At 3 o'clock this afternoon, the second China Contemporary Ceramic Art Exhibition sponsored by China Artists Association opened in China Art Museum.
Among them, Liu Zhijun's work "Dao Xuan" became the only work selected and exhibited in the Jun porcelain industry in Henan Province.
Liu Zhijun is at the exhibition site.
Tao Xuan, for people who have long been concerned about the ceramic industry, should not be unfamiliar:
In 2009, it won the gold medal in the first China ancient kiln firing competition!
20 10 won the gold medal of the ninth national ceramic art design innovation design!
20 1 1 won the silver prize of the first China Gaoling Art Exhibition!
Especially those exhibited in China Pavilion during the 20 10 Shanghai World Expo!
This exhibition is a high-standard ceramic art feast, with Liu Dawei as honorary director of the exhibition organizing committee, Han Meilin, Xu Li and Chen Haiyan as directors, and the judges selected experts from the judges' library of China Artists Association. Exhibition * * * received105 works by 43 authors16/kloc-0. In early April, 242 works were selected, and in May, 206 works were re-selected.
Why can Daoxuan win many awards?
Geng calligraphy
"Jun kiln in Song Dynasty has the beauty of azure and coloured glaze. Now Master Liu has deliberately innovated and made' Tian Xuan Glaze, Daoxuan Bowl', which is a new masterpiece of modern Jun kiln craft works! " This is a part of the calligraphy of China ancient ceramics master Geng 20 10 in June, which reveals the mystery: inheritance and innovation!
Liu Zhijun was born in a noble family of Jun porcelain and studied with his father and brother since childhood. In nearly 30 years of ceramic art career, I studied under a teacher and systematically mastered ceramic art design and professional porcelain making technology. On the basis of traditional porcelain-making technology, combined with contemporary porcelain-making technology, he designed and created more than 200 kinds of works by using China cultural symbols, and won many international and domestic awards, which were collected by professional institutions and museums such as the Palace Museum and the Great Hall of the People.
Daoxuanbo
As far as Taoist Xuanbo is concerned, its shape is very simple, like a circle, divided into two halves, and the round sky is like a cover. Yuyu expounds that its external application is unique and bold, like the creation of the earth, such as the primitive wilderness. Among them, Christina is sky blue, as clear as the sky and as vast as the ocean. One yin and one yang, one thick and one thin, one wild and one elegant, one crazy and one convergent, are in line with the great thought of Taoism and nature in China's traditional philosophy.
Feng Jicai, a great cultural expert, commented on Xuanbo: China porcelain's expression of philosophical thoughts shows the understanding of the universe and nature with utensils, which is as simple as philosophy and best represents contemporary China porcelain.
In Liu Zhijun's view, Jun kiln porcelain has a history of 1300 years since the Tang Dynasty. Due to the differences and changes in porcelain-making level, skills and aesthetic requirements in different periods, the art of Jun kiln changed with the changes. The Tang Dynasty was colorful, Shang Qing and heavy purple were bold in the Song Dynasty, and the Ming and Qing Dynasties were elegant and agile.
Today, Jun kiln integrates porcelain-making technology, scientific and technological innovation and humanistic spirit. How to inherit and innovate?
Liu Zhijun practices Zhi Ming: his works, represented by Tao Xuanbo, create a brand-new ceramic context to express his understanding and interpretation of China traditional culture, his magnificence, his realm and the fusion of his images. He is the inheritor of China humanistic ceramics.