Although I was psychologically prepared for the routines of domestic comedies, I still felt a little bored when I really started watching them. Not that movies are not funny. I just feel that I have watched too many similar movies and I am tired of aesthetics. I don't like this shallow hard comedy. Although some places can't help laughing, there is no other people present.
In addition, the background of this film is almost entirely set in Japan. Although the leading role and the most important supporting role are set in China, they can barely be called domestic films, but they give people the impression that they are Japanese tourist propaganda films.
As a commercial film, Fat Man Action Team is undoubtedly a success. After all, it is the first time for the baby to be a director, and it seems unrealistic for the new director to make a large film that meets the market demand and has depth. Making movies is a commercial activity. If the subject matter is profound and meaningful, but the "vulgar" viewers don't buy it, then directors and investors will not be encouraged to shoot. In the final analysis, it is determined by market demand.
I hope that Bao Beier can explore his own style in his future works, combine elegance with popularity, and make more film and television works with both connotation and box office.
Although we have the impression that film and television works are not necessities of life, from a macro perspective, cultivating our own film and television culture in China is related to the future of our country and nation. If we blindly let foreign film and television culture occupy our market, such as the early Japanese wave and the leading Hollywood film culture, we will be invaded by culture unconsciously. Therefore, I hope everyone will support more domestic films, and I also hope that domestic directors will not blindly cater to the market, but should take care of art and bother to find a good script and shoot some meaningful film and television works.
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