With the country's increasing emphasis on quality education for college students, its teaching materials have mushroomed. However, it is difficult for teachers and students to obtain systematic, authoritative and practical excellent teaching materials. In order to get rid of this dilemma, Shanghai Conservatory of Music Press, relying on its strong academic, scientific research and teaching advantages in the academic world, grandly launched a series of teaching materials of the Department of National Music Education in Colleges and Universities. This set of textbooks covers all disciplines of music education in colleges and universities, which can be used as an auxiliary teaching content for music majors and is more suitable for music teaching in normal universities.
Based on the concept of "popularization of university education, college students make teaching materials", the author hired experts in various fields of national music to write corresponding courses respectively. They are not only first-class scholars who have made achievements in various fields, but also excellent teachers who have worked in the front line of education for many years and have rich experience. Each tutorial is the accumulation of their academic, scientific research and teaching achievements for many years.
"Practicality" is another major feature of this set of textbooks. After each course has a concise theoretical narrative, it is helpful for teachers' teaching and students' self-study with a large number of examples, exercises and answers.
I believe this set of teaching materials will soon become an ideal example of music education teaching materials in colleges and universities across the country! Chapter 1 Sound, Pitch and Twelve Laws
Section 1 Music and Noise
The characteristics of music in the second quarter
Section 3 Sound System
Section 4: Tone series, tone level, tone range and tone region.
Section 5 Different Marking Methods of Twelve Semitones
Section VI Labeling Methods of Traditional Order Names and Dhamma Names in China
Practice and reference answers.
Chapter II Division of Notes and Its Term
The first section notes and staff
Basic division of note duration in the second quarter
Rest in the third quarter
Supplementary symbols of growth time in the fourth quarter
Special division of note duration in the fifth section
Duration of notes with a specific pitch in the sixth quarter
Practice and refer to the answers
Chapter III clef and rhythm
Section 1 clef
Section 2 Spectrum Table
In the third quarter Lu Yin and Yang
Practice and refer to the answers
Chapter IV Playing and Beating on the Day
The basic concepts of section and section.
Second beat and time mark
Section 3 Various Beats
Section 4 syncopation
Section 5 Combination of Sound Values
Correct division of the sixth beat
Section 7 China Traditional Music.
Practice and refer to the answers
The fifth chapter interval
Section 1 Melody, Tone and Harmony Interval
The extent and nature of the interval in the second quarter
Expansion and contraction of the third section interval
The fourth quarter single interval and complex interval
Section 5 Equal intervals
Section 6 Interval transposition
Section 7 Methods of Forming and Identifying Spaces
Section 8 harmonious intervals and dissonant intervals
Practice and refer to the answers
Chapter VI Natural Scale Model
Section 1 Natural Major Mode and Its Scale Structure
The second section, key signature with natural big mode.
Section 3 Natural Minor and Its Scale Structure
The relationship between signatures in major and minor.
Practice and refer to the answers
Chapter VII Variation of Natural Scale Model
Section 1 Harmony Mode
The second quarter melody size mode
Section III Comparison of Color Interval between Large and Small Modes
The fourth quarter, the characteristics of the major and minor modes.
The fifth section is the same as the tonic.
The sixth part points out the main points of various modes.
Practice and refer to the answers
Chapter VIII National Model and Medieval Model
The first quarter pentatonic scale and its mode
Ellipsis form of pentatonic scale in the second quarter
Section 3 Traditional Seven-Tone Scale
Ellipsis form of seven tones in the fourth quarter
Section 5 Tonggong Tune and Its key signature
Section 6 Medieval Model
Practice and refer to the answers
Chapter 9 Chords
The first quarter triad and the seventh chord
In-situ chord and inverted chord in the second quarter
Composition of chords in the third quarter
The fourth quarter equal chord
The fifth section chord marker
Section 6 Resolution of Inconsistent Chords
Practice and refer to the answers
Chapter 10 The Relationship of Tone
The first section is the close relationship between big and small tones.
In the second quarter, the main chords have the same tonic.
The third section, the mode of the same palace system and the mode of intimate relationship.
The fourth quarter, homophonic pentatonic scale
Practice and refer to the answers
Chapter XI Alternation and Conversion of Tone sandhi and Tone
The first section is modal sandhi.
Mode chromatic scale in the second quarter
Section 3 transposition
The fourth quarter is out of tune.
Section 5 Tone modulation
Section 6 Alternating Mode
Practice and refer to the answers
Chapter XII Decorative Tones, Playing Symbols and Musical Terms
Section 1 decorative sound
In the second quarter, playing symbols
In the third section, write down the score briefly.
Section 4 Common Musical Terms
Practice and refer to the answers
Thirteenth Lv Zhang system
The first section overtone train
Section 2 Twelve Average Laws and Phonetic Points
The law of five degrees in the third quarter
Section 4 Pure Law
Practice and refer to the answers
Appendix: Music Theory Test Paper and Its Reference Answers
refer to