This performance in Fujian, Beijing Peking Opera Theatre will bring two representative and wonderful traditional repertoires to Fujian audiences. First of all, an excellent collection of traditional operas is presented to the audience in Fujian, including Elegant View of Silver, The Prince and the Geisha, Farewell to the Demon in Pinggui, and Three Mothers Making Friends.
"Kuyin" is a 10% discount in the traditional famous drama "The Legend of the White Snake". It tells the story that after the White Snake and Xu Xian got married, Xiaoqing (Green Snake) was sent to Qiantang County to collect money from a local corrupt official to help the victims. The god of the library led the gods to guard the library, but Xiaoqing defeated him and came back with money. This play was performed by Wu Dan, including broadsword and Shuang Bian. It is difficult, thrilling, graceful and has a hot start. Xiaoqing in the play is played by Wu Dan Zhang, an outstanding young man from Beijing Peking Opera Theatre.
The Prince and the showgirl is a traditional drama in which students cooperate with Danes. It tells the story that during the Zheng De period of Ming Dynasty, Emperor Zheng De made a modified trip, came to Meilong Town and stayed at Li Long Inn. Watching the vigil outside, she asked Xifeng to look after the inn. She was fascinated by her beauty and deliberately asked her to flirt with food and wine. When she began to deal with it, she was even more fascinated. Finally, Emperor Zheng De revealed his true identity as the dragon emperor and his love for Xifeng, and the two of them did good deeds. Emperor Zheng De in the play is played by Zhang Jianfeng, an outstanding American veteran actor in Beijing Peking Opera Theatre. He has a rigorous voice, handsome appearance and elegant typhoon, and won the gold medal in the CCTV Young Peking Opera Actors Competition. Li Fengjie is often played by outstanding Hua Dan actors in Beijing Peking Opera Theatre.
"Ping Gui Bie Kiln" is a 10% discount in "Red Bristle Fierce Horse". It tells the story of Xue Pinggui's contribution to North Korea by handing over the red-maned spirited horse to Hongshadong. The king of the Tang Dynasty gave a special reward and sealed it in front of the camp, which was turned into a horse by Wang Yun. It happened that Xiliang rebelled and went down to the front. The imperial court ordered Xue Pinggui to attach himself to Hu Wei and set off with the camp. Xue Pinggui immediately returned to the kiln to say goodbye to his wife, and Wang Baochuan waited for Lang Ping to come back. He was very happy when he heard that he had made meritorious service. He was startled when he heard that he was going out. He cried at each other, unable to tell the endless pain of separation. This play is an old one. Pay equal attention to singing and reading. Xue Pinggui is led by Beijing Peking Opera Theatre and played by Li Hongtu, a national first-class actor and disciple of Beijing Opera performance artist Ye Shaolan. He dressed up as a handsome warrior, and his performance was natural and unrestrained, with a high voice, broad, bright and sweet, both civil and military, and quite elegant. He has won many awards in major competitions in Beijing and the whole country. Wang Baochuan was played by Guo Wei, a Tsing Yi actor from Mei Lanfang Peking Opera Troupe of Beijing Peking Opera Theatre. He studied under Li Wenmin and other famous Peking Opera artists, with a rich and sweet voice and dignified appearance. Such a cooperative lineup will definitely bring new surprises to Beijing opera audiences.
"Three Mothers and Godsons" tells the story of the death of the eldest brother among the three brothers in the Ming Dynasty, leaving a widow Zhang, the second brother Xue Qi with a wife Liu, a son leaning on his brother, and the third brother's wife being virtuous and honest. Xue Qi went out to do business and went to Beijing to take the exam, while Zhang and Liu worked hard to earn money to support their families. Presumably, Yan Xue died on the way to take the exam, forcing Chune to remarry. At this time, when Liu learned that Xue Qi was killed in a storm during his business trip, he was shocked and ordered his family to transport Xue Baoyun back to the coffin for burial. Zhang and Liu took the opportunity to sweep the family property and sell it. Liu abandoned his parents and remarried. Wang Chune is determined to observe this festival, raise orphans and rely on his brother. One day, leaning against his brother was ridiculed as a motherless son at school, and he went home angrily. He didn't listen to Chu E's lesson. When Chu E got angry, he broke the cloth with a knife to show his determination. Xue Bao advised him to rely on the old and sell the old, repent and turn over a new leaf, and make up with his mother and son. San Niang is a national first-class actress and a descendant of Ming Chengpai, Chi Xiaoqiu. She is both civil and military, and has a profound artistic foundation. Mr. 65438-0983 is a direct disciple of Master Cheng. She is a master of patriarchal clan art, with great understanding, and won the appreciation of experts in traditional Chinese opera and the love of the audience. Xue Bao is a national first-class actor in Beijing Peking Opera Theatre, and is a Ma (Lian Liang) school. Studied under Yin, Chi Jinsheng, and other famous horse brand artists. He is a disciple of Zhang Xuejin, a famous Peking Opera performer, and has starred in many horse-drawn operas.
Another drama, The Orphan of Zhao, is adapted from the traditional drama, Seeking and Saving the Orphan of 1956. The play tells the story of Tu'an Gu, the powerful minister of the State of Jin in the Spring and Autumn Period, urging Jin Linggong to be dissolute and heartless, playing with the people in his palm and ignoring state affairs. Prime Minister Zhao Dun warned that Tu'an Gu had confused the king's hearing and hearing. Tu'an Gu slandered the Duke of Jinling and beheaded more than 300 Zhao Dun. Princess Zhuang Ji, the sister of Duke Ling of Jin, is Zhao Dun's daughter-in-law. She was pregnant and was put in the palace to avoid death. I heard that I was going to have a baby and wanted to kill it, so I killed Zhao to avoid future trouble. After consulting with Gongsun, some public figures decided to replace the orphans with their own sons, which not only saved Zhao's orphans, but also saved the children as big as babies in Jin State. Gongsun Chujiu gave his life to save orphans. Cheng Ying was bitter and bitter, endured the stigma of selling herself for glory, and raised the orphan Wu Zhao. After the general returned to Korea, he learned that the orphan was still alive, negotiated with him, made him understand his life experience and Zhao's deep hatred, personally killed him, avenged Zhao and reunited with his mother and son.
In the play, Cheng Ying is played by four outstanding actors, namely Zhang Xuejin, Du Zhenjie, Yuzu and Qualcomm. Zhang Xuejin is a famous Peking Opera performer, the son of Peking Opera master Zhang Junqiu, a senior actor of Beijing Peking Opera Theatre and a national first-class actor. Influenced by his family since childhood, he began to study drama at the age of seven. I learned it from Wang Shaolou's amateur school. Later, I took the horse as my teacher and followed the teacher for a long time. I was carefully taught by the horse. Therefore, I have both the advantages of idle horses in singing and performance, and I am mainly composed of horses. I am generous in typhoon, fluent in singing, clear and natural in reading, and strong in characterization. Yang Pai, a national first-class actor, starred in Beijing Peking Opera Troupe, and studied under famous Peking Opera artists such as Liu Shengtong, Song Jiting, Wang, Li Fuchun, Chi Jinsheng, and Ye Peng. His voice is crisp and bright, the sound quality is pure and beautiful, the four tones pay attention to charm and sincerity, and he is indifferent to expressing his feelings with his voice. He has no affectation, and has a unique style that is ethereal and distant. Yumu is an outstanding young veteran actor in the Youth League of Beijing Peking Opera Theatre. He studied under Wang Qinsheng, Bai Yuanming, Wang Siji, Wang Zhilian and Yang Ruzhen. In 2005, he became a teacher in Zhang Xuejin. Qualcomm is a national first-class actor in Beijing Peking Opera Theatre. He studied under Mr. Bai Yuanming, Mr. Zhang, Mr. Yang Ruzhen and Mr. Wang successively. 199 1 devoted himself to studying the art of Ma school and studying under the famous Peking Opera performers. Zhuang Ji was played by Wang Rongrong and Zhang Liyuan. Wang Rongrong, a famous Zhang Pai Tsing Yi, was taught by famous teachers such as Wang Yurong, Cai Yinglian and Ai Meijun. From 65438 to 0978, he formally studied under Mr. Zhang Junqiu, a master of Peking Opera, and was deeply appreciated and passed down. In the stage practice, she inherited and carried forward Zhang Pai's beautiful, gentle and vigorous singing style, and gave full play to her broad and bright voice and steady and generous performance. Her voice is sweet and warm, dignified and handsome, and her performance is delicate, which is very typical of Zhang Pai's big Tsing Yi style. He is an outstanding Tsing Yi actor in Beijing Peking Opera Theatre, focusing on Zhang School. Zhao Dun was played by Tan Xiaoceng, a national first-class actor of Beijing Peking Opera Theatre? Tan Pai, an old worker, is the sixth generation biography of the Peking Opera Tanmen. He studied under Wang Shaolou, Yang Jufen, Zhu Lianshun and Xu Yuanshan. Later, Tan Pai was taught by his grandfather and father, and was played by the national first-class actor of Beijing Peking Opera Theatre? , solid foundation, loud voice, strong charm, dignified and generous manner, both civil and military, is the third generation of powerful Liyuan and Qiupai in China today. In addition, Han Juming, Wang Jinzhong, Du Zhe and other outstanding actors joined. This performance is full of famous artists, complete specialties, numerous schools and splendid performances, which will surely bring a wonderful audio-visual feast to Fujian audiences.