Repetitioners naturally have a year's drawing examination foundation, and even become the object of worship of fresh graduates. Painting techniques and lines are relatively mature, attracting many students to study and consult. How can they be discriminated against? So is the studio. After an art examination, the objective of the examination is clear, the foundation of art is solid, and the repeat students are highly valued, which is the key training object of the studio.
Don't choose a studio without repeating classes.
Why do you say that? Unless you can control yourself with super self-control, stay in a comfortable studio and have no separate repeat classes, the atmosphere will be more relaxed if you study with fresh graduates, because the pressure of fresh graduates is not as great as that of repeat students, and sometimes even upward, so art students with average self-control will naturally be led astray. At the end of one year, you have spent time, money and energy, but you have not got satisfactory results. Be sure to prevent lightning strikes! On the contrary, if you go to an independent repeat class, you will repeat it for one or two years, or even three or four years, and your classmates will be your best teachers. You can see tenacity in them, learn from them the qualities you lack, and learn from them. Atmosphere is very important! Choosing a studio without atmosphere is a waste of youth.
Teaching and teachers
We must see whether the teaching arrangement is reasonable, whether we have our own teaching mode, whether the teaching atmosphere and progress are suitable for us, and we must try for a period of time if necessary. Second, see whether the teachers are full and whether the repeat classes can take care of every student. It is best to listen to the teacher on the spot. Those who draw well may not be taught well, especially those who have been to the studio for training. This may have its own experience. After understanding the teacher's level, you can come up with your own works and let the teacher guide you. One more thing, don't go to the studios of most teachers with very low teaching experience. Insufficient teaching level is fatal.
Studio scale
There are too many people in the studio, which does not necessarily mean it is suitable for you. Medium-sized studios, such as studios with about 200 to 500 people, can be the first choice for ordinary art students to repeat their studies, which not only avoids being at a loss in large studios, but also avoids the shortcomings of small studios, such as "low competition pressure and uneven teaching level of teachers".
Finally, I wish you can realize your dreams and ideals!