The traitor in the endless movement is Qinqin, which ruined the relationship with Niuniu and failed Lala. The relationship between Lala and Niu Niu's husband has always been special, but Qin Qin directly attracted Niu Niu's husband and became a new love intruder. Niu Niu hid it for a long time before she found out about it. Because the same man, become friends with each other, there is a gap between each other.
Introduction:
On New Year's Eve, three successful women, fashion model Qinqin (ornaments), real estate agent Mrs. Ye (flat ornaments) and artist Lala () came to her house for the Spring Festival at the invitation of fashion magazine publisher Niu Niu (Hong Huang). The purpose of Niu Niu's treat is to find out who the lover of her husband who ran away from home is, and everyone knows that she is going to the Hongmen banquet, so she was very cautious at first. When they told their emotional stories, Niu Niu found that it didn't matter who her husband's lover was, because to some extent, she was the same person as them. Beneath the surface of success and self-confidence, hidden in her heart is the irreparable emotional guilt and endless desire left over from the past.
Director Ning Ying captured the subtle expression changes of each actor in the film with accurate lens vocabulary, and the attention to this subtle expression even made the picture go beyond the traditional composition mode, and partially enlarged to the bare level. On the other hand, through the organization of lens vocabulary and the processing of speed in editing, a unique psychological vocabulary is created. At the end of the film, several women walk towards unknown composition techniques and creativity on a wide road, which is easily reminiscent of the similar endings of many classic works in the French New Wave period. As a female film, Endless Movement discusses the loneliness and lost feelings of urban women (comment on News Noon).
The shooting technique of Endless Movement is a combination of documentary and illusion, and the lines are connected by common slang and mumbling. The distortion of photography and performance is deliberate and direct, which makes it difficult for many viewers to accept. There is also a scene where four female stars chew chicken feet for 20 minutes. The director used various lenses and angles to shoot their posture and expression of eating chicken feet, which was not beautiful at all. This shocking shooting technique is enough to shock many male audiences (West China Daily Review).