The beautiful eyes hang oblique light, and the Xiangjiang River died in Chu Yunfei.
[Notes]
This song is written by Shi Xiangyun.
The second sentence of "Wealth": She said that Shi Xiangyun lost his parents and was raised by relatives, which was useless. Violation, loss, loss.
Eye-opening: in an instant. H: A sad scene. Oblique photo: sunset. This sentence means "to see the sun, for all his glory, buried by the coming night". Shi Xiangyun may have married Wei Lanruo. It just didn't last long. Maybe soon after marriage, the husband and wife will be separated.
"Xiangjiang River" sentence: The word "Xiangyun" is hidden in the poem, hence the name. At the same time, Xiangjiang River is also the place where E Huang and Nv Ying cry; Chu Yun originated from Song Yu's "Gao Tang Mi", in which King Xiang of Chu dreamed that the goddess Wushan made clouds and rain. Therefore, this sentence and the painting "A few wisps of flying clouds, a bay loses water" seem to imply the shortness of husband and wife's life.
A Dream of Red Mansions appeared in the form of "writing children's pen and ink" because the author paid attention to the political environment at that time. Therefore, many women representing different personalities and types depicted in the book may not be limited to women from the perspective that their images are based on real life and are cut and refined, and the characters and details of prototype characters are integrated into the novel images. In the daughter country of Daguan Garden, Shi Xiangyun is the most obvious one who shows her pink soul. Her parents died when she was a child and she was raised by her uncle. Her aunt treats her badly. So her life experience is somewhat similar to that of Lin Daiyu. However, she is outspoken, cheerful and generous, mischievous and unthinking. She even dared to sleep on a bluestone bench in the garden when she was drunk. She and Baoyu are also good friends. They are sometimes affectionate and sometimes irritable together, but after all, they are open-minded and "never care about their children's affairs." However, on the other hand, she has no rebellious spirit of Lin Daiyu and is influenced by Xue Baochai to some extent. In Shi Xiangyun, in addition to her unique personality, we can also see some uninhibited characteristics of literati respected in feudal times.
Shi Xiangyun's misfortune is mainly the post-80s generation. According to this piece of music and the sporadic materials provided in "Red Yanzhai Review", Shi Xiangyun later married Wei, the son of a chivalrous aristocrat, and their married life was relatively happy. But the good times didn't last long, and soon the husband and wife separated, and she was lonely and haggard. As for the legend in some sequels that Baochai died young, Baoyu became a servant, and Shiyun became a beggar, and finally married Baoyu, it seems that this is not in line with Cao Xueqin's original writing plan, but the attached poem "The White-headed Double Star Kirin" produced in the thirty-first cycle. In fact, the "White-headed Twin Stars" means that Wei and Shi Xiangyun live separately until they are old, because Shi Xiangyun's golden unicorn and Xue Baochai's golden lock are similar, both of which are used as proof of marriage, just as Pang Tuan said: "The unicorn attached to the nursery in Lan Ruo for the last dozens of times is also this unicorn. The outline lies on this back, and the so-called grass snake gray line is thousands of miles. " So, what is the "V" method of the Outline? This time, I wrote about Baoyu's lost golden unicorn (he originally gave one to Xiangyun, and wanted to give it to Xiangyun). It happened that Xiangyun picked it up and Xiangyun's maid was talking to her about "male and female" and "yin and yang" and said, "Yin and separation!" These details suggest that this thing will be related to Xiangyun's marriage in the future. At first glance, it really looks like "Fu". Xiangyun and Baoyu have a "fate", which is also in line with the "good fortune". Daiyu also had doubts about this and said some sarcastic words to Baoyu. In fact, Baoyu just inadvertently acted as a middleman, just like the "predestination" between xiren and Jiang Yuhan was almost the same as exchanging sweat towels through his passing. At this point, Pang Tuan made it very clear: "Today's marriage has been decided, and writing golden unicorn is also a color method. Why is he confused about this? Therefore, every child is called' love'. (At the end of the comment on Daiyu in Love List, it means' a person who uses his feelings for affectionate people') Painting is called' indirect coloring method', which makes the main color bright and another color set off. Xiangyun's marriage is a foil to Baochai's marriage: one became attached to the golden lock and the other to the golden unicorn; A second grandma seems lucky, but her husband is a monk and she is widowed. The phrase "the fellow villagers are talented and beautiful" is "the clouds are high and the Tang Dynasty is dry, and the Xiangjiang River is dry". In the end, there is nothing. "Double Star" is another name for morning glory and Vega (see Jiaolin Grand View), so Tanabata is also called Double Star Festival (later changed to Double Lotus Festival). In a word, The White-headed Double Star means that Xiangyun and Wei got married soon, but for some reason they divorced and became cowherd and weaver girl. This just serves as a foil for Baochai's "good marriage". "Good Song Note": "What do you mean by thick fat and fragrant powder? Why are the temples frosted again? " Pang Tuan mentioned Baochai and Xiangyun together, saying they were both. It can be seen that those who are attached to Xiangyun and marry Baoyu in the future because of looking back, just like Baoyu was "confused" by him because he received the golden unicorn at that time, is because of misunderstanding.
Shi Xiangyun is a poetic character created by Cao Xueqin. As soon as the reader closes his eyes, the characters appear alive: wearing men's clothes and laughing loudly; Romantic, informal; Sharp poetic thinking, talent detachment; Speaking "lisping" is called "Second Brother" and "Love Brother" ... This is a romantic and lovely figure.
Shi Xiangyun is clear-minded, and his movements are not as good as pipa. Shi Xiangyun's broad-mindedness is not an arrogance, but an interest in joining the WTO. When you are in a good mood, you eat meat in large chunks. When you get carried away, you fight with your thumbs and occasionally dress up as a woman. You are free and easy during the day and look around, which is self-defeating. In the Grand View Garden, Shi Xiangyun's life experience is both rich and expensive. Although he is no longer rich because of his family decline, he has no noble temperament. She doesn't distinguish between high and low, nor is she limited to the difference between men and women. She has no utilitarian heart in dealing with people.
As a woman, Shi Xiangyun has a man's generosity and open mind. She is not tired of her daughter's skin. In the 31 debates between Yin and Yang, Cui Lu's chatter and Shi Xiangyun's follow-up answers filled the master and servant with an equal atmosphere like sisters and teachers. But Shi Xiangyun's speculative thinking, in a nutshell, is not like those boudoir women who cry at the sight of the wind and feel sad at the sight of the moon. When she passed out of our sight like the spring breeze, people were intoxicated with her manners and forgot her true colors.
In A Dream of Red Mansions, it seems that we have never seen what Xiang Yun really worried about. She always laughs and is full of interest and enthusiasm for life. As for her personality, the author not only made achievements in commenting and reconciling the songs of A Dream of Red Mansions, but also made many poems and paintings. When she first appeared, the author showed the personality characteristics of "laughing and laughing" and "bite the tongue", saying that she was caught in the love entanglement of Bao, Dai and Chai. Her arrival made Daiyu jealous and quarreled with Baoyu. The next morning, Baoyu came to see Daiyu and Xiangyun, and only his two sisters were still lying in bed. Dai-yu tightly wrapped in apricot HongLing quilt, safely closed her eyes. Xiangyun is resting on a pair of moss; A pink silk quilt, covered only to the chest, with white arms bent, is placed outside the quilt with two gold bracelets on it. Baoyu sighed, "It's still dishonest to sleep ..."
Through the description of their sleeping state, they show two completely different personalities, and form a sharp contrast between the accuracy of Daiyu and the simplicity of Xiangyun.
In the Grand View Garden, Shi Xiangyun not only ignored the difference between men and women, but also interacted with people. He was a true character with no utilitarian heart, which was quite different from Baochai and Daiyu. Although Baochai is knowledgeable and good at small favors, the importance of personnel is very clear in her actions; Although Daiyu was a rebel in feudal society, the hierarchy of feudal society was clearly defined in her mind. A young lady can never compare with a servant girl, and Daiyu is aloof by nature.
When Cao Xueqin portrays the image of a beautiful woman, he never writes the characters perfectly. Often written as a beautiful jade flaw. Such as Daiyu's weakness, Baochai's fever and Yuanyang's freckles. These "flaws" not only did not affect the aesthetic feeling of the characters, but added features to make the characters more vivid. This aesthetic dialectics is also used to shape the image of Shi Xiangyun. He not only made this beautiful girl have the small defect of "lisping her tongue", but also mixed her with some charming masculinity in caressing and flattering. She always likes men's clothes. Every time it snows heavily, her dress is different: she wears a big coat with fire inside and outside, a red gorilla suit on her head and a big mouse collar. Daiyu smiled and said to her, "Look, the monkey is coming. He usually holds a cigar and deliberately makes a little coquettish. " They also laughed: "He only likes to dress up as a boy, but he is more handsome than his daughter." She cooked venison with Baoyu and Pinger. Daiyu laughed at them, and Xiangyun said, "You know,' it's true that celebrities love themselves', ... We are eating and chewing now, but when we come back, we are full of smiles." Even when writing a poem, she would recite the poem "Sitting by the fence, tuck in the Leng Xiang" and behave like a hidden woman. Handsome and charming are mixed with some romantic dolls, which makes Shi Xiangyun's image more attractive.
Cao Xueqin also showed her enthusiasm and frankness when she created the image of Shi Xiangyun. She is a very talkative person, a "chatterbox" and shows enthusiasm for people and things. Xiangling wants to learn poetry; She dared not disturb Baochai, so she asked Xiangyun for advice. She's "getting happier and happier, talking about it day and night." To this end, Baochai criticized her for "not keeping her duty"; Not like a girl's house. She is what she appears to be, outspoken and doesn't mind her boss. Once at the theatre, Xifeng pointed to a little Dan on the stage and said, "This child is dressed like a person." Everyone knows who Feng refers to, but they won't say it for fear of offending people. Xiangyun bluntly said, "I know, like sister Lin." For this reason, Daiyu was offended and there was a contradiction with Baoyu. On one occasion, she advised Baoyu to take the road of "career economy" and asked Baoyu to make an "eviction order". Some people say that this shows that Xiangyun has a strong feudal consciousness. Actually, it's not like this. It just shows her innocence. Later, I went to Jiafu and lived with Baochai all the time, and she was also influenced by it. But those words to persuade Baoyu were by no means Xiangyun's own thoughts, just parroting.
The author also shows Xiangyun's transcendental talent and the agility of poetry. Xiangyun's poems come the fastest and most, showing her chic style. Ode to Bai Haitang, she came late. When others have almost exhausted their meaning, she got two songs in a row, which are novel and unique, and have won everyone's admiration and appreciation. When Xue Lu 'an wrote poems, because he ate venison and drank wine, poems became excellent, many and good, so Xue Baoqin, Baochai and Daiyu fought for Xiangyun. Everyone laughed: "It's all because of that venison." The sixty-second Han Xiangyun Drunken Peony Garden is vivid, and Shi Xiangyun is one of the most active elements. Everyone guessed, drank, and wrote poems. Three called four, seven called eight, and the whole court was full of red flies and green dances, and jade beads shook. Once, at the end of the banquet, Xiangyun suddenly disappeared:
Just then, a little girl came up with a smile and said, "Look, Miss Yun was drunk and wanted to cool off, and fell asleep on the bluestone bench behind the rock." "Everyone laughed and said,' Don't make any noise. At some point, when everyone came to see it, I saw Xiangyun lying on a stone bench in a secluded place, fragrant peony flowers flying in all directions, and red incense scattered all over the floor. The fan in his hand is underground, half buried by fallen flowers, surrounded by a group of bees and butterflies. Another bag of peony petals is wrapped in a shark handkerchief as a pillow. When everyone saw it, they all loved and laughed, and rushed to call for help. Xiangyun was still talking in her sleep and drinking, and DuDu shouted, "Spring fragrance is about to drip, and ... it is appropriate to meet relatives and friends ..."
This is a painting, a poem and a poetic Shi Xiangyun. Who doesn't feel cute in the face of such a role? Who doesn't fall for it?
However, the beautiful flowers have finally withered, and the days of leading a drunken life have finally gone away in the shadow of falling flowers. Although the ending of Xiangyun is still controversial, it is undeniable that the appearance of Xiangyun has always been like a few flying clouds, and her departure has a lot of warmth but no trace. Wang Bo's "Lonely sunset in Qi Fei, autumn waters and sky are one color" is probably the most suitable for Xiangyun. She is beautiful and distant, flying and elegant, and harmonious with nature, which should be the eternal image of Shi Xiangyun.