"A Chang and Shan Hai Jing" recalls the scene of getting along with the nanny Dragon Mother when I was a child, and describes the dragon mother's kind, simple, superstitious and nagging character. "Full stomach is a troublesome etiquette"; I am full of respect and gratitude to her for finding and giving her a long-awaited painting "Shan Hai Jing". The article expresses the sincere memory of this working woman in affectionate language.
Starting with the children's books at that time, Twenty-four Filial Paintings recalls the feelings of reading Twenty-four Filial Paintings when I was a child, and reveals the hypocrisy and cruelty of feudal filial piety. The stories of filial piety, such as "Seeking carp on the ice", "Old Lai entertaining relatives" and "Guo Ju burying children", are emphatically analyzed, accusing this feudal filial piety of ignoring children's lives, taking nausea as pleasure, "taking unkindness as a training, slandering ancient evils and teaching future generations ill". The work sharply criticized the tendency of opposing vernacular Chinese and advocating retro at that time.
Wu Canghui describes the eagerness and excitement when I was a child, and the feeling of disappointment and pain when my father forced me to recite Jian lue. It pointed out that compulsory feudal education suppressed and destroyed children's nature.
Impermanence describes the image of impermanence seen in the countryside and drama stage when I was a child, which shows that the straightforward and fair image of impermanence is loved by the people because there is no justice in the world, the wicked can't get what they deserve, and "fair trial is in the underworld". In the discussion, under the banner of "justice" and "justice", the article made a bitter mockery of "gentleman".
From Baicaoyuan to Sanyan Yinyue, I described the fun in Baicaoyuan's home and the boring life of studying in Santan Yinyue when I was a child, revealed the sharp contradiction between children's extensive interests in life and feudal bookstore education that bound children's nature, and expressed the reasonable requirements for children's healthy and lively growth.
"Father's Disease" recalls the scene of delaying treatment for his father as a child, describes the attitudes, styles and prescriptions of several "famous doctors", and reveals their ignorance of witchcraft and medicine, mystifying, extortion and disregard for the essence of human life.
The above seven works describe the fragments of Lu Xun's childhood life in his hometown, showing the human feelings and social features at that time, and are valuable chapters for understanding young Lu Xun. The following three works, Xiaozi Notes, Mr. Fujino and Fan Ainong, describe Lu Xun's experience after leaving his hometown to study in Nanjing and Japan, leaving a heavy footprint on young Lu Xun's pursuit of truth.
Miscellaneous Notes tells how Lu Xun went to Nanjing to study and look for "another kind of person". The work describes the disadvantages and difficulties of studying in Jiangnan Naval Academy (later renamed Thunder Academy) and Mining Railway Academy at that time, and criticizes the "cigar smoke" of Westernization Academy. The author described his excitement when he first came into contact with the theory of evolution. He read the theory of evolution hungrily despite the opposition of the older generation and showed a strong desire to explore the truth.
"Mr Fujino" records the author's study life while studying in Japan, and describes the process of being discriminated and insulted by Japanese students in Sendai Medical College and deciding to abandon medicine and join literature. The author highlights the rigor, integrity, enthusiasm and noble character of Mr. Fujino, a Japanese teacher, saying that "his character is great in my eyes and heart, although his name is not known to many people". Expressed deep affection for Mr. Fujino.
Fan Ainong traces the author's contact with Fan Ainong during his stay in Japan and after his return to China. It describes Fan Ainong's dissatisfaction with the dark society before the revolution and his pursuit of the revolution, as well as his persecution after the Revolution of 1911. It shows his disappointment with the old democratic revolution and his sympathy and mourning for this upright and stubborn patriot.
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