It's from "A Thousand Years, Several Sound Strings", which is the work of Zhang Xian, a poet in the Song Dynasty, and was selected as "One Hundred Poems of Song San". This word describes the bitterness and unswerving faith of love.
The original text is as follows:
A few stingrays, and then report to Ren Fangfei for rest. Cherish the spring and break the red. The rain is small and the wind is fierce, and the plum blossoms are green. Yongfeng willow, no one is full of snow.
Don't pull strings, you can talk about it. The sky is not old, and the love is hard to break. The heart is like a double screen with a Qian Qian knot in it. The night has passed and the east window is not white. Set the broken moon: the lonely light goes out.
The translation is as follows:
Several cuckoo birds are singing, reporting that the splendid spring will wither. People who cherish spring must fold the residual flowers. How can it be that the rain is gentle and the wind is fierce, just in time for the late spring when plums turn blue? Look at the willows in Yongfengfang, scattering catkins like snow all day in the deserted garden.
Don't pluck the strings of the pipa, because my deep sadness is hard to talk about. If there is love in the sky, it will never grow old and the true feelings will never die. Affectionate hearts are like those silk screens with Qian Qian's knots in the middle. Midnight is over, the east is not white, and there is a crescent moon.
Extended data:
It is fair to write about the scenery in late spring: the rain is small and the wind is tight, which urges the flowers to fall; Cuckoo cries for the end of spring, which creates a strong sentimental atmosphere. Xi Chun's poet searched for and picked the residual flowers among the flowers, vividly describing the poet's true feelings of hurting spring and loving flowers. Then, I wrote down the loneliness of spring and the cold inside me with Yang's fallen flowers.
Xia Gan's lyricism: comparing the "heaven" that is "not old" with the "emotion" that is "hard to get rid of", and then comparing the "double screen" of "Qian Qian knot" with the sad heart of worry, expressing feelings and grievances incisively and vividly. Finally, ending with the lonely light scene at night, the whole lyrical atmosphere is shrouded in the dark abyss, which is very lyrical.
The whole poem is subtle and vivid, which embodies Zhang Xian's style of ci.
Baidu Encyclopedia-Chitose, a few strings