dream. It was she who had sex with Baoyu in the dream and woke Baoyu up. She should have played a leading role in Baoyu's feelings.

Cao Xueqin's arrangement must have his profound meaning. According to the fat group, we know that the reason why the police phantom sister has a nice name is just as the fat group said: wonderful! Cover refers to Lin Xue also. Does Baoyu's sexual relationship with him also imply Baoyu's later marriage disputes with Baochai and Daiyu?

Of course, we can't equate Ke Qing in Baoyu's dream with Qin Keqing in reality, just as we can't simply equate Jia Baoyu and Zhen Baoyu with one person.

In A Dream of Red Mansions, everything written in the dream is false and really false, just like the couplets on both sides of the dreamland: when it is false, it is true, when it is true, it is false, and when it is inaction, it is everywhere. When the false becomes true, even the true becomes false. When you have nothing, you actually have everything. When you have everything, you actually have nothing.