Yongshou Palace, one of the six palaces in the Imperial Palace. Built in the 18th year of Yongle in Ming Dynasty (1420), it was originally named Changle Palace. In the fourteenth year of Jiajing (1535), it was renamed Yude Palace, and in the forty-fourth year of Wanli (16 16), it was renamed Yongshou Palace.
In the twelfth year of Shunzhi in Qing Dynasty (1655), the thirty-sixth year of Kangxi (1697) and the twenty-third year of Guangxu (1897), they were all rebuilt or overhauled, but they still basically maintained the pattern of the early Ming Dynasty.
Yongshou Palace has two courtyards, the main hall in the front yard is five rooms wide, and the yellow glazed tile rests on the top of the mountain. Exterior eaves decoration, the front and rear eaves of the open room are equipped with four _ ling doors, the second room and the top room are sill walls, and the upper room is equipped with four _ ling _ fan windows.
On the east wall of the temple, there is an imperial plaque of "Lingde Yi Shu", on the east wall, there is a ode to the Sanctuary Banji, and on the west wall, there is a poem of Banji. After six years of Qianlong (174 1), Emperor Qianlong ordered that the plaques in the East and West Palace of the Imperial Palace should be made according to the style of Yongshou Palace, and should not be tampered with or replaced after hanging.
There are three halls in the main hall, east and west. There are five main halls in the backyard, with a wing for storing things and three auxiliary halls for storing things in front of the hall. There is 1 Jingting in the southeast of the hospital.
Yongshou Palace is the residence of concubines in Ming Dynasty and empresses in Qing Dynasty. In the 18th year of Wanli in Ming Dynasty (1590), the emperor summoned Shen Shixing and others here. In the 11th year of Chongzhen (1638), due to frequent domestic disasters, the emperor lived in this palace.
During the Qing Dynasty, both the emperor shunzhi and Emperor Jiaqing lived here. In the 13th year of Yongzheng (1735), Yong Zhengdi collapsed. Empress Xiao Shengxian lived in Yongshou Palace, and Emperor Qianlong lived in the south corridor of Gan Qing Palace several times to greet Yongshou Palace.
In the thirty-seventh year of Qianlong (1772), he got married, and in the fifty-fourth year of Qianlong (1789), Gulun married Princess Xiao and became the son of _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _.
In the middle and late Daoguang period, foreign invasion became more and more serious, but the court hid it in Yongshou Palace. After Guangxu, the front and back halls of this palace were set as big warehouse for storing imperial objects. Now it is the cultural relics showroom of the Palace Museum.
2. Palace of Gathered Elegance
Palace of Gathered Elegance is one of the six western palaces in the imperial palace, which was occupied by concubines in the Ming and Qing Dynasties. Founded in the 18th year of Yongle in Ming Dynasty (1420), it was originally named Shou Chang Palace, and was renamed Palace of Gathered Elegance in the 14th year of Jiajing (1535).
It was renovated many times in the Qing Dynasty. In the 10th year of Guangxu (1884), in order to celebrate the 50th birthday of Cixi, 632,000 silver was spent on large-scale renovation, and the existing buildings were the appearance after the renovation in the 10th year of Guangxu.
Palace of Gathered Elegance was originally the second courtyard. At the end of the Qing Dynasty, the Chu Xiumen and the fence were demolished, and the back hall of Yikun Palace was changed into a main hall, named Tihe Hall, which connected Palace of Gathered Elegance and Yikun Palace to form a courtyard with four entrances.
The front porch of Palace of Gathered Elegance is connected with the front porch of the East-West Annex Hall, the topic and the corner of the eaves gallery behind the hall to form a cloister. The glass inlaid on the wall of the cloister is immortal and blessed, which was written by many ministers to wish Cixi's birthday.
Palace of Gathered Elegance is located on the top of the mountain, with only one roof, the width of five rooms and a front porch. There is a bucket under the eaves, and the beams are decorated with elegant Soviet-style paintings. The door is separated by wood carvings in the south, with a cross brocade bottom, five bats holding longevity and a long-lived skirt. The window decorations are decorated with long-lived patterns.
The inner eaves are beautifully decorated. In the middle of the Ming Dynasty, there was a ground screen throne, behind which there were five red sandalwood mirror-inlaid screens with "Great Round Mirror" plaques. There is a bamboo apron glass partition carved in rosewood on the east side, and a magnolia apron glass partition carved in rosewood on the west side, which separates the east and the west from the Ming respectively.
On the east and the top, there is a grape grain floor with branches carved and wrapped in rosewood. The west and the top are separated by partitions. A large glass is embedded in a rosewood carved frame, which has a shelter from the wind and rain. The west tip serves as a warm pavilion and is a dormitory for living.
Palace of Gathered Elegance's courtyard is spacious and quiet, and two vigorous cypress trees stand among them. A pair of bronze dragons and a pair of bronze sika deer were placed on the east and west sides under the pedestal, which were cast at the fiftieth birthday of Cixi in the tenth year of Guangxu. The East Hall and the West Hall are Yanghe Hall and Suifu Hall respectively, all of which are hard-topped buildings with a width of 3 rooms.
The back hall is Lijingxuan, with five rooms wide and a single eaves and hard roof. There are some things with halls called Feng Guangting and Yi Lan Pavilion. After entering the palace, Cixi once lived in the back hall of Palace of Gathered Elegance, and she ruled the emperor in this life. In the 10th year of Guangxu, Cixi moved to Palace of Gathered Elegance on her 50th birthday, and named the back hall Lijingxuan.
3. Xianfu Palace
Xianfu Palace, one of the six inner palaces. Built in the 18th year of Yongle in Ming Dynasty (1420), it was originally named Shou 'an Palace. In the 14th year of Jiajing (1535), it was renamed Xianfu Palace. It was rebuilt in the 22nd year of Kangxi (1683) and the 23rd year of Guangxu (1897).
There are two courtyards in Xianfu Palace, the main entrance of which is a glazed door with four wooden screens. The main hall in the front yard is called "Xianfu Palace", which is three rooms wide and has a yellow glazed tile roof. It is higher than the other five palaces in the West Sixth Palace and has the same shape as Jingyang Palace in the symmetrical position in the East Sixth Palace.
There are doors on the front eaves, the rest are sill windows, and the indoor wellhead is smallpox. There is only one door in the back eaves, and the rest are eaves. On the east wall of the temple is Emperor Qianlong's "Saint Jieyu as a Tribute", and on the west wall is "Jieyu as Xiong Tu". There are retaining walls on both sides of the gable, and small doors are set along the wall to communicate with the backyard. There are three east-west halls and three hard peaks in front of the temple, each with a wing.
The main hall in the backyard is called "Tong Tong Tang", with 5 rooms wide and 3 rooms in the hard-topped east and west wing. The front eaves are provided with doors and curtain frames, and the rest rooms are supported by windows; The back cornice wall does not open windows.
Provide indoor floor partition, and the ceiling is submarine ceiling. The tablet in the east room of the temple is "Qinde _", which once contained guqin; There are Wang Wei's Snow Stream Map, Mi Zhihui's Xiaoxiang Baiyun Map and other scrolls in the West Room's Painting Zen Room, all of which are old collections of Dong Qichang's Painting Zen Room, hence the name. There are east and west halls under one roof, and there is a 1 Jingting Pavilion in the southeast of the hall.
Xianfu Palace was occupied by empresses, with the front hall as a place to salute and climb, and the back hall as a bedroom, which was changed to the occasional residence of the emperor during the Qianlong period. In the first month of the fourth year of Jiaqing (1799), Emperor Qianlong collapsed, and Emperor Jiaqing lived in Yuxianfu Palace to observe filial piety. He ordered not to make the bed, but only white felt and rush mats. In October of the same year, he moved to hall of mental cultivation.
Since then, Xianfu Palace has been restored as the residence of concubines, and Daoguang Lindi's nobles (Zhuang Huangshun's imperial concubine), concubines, children's imperial concubines, and Chang Fei have all lived here. In the thirty years of Daoguang (1850), Emperor Xianfeng lived in Yu Xian Fugong to observe filial piety for Daoguang, and he still lived here frequently after the expiration of filial piety.
4. Ren Jing Palace
Ren Jing Palace, one of the six inner palaces. In the 18th year of Yongle in Ming Dynasty (1420), it was originally called Changning Palace, and in the 14th year of Jiajing (1535), it was renamed Ren Jing Palace. In the Qing Dynasty, the old name of the Ming Dynasty was used and rebuilt in the 12th year of Shunzhi (1655), 15th year of Daoguang (1835) and 16th year of Guangxu (1890).
The palace is the second courtyard, with the main entrance facing south and the famous quiet door. There is a stone shadow wall in the door, which was handed down as a relic of the Yuan Dynasty. The main hall in the front yard, namely Ren Jing Palace, has the width of five rooms, yellow glazed tiles and a hill rest roof, and five animals are placed under the eaves. Under the eaves, there are five steps, including dragons and phoenixes and painted seals. The front and rear eaves of the bay are open, the second and top rooms are sill walls and sill windows, and the doors and windows are double-crossed and four-diamond.
In the Ming room, there is a plaque with the imperial title "Zande Palace". The ceiling pattern is two dragon play beads, and the inner eaves are painted with dragon and phoenix seals. The interior is paved with square bricks and there is a wide platform in front of the temple. East and west halls, open rooms and doors, yellow glazed tile hard mountain roof, colorful paintings under the eaves. There are ear rooms in the north and south of the annex hall.
There are five main halls in the backyard, with open doors, yellow glazed tiles and a hard gable roof. There are buckets under the eaves, decorated with dragons and phoenixes and seal paintings. The wing rooms are built on both sides. There are three east-west halls in front of the temple, which are also open in Ming style, with yellow glazed tiles, hard gable roofs and colorful paintings under the eaves. There is a pavilion 1 in the southwest corner of the hospital. This palace maintained the pattern when it was first built in the Ming Dynasty.
Ren Jing Palace is the residence of concubines in Ming Dynasty. Emperor Kangxi was born in this palace in March of the 11th year of Shunzhi in Qing Dynasty (1654). In the 42nd year of Kangxi (1703), Prince Heshuoyu died, and Emperor Kangxi lived in this palace to mourn his brother. Since then, this palace has been used as the residence of empresses. Xiao Sheng, the mother of Emperor Qianlong, Wan Guifei, the emperor of Xianfeng, and Zhenfei, the emperor of Guangxu, all lived here.
5. Chenggan Palace
Chenggan Palace, one of the six palaces of the Forbidden City in Beijing. In the 18th year of Yongle in Ming Dynasty (1420), it was first called Yongning Palace, and in the 5th year of Chongzhen (1632), it was renamed Gangong Palace. Yan Qingming used to be called. In the 12th year of Shunzhi (1655), it was rebuilt, and in the 12th year of Daoguang (1832), it was slightly repaired.
Chenggan Palace is a courtyard with two entrances. The main entrance faces south, and it is called Chenggan Gate. The main hall of the front yard is Chenggan Palace, with five rooms wide, yellow glazed tiles, leaning against the roof of the mountain, five animals under the eaves and five steps under the eaves. The inside and outside eaves are decorated with dragon and phoenix seal paintings.
Open the door in the bay, the sill wall and sill window between the second floor and the top floor, and the doors and windows with four edges. The interior is paved with square bricks and the ceiling is painted with double phoenix. There is a plaque in the middle of the room, the theme is "Morality is resigned".
In front of the temple is a spacious platform. East and west halls, bright rooms with open doors, yellow glazed tiles on the top of the mountain, colorful paintings under the eaves. In the seventh year of Chongzhen in the Ming Dynasty (1634), a plaque named Zhenshunzhai and Mingdetang was placed in the East-West Attached Hall.
"Chenggan" means that the concubines living in Chenggan Palace must be obedient to the emperor and not disrespectful to him.
This palace was occupied by the imperial concubine in the Ming Dynasty. The queen lived in the Qing Dynasty. In the Qing Dynasty, the emperor shunzhi offered filial piety to Queen Dong Eshi, and Daoguang became the queen, Lin Guifei and Jia Guiren. Yun Qi and Xianfeng Emperor Wan Guiren once lived here.
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