Han xiulong
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Mr. Peng Babai, librarian of the Central Museum of Literature and History, was a famous painter and patriot from the Republic of China to the early days of New China. His paintings often have to be inscribed with his own poems, sometimes one poem is not enough, and then the topic is repeated until it is finished or the composition is safe. In addition to poetry, Mr. Peng Babai is also good at inscriptions, but it is very rare. I found a few examples, his literary talent is romantic, and his artistic and social information is rich, which is rare. The special exhibition is recorded here for scholars to study.
The inscription of Mehitu: "Shi Xue Meyer? Mei shixue? All kinds of people love beauty, and who is not as good as me, wood and stone are particularly important. Bing Shen Xia wrote Yan Yong's good friend Yazheng, and Qu Zhou Peng was eight hundred and five years old. "
This is an inscription written by Peng Babai at the request of a relative in his hometown. According to the information and the people he contacted, Mr. Peng Lao always gave everything to people who asked for paintings and calligraphy, especially in the early days of new China after liberation.
In ancient poetry, there are people who are more beautiful than plum and snow, saying that "plum is without snow, and snow is without plum customs", but in Peng Babai's works, there are new ideas that plum and stone are comparable and have their own advantages, which are irreplaceable and complement each other. Anita mui is virtuous, shipu is firm, there are similarities and differences, and they are all great beauty in the world. All plants and trees have feelings and spirits. When we draw people, we should express our feelings for plants and trees in order to gain spirit in our works. Peng Babai helped write for the inscription, which not only grasped the meaning of the inscription, but also showed no trace, so it was a big hand.
"Ride a Phoenix and Play the flute": "In recent years, although the old paintings are very prosperous, they are willing to imitate when they meet good paintings. I found a picture of a fairy riding a phoenix and playing the flute yesterday. I don't know if I can do it in case. Qu Zhou and Peng Babai also know the Shu room. "
This inscription also provides some information for us to search for Peng's artistic life in those 800 years. It is conceivable that Mr. Peng Babai is blessed when he is old, cared for by his leaders, comfortable at night, proud of his paintings, and imitates them as soon as he sees good paintings. Old people and good brothers are always very close, and it is natural to have two wonderful flowers at home. Even when I was imitating, I told the old man that he would be happy when he heard good things, and he would learn when he saw good things. Peng Babai is in his early teens. He tried to ask Peng Hualan for advice. Peng Babai can put down his body to study Zhang's works, and his personality realm can be seen. The Zhang brothers have an important position in Peng's mind. Peng's family has a collection of Zhang brothers' paintings, which should be quite a few, because later in his later years, Peng Babai took out a tiger painting of Zhang and gave it to Li Shucheng, a descendant of Quzhou's hometown, to copy and learn.
Inscription for the Picture of Shi Lan in Liu Ruzhou: "After working in Gao Han for a long time, I passed through Jigong Mountain and visited the orchid production area. I saw the orchids at the foot of the mountain, hidden among the rocks in the distance. On a sunny day, flowers are fragrant, branches are drooping and endless leaves are dancing. Its true posture was unconsciously applied to the end of the wrist, not like a cloud at all. It is also unique. 196 1 year, two days after the publication of "Summer Solstice", he wrote like a great writer Liu Ruzhou, that is what he hoped for right and wrong. The 80-year-old Peng Babai freehand brushwork and inscribed the meditation room. "
This is Peng Babai's inscription on the "Map of Shi Lan" presented to Liu Ruzhou. The life experience of "Liu Ruzhou" remains to be verified.
From the inscription, we can know that Peng Babai joined the army in his early years and was born in the army. He was indecisive in Jiangnan, but he did not scrap the painting. And many things are sketched, and Lan is his favorite. Sketching for Lan is the joy of his life, but he doesn't have time to sketch. Anyone can see it anywhere, so he will keep it in mind and send it to his pen. Writing this record is very interesting. Peng Babai, who was crazy about bluegrass, saw patches of bluegrass at the foot of the mountain. It is really a kind of luck for the old painter to keep it in mind and write it down in his later years. Not good?
At the top left of this picture, Peng Babai is still unfinished. He wrote a poem with seal script: "Lansheng Rock Valley is not full of flowers. Qingqi comes with the wind and is the ancestor of incense. "
Preface to the Bluestone Map of Qunqiang Newspaper: Qunqiang Newspaper opened my eyes, benefited my intelligence and was my good friend. Today is the 6000-year anniversary. Special wishes from Lan. Thank you. It was remembered by Peng Xia Hong En. "
It has been 1929 years. Peng Babai was named Peng in his early years, and later he was named Peng Babai. This is the inscription on the Bluestone Map presented to Qunqiang Daily that year. This newspaper has issued 6,000 issues, which is really gratifying. During the period of the Republic of China, it was 24 years since 19 12- 1936. Its social address is outside Zhengyangmen, Beijing. In his inscription, Peng Babai praised the newspaper as the fragrance of orchids and wished it as eternal as a stone.
? "Inscription on the Stone Figure of Cynthia in Taoranting": "Four seasons are green, a hundred knots of bamboo are evergreen, the stone remains unchanged, and the unchanging person writes three things, and the gentleman is four beauties. In the Mid-Autumn Festival, Qu Zhou Peng wrote a blue (bamboo) stone. "
In Taoranting Park in the south of Beijing, there are 800 square calligraphy and painting stone carvings inscribed by Peng, which are well preserved. The content of the stone carving is 1933 Mid-Autumn Festival. Wu convened an elegant collection of scholars and their subordinates in Beijing. This is one of them. Peng Babai left a question on the screen. In this inscription, Peng Babai links things with the strength of people, reminding people that the four beautiful women stand between heaven and earth without feeling guilty. It is difficult to send a message, but it is difficult to understand people.
? Painters in this world, it is difficult to write poems in paintings, so you have to read 800 poems by Peng. How easy is it to write them down?
(The author is a consultant of Peng Babai Painting and Calligraphy Research Association)
? 20 19.5.6