Who is the man who built this pavilion? It's a monk and a wise fairy in the mountains. Who named it? The satrap was named after his nickname (drunkard). Taishou and his guests came here to drink, and after drinking a little, they got drunk, and they were the oldest, so they called themselves alcoholics. The taste of drunkards lies not in drinking, but in the mountains and rivers. Enjoy the pleasure of mountains and rivers, understand it in your heart, and pin it on wine.
Just like when the sun comes out, the fog in the forest dissipates, the twilight clouds gather, the caves in the mountains are dim, and the darkness changes (alternately), that is, sooner or later in the mountains. Wildflowers are in full bloom, emitting quiet fragrance, and beautiful trees are luxuriant in branches and leaves, forming a rich shade. The weather is Gao Shuang, with frost, low water level and bare stones. This is the scenery of the four seasons in the mountains. Going up the mountain in the morning and returning at night, the scenery of the four seasons is different and the fun is endless.
As for the people who carry things on their backs singing on the road, the people who walk rest under the trees, the people in front shout, and the people behind promise that the old and the young will come and go without interruption. This is a trip of Chuzhou people. Go fishing in the stream, the stream is deep, the fish is very fat, and the wine is brewed with spring water. The spring water is sweet and pure in color, and the game in the mountains and the vegetables in the fields are placed in front of it in disorder. This is a satrap party.
The fun of feasting is not orchestral music. The pot-thrower fights, the chess player wins, the wine glasses are mixed with wine scraps, people sometimes stand and sometimes sit and shout loudly, and the guests are (sincerely) happy. His face was old, his hair was gray, and he sat among the guests drunk. Taishou is drunk.
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Original text:
The Chu River is surrounded by mountains. The mountains in the southwest, the forests and valleys in You Mei are beautiful. After six or seven miles on the mountain, I gradually heard the sound of water gurgling between the two peaks and became a spring. When the peak turns, there are pavilion wings on the spring, and the pavilion is also drunk. Who is the pavilion? Monks in the mountains are also wise and immortal. Who's the name? The satrap calls himself. The satrap and his guests come here to drink, and when they drink less and get drunk, they call themselves drunkards at the highest age. The meaning of drunkenness is not wine, but also between mountains and rivers. The joy of mountains and rivers, the place where the heart belongs, the place where the wine belongs.
If the husband is in the forest at sunrise, the clouds will return to the cave, and the changes will be bright, and sooner or later in the mountains. The wild fragrance is rich, the wood is beautiful and the shade is beautiful, the wind and frost are noble and clean, and the water is clear, and it is also in the mountains at four o'clock. Returning home in the morning and evening, the scenery at four o'clock is different and the joy is endless.
As for the loser who sings on the way, the walker rests in the tree, the former cries, the latter needs to support, and those who keep going back and forth swim. Fishing by the stream is rich in fish. Brewing spring wine, spring fragrance and wine bottles; The pheasant is just a predecessor and a satrap feast. The joy of a feast is not silk or bamboo. Among the shooters, the player wins, and everyone who sits up is happy. Those pale, white-haired and self-effacing people are too defensive and drunk.
Sunset in the mountains, people scattered, the satrap returned, and the guests followed. The Woods are overcast, singing and singing, tourists go and birds are happy. However, birds know the joy of mountains, but they don't know the joy of people; People know that swimming from Taishou is fun, but they don't know that Taishou is fun. Being drunk can be fun, and people who wake up and can tell stories in words are too defensive. Who is the satrap? Lu Xiu also.
This paper describes the different deep and beautiful natural scenery in Chuzhou area, the peaceful and quiet life of Chuzhou people, especially the pleasure of the author enjoying the feast with the mountain people. The full text runs through the word "music" and contains more complicated and tortuous contents. One implies the feeling that a feudal local governor can "have fun with the people", and the other hides the unspeakable difficulties behind the scenery.
In the prime of his forties, he claimed to be an alcoholic and he traveled a lot. In addition, his performances such as "Drunk with Less Drink" and "Fall Down in the Midway" all show that Ouyang Xiu used the joy of mountains and rivers to relieve the anguish of exile. The author is intoxicated in two places: one is intoxicated in the beautiful scenery, and the other is intoxicated in the fun with the people.
The beauty of mountains and rivers. In the author's pen, the distance of Zuiweng Pavilion is a landscape painting. There are mountains, springs, forests and pavilions, but the author does not use ink in isolation, but interweaves it, which is both beautiful and diverse. "The majestic and beautiful Langya Mountain has beautiful scenery, constant lovers and lush greenery. The mountains are in the background and surrounded by a circle. Shenlin Road is winding, and the spring flow is winding, so there are pavilion wings on the spring. "In this way, mountains and springs are interdependent, springs and pavilions set each other off, and a landscape pavilion in a painting constitutes a poetic and picturesque artistic conception.
The beauty of change at dusk. At sunrise, the bloom in the forest, the clouds returning to the cave, and the melancholy change are also in the mountains. Write the beautiful scenery of Zuiweng Pavilion changing in the morning and evening. Because the morning and evening are different, the tone and atmosphere of the author's pen are also different. In the morning, there is a quiet and fresh breath, and at night, there is a dark image and a hazy atmosphere. The author's observation of landscape changes is thorough and meticulous, and his brushwork is like silk, and he writes different realms with different scenes.
The beauty of changing seasons. "The wild fragrance is rich, the trees are beautiful, the wind and frost are noble and clean, and the water comes out, but it is only four o'clock in the mountains", which describes the changes of the scenery in the four seasons. The grass is growing, and the fragrance is spring; Tall trees and lush branches and leaves are the scenery in summer; The wind is bleak, and first frost paves the way for autumn; The water is thin and the stone is dry, and the vegetation is withered. Variety gives people different aesthetic enjoyment. The four pictures set each other off, and the spring scenery set off the chill of autumn; The lush summer sets off the cold winter scenery.
The beauty of dynamic and static contrast. This paper first talks about the dynamic and static contrast between scenery and scenery. The majestic Langya Mountain is still, the gurgling spring is moving, the mountains are lush and pleasing to the eye, and the sound of spring is beautiful, which sets each other off. "Shady trees sing up and down", the songs of trees and birds are in contrast and complement each other.
"The setting sun is in the mountains, the characters are scattered, the satrap returns, and the guests follow" is the dynamic and static contrast between the scenery and the characters. "All the guests are happy when they sit up and make noise. The white hair is white, and the middle one is too drunk. " In contrast to the noisy movements of the guests and the quiet silence of self-restraint, it is full of life.
The language of Zuiwengting is highly generalized and rich in meaning. The most prominent thing is that the idea of "getting drunk is not for the sake of wine" and "getting to the bottom" advocated by the author in this paper has been used by contemporary and later writers. For example, when Su Shi wrote about the scenery on the river at the turn of autumn and winter in his famous poem "Red Wall Fu", he directly borrowed the word "getting to the bottom". Moreover, due to the author's clever use of words and extensive generalization, "the meaning of drunkenness is not in wine" and "getting to the bottom" has evolved into a stable and standardized idiom, which has played its extended significance.
Zuiwengting is melodious. The full text almost always ends with "Ye", which runs through it all the time. There is no harm in repeating it, but it has a sigh rhyme. Although it is prose, it draws lessons from the language expression form of poetry, which is scattered and holistic and changeable. He arranged many antithetical sentences to make the sentence structure stable in the arrangement order.
Although the author was influenced by parallel prose, he did not eat it, but created it, melted to the bottom of the pen and became natural. No affectation, no affectation.