1958: My father's dragon crescent moon blade and martial arts equipment were forcibly confiscated by the production team for steelmaking in the Great Leap Forward Movement, but they were not refined until they were discovered abroad several years later. Become an unforgettable memory of childhood;
1959: Suffered from hunger during the three-year famine;
1960: My father works outside, and my mother works outside, which is extremely hard, leaving early and returning late; Although he has not yet reached the school age, his father has been admitted to Banqiao Primary School in his hometown after many twists and turns. Because I am young, I am called "Little Turtle Egg" by my classmates, but I am so enthusiastic that I often have a bag on my head. My father devoted himself to encouraging him to use yellow mud to teach him to paste pictures on the earth wall at home, which was recognized by teachers and students and used to it. He has copied comic books such as Flying Tigers, Chicken Hair Letter and Monkey King for his classmates and friends. At the same time, I have begun to learn martial arts from my father, sometimes cold and sometimes hot;
196 1 year: there is a curved pear tree in my backyard, which I practice with my father. Except kicking, pushing, spinning, chopping, etc. Father often ties his waist with a belt and hangs it on a crooked pear tree. His whole body is O-shaped, and his head sticks out from his crotch. Seeing his face flushed, his mother took off her belt and let him go while his father was away. To this end, my father ignored my mother for a long time and had to tie himself to a curved pear tree ... After decades, he still dreamed of his childhood, and his dream home was still the old castle, his parents and the curved pear tree.
1965: There is a beef tendon rope at home. Father soaked it in water for many days, and when it softened, he tied it into one walnut knot after another. In order to practice fingers and other tendon ropes, teach him to untie a knot every day and how many times his fingers bleed. How many years have passed, and I have gained perseverance, toughness and perseverance;
1966: In autumn, I was admitted to Xingping Mawei Middle School, and soon dropped out of school because of the Cultural Revolution. He returned to his hometown to study painting, calligraphy and martial arts, and received the care and support of his parents and villagers.
1967: The Cultural Revolution began. When Murakami engaged in mass movements, what impressed him was that the man named Siyi in the same village was inexplicably tied up and hung on the beam in the cold night, forcing her to make amends to the mass organizations and then put it down. Because she didn't kneel down, she was forced to take off her shoes and socks and let her stand barefoot on the bluestone of rammed cloth. In the middle of winter, Sisi Lee stood for a long time, his expression was always calm until he fainted ... Mother cried for it; Since then, Chao Hai has learned more about the true meaning of life. Good and evil in the world, where is the door of fate? Beating him from time to time in his heart, many years later, the bitter and silent face of April 1 is still engraved in his mind;
1969: I entered Xijiao Middle School in Xingping County, and learned a lot of activities such as industry and agriculture, digging bomb shelters and burning bricks. In the meantime, because of his excellent writing, painting and martial arts, he often runs a blackboard newspaper at school, which is envied by his classmates and often favored by girls. He was born with gender awareness, awkward and suddenly at a loss;
1972: The painting baton with the theme of the school sports meeting was paid attention to by Zhang Qilin, a teacher assigned to the county cultural center from Xi Academy of Fine Arts, and participated in the art exhibition held in the county. At that time, "model opera" flourished and art classes continued;
1973: After graduating from junior high school and senior high school, I went back to my hometown to farm. In his spare time, he continued to practice painting and martial arts, and insisted on writing yellow clay characters;
1974: In spring, the thawed wheat fields under Mangyuan in my hometown are soft, the wind blows, and the green wheat seedlings fluctuate. In order to practice bravery induction, his father taught him and several disciples "dustpan skills" by the ravine of Mangyuan. Each of them had two dustpans under his arm, like a pair of wings. Father led them to jump from a ditch more than ten feet high, and gradually moved to a deep ditch and replaced them with a big dustpan. Some of the disciples who practiced together fell, some were timid and stopped practicing. He insisted that after a few springs, they could jump up from a ditch four or five feet high and float. In the extreme challenge, rapid reaction develops into induction, accumulates the super-subconscious, and develops the fearless and resolute will.
1975: In my hometown, I worked in the fields during the day and rode my bike to and from the county cultural center at night and on my way home. I had an accident because of an injustice. After careful consideration, I solemnly swore to my father that I would use force cautiously all my life. Father said: "The capacity of heaven and earth, the silence of the universe, can be benevolent", so it is necessary to practice iron-toed iron teeth, fight in rows, and be energetic; In autumn, I went to Xi 'an by bike to visit the "Shilu Black Art Exhibition", but I was really moved by Mr. Shilu's works. I vaguely heard about his unique temperament and miserable life. I secretly felt sad and respected his personality spirit. He studied martial arts with his father for more than ten years, and at the same time was enlightened by his father on Confucianism, Buddhism, Taoism and folk culture, which became the spiritual wealth that nourished his life.
1976: In the spring, my father passed away, and I was extremely sad. I was buried with silk wrapped around the dragon crescent moon blade. However, that was in the ultra-left society. During the funeral, a village cadre always supervised his relatives, friends and elders not to wear white Dai Xiao ... He fainted because of sadness, which left a deep wound in his heart. For the next two years, I still felt a dull pain in my chest when I breathed; In autumn, the Gang of Four was smashed and the "Cultural Revolution" ended.
1977: It is exciting to resume the college entrance examination. In the winter of the same year, he was admitted to Xi Academy of Fine Arts. In the spring, he entered the professional system of Chinese painting department to receive academic study, and constantly read classic works such as Chinese and foreign literature, aesthetics and philosophy; During the period, I went to northern Shaanxi and Gannan to experience life. I feel very sad and sympathetic to the harsh living conditions in the western Loess Plateau and the real and shocking living conditions in barren and cold places. And strongly questioned the pseudo-realistic art from the deep heart, thus laying the position and direction of later creative exploration;
1978: At school, I thank the state for its concern. I am glad that the school subsidizes 2 1.5 yuan every month, but he will stay in 5 yuan for his mother every month. I don't have enough to eat every meal, and I am often hungry at the beginning of the third class in the morning, especially in the classroom of sketch class, which is quiet and loud. I am embarrassed because there are girls in my class. Malnutrition, long-term yellow complexion, was called "Marshal Huang" by one classmate, and another was called "Green Banana";
198 1 year: Go to Dunhuang, Han Mausoleum, Tang Ganling, Zhouling, Zhaoling, Qiaoling, Beilin and other places to copy and sketch. And studying many ancient classic heritages, I have a lot of feelings and reflections on traditional art and modern art in China. He created North, Heaven and Earth and Busy, and his work March in Yangchun won the prize in the second national youth art exhibition. In winter, after graduation, I stayed in school to teach Chinese painting department;
1982: In spring, the school sent him to Xinjiang to recruit students. I believe I have a heavy responsibility and can't make any mistakes. So I ruled out all interference. One person undertakes a lot of work of marking and interviewing the professional papers of Xi 'an Academy of Fine Arts in the whole Xinjiang examination area, which inadvertently saves a lot of expenses for the school. Surprisingly, the cost of enrollment is very small. Was rated as an advanced teacher that year; After the enrollment, he went to Qizil and Kumutula Thousand Buddha Cave in southern Xinjiang to investigate and did a lot of sketch research. When he returned to Xi 'an, the train station was crowded with people, although there was a return berth ticket bought for him by Xinjiang Art Office. After getting on the bus, he finally forgot that he was a sleeper passenger, but he was glad that he had stood in the crowded carriage for more than a day before he got a seat. When he arrived in Lanzhou, he suddenly remembered that he had a berth ticket, and he was surprised and regretted ...;
1983: after school, I went to Beijing at my own expense to visit the Rosemburg exhibition. In spring, a large number of sketches of Xinjiang were published in the first phase of Xi 'an Academy of Fine Arts, which was just restored, which was more influential than others.
1984: The Academy of Fine Arts will move into Xi 'an, and the school will mobilize teachers to draw gift paintings for land acquisition and school relocation. In order to repay the kindness of the Academy of Fine Arts, he volunteered earnestly and made sixty or seventy small paintings for the school. Therefore, he was commended by the college conference and promised to give priority to arranging studios and houses for him and seven or eight teachers in the city, but until 1996, he didn't even get the worst house with a bathroom, which was ten years since his mother became ill. As for the studio, 200 1 has no "shadow". This incident and his own difficult experience made him reflect on reality and life;
1985: Dear mother unfortunately got cerebral thrombosis in her hometown. The schools here have moved into Xi city one after another. Because of repeated housing allocation difficulties, he had to live in xingguo temple, the old school site, where there was no toilet and heating, and the toilet was on the hillside in the distance. Looking at the abandoned old school and not being able to take his mother to him, he was very upset. He can't sleep at night and cries constantly, often feeling the impermanence of life and the helplessness of life. Adjust your mentality by practicing martial arts and punching sandbags; Doing a good job in teaching, taking good care of mother, and vigorously exploring and studying ink painting creation are as important as exercising. Therefore, I changed my course and rode my bike to and from the Old Academy of Fine Arts and Xingping's hometown 1 1 year (every time 100 kilometers), which was deeply tortured by my spirit and tempered by my will. I deeply understand the bitterness of the world, and at the same time I am deeply warmed and infiltrated by the sincere affection of my parents and relatives in my hometown. Thanks to those brothers, teachers, friends who are hard-working, hardworking and martial-minded, and thanks to his family. I also express my deep gratitude to some teachers and colleagues of the Academy of Fine Arts for their concern and comfort. In the process of going home countless times, I wrote to the villagers many times and asked them to paint portraits of the dead villagers (facing the remains). Poor and amiable villagers are diligent in keeping their homes, and most of them do not take portraits before their death; All this has become his profound life experience; Qiu, who has a deep understanding and great interest in ink painting materials, regards it as the material of the soul, tries harder to store ink, and is out of control, expressing personal unspeakable words to carry the soul;
1986: He created more than ten paintings such as Qin Niu and Xiangyin, and participated in the joint exhibition of Shaanxi artists, which caused great controversy;
1987: In many years before and after, all his works with different consciousness from the mainstream art popular in the Academy of Fine Arts and Shaanxi were brushed away. From this meditation: the artistic mechanism has not been fully established, so the creation that really releases the soul and suppresses the disease with wisdom is changed to the "underground" state;
1988: In May, the work "Guanzhong People" participated in the "China Xi 'an Kyoto Painting and Calligraphy Exhibition" and was collected by Japanese private collectors;
199 1 year: In May, the works "Yellow Sky and Thick Earth" and "After Rain" participated in the Sino-Japanese Painting and Calligraphy Exhibition and were collected by the Japanese Calligraphy and Taoism Education Association;
1993: successively published papers "the vicissitudes of the right path" and "awakening in retrospect-on the reasons for the decline of China's figure painting"; 65438+February, was named associate professor;
1994: Due to the poor housing conditions in the Old Academy of Fine Arts in recent 20 years, especially the abandoned school in the later period, snow water leaked into the house in winter, forming an ice slide in the studio. Although it is extremely difficult, his long martial arts career and artistic accomplishment have won him wisdom, so his mentality is still calm and his faith is still there. Paintings keep moving indoors because of leaking rain, and a large number of books, sketches and precious materials, such as precious pictures of childhood, teenagers and parents, are lost, which becomes a lifelong mental defect;
1995: In spring, my mother died. Dear mother stubbornly overcame the disease 1 1 year. In the last half minute of his mother's life, he repeatedly caressed the wrinkles on her face into her hat and collar with his pious artistic hand. Mother's face went back to twenty or thirty years ago. The moment I bid farewell to the remains, what I left to the villagers and them was miraculously close, perfect, peaceful, young and eternal; Thank god for giving him the hand of art;
1997: I stayed alone in the studio for more than ten years, puzzling over the causes of the embarrassing situation of modern Chinese painting in the global art pattern, and looking for the deep connotation and potential vitality of China's traditional excellent culture suppressed and shielded by feudal autocracy. Explore a new way out of China ink painting art, gradually develop and form an original and unique mental outlook and language style; June 5438+00 ended more than ten years of "underground" creative life. Seven representative works were exhibited for the first time in China Art Museum "Shaanxi Contemporary Chinese Painting Exhibition and Young and Middle-aged Elegant Exhibition", which aroused strong response from critics. Later, it was moved to Nanjing Art Museum to continue the exhibition, which attracted the deep attention of critics. 165438+ 10, in October, Chen Yungang wrote "Elephant Invisible-Comment on Tide and Sea Ink Painting"; In 65438+February, Shen Qi wrote The Voice of the North-On Modern Ink Painting in Chaohai;
1998: In April, with the careful design and care of Chen Shaohua and Zhang Yingming, Guangxi Fine Arts Publishing House published "Tidal Sea Paintings" (in Chinese and French), which included more than 60 ink and wash works. Attached is the preface of Liu Xiaochun's "From vigorous to indifferent-on Chao Hai's painting"; In May, "Chaohai Modern Ink and Wash Art Exhibition" was held in China Art Museum, with 56 large-scale works and a seminar. Nearly 20 theorists and critics including Shao Dazhen, Shui Tianzhong, Lang, Jia, Yi Ying, Yin Shuangxi, Yang Yuefu, Huang Du and An Yuanyuan attended the meeting. Ambassador to France, Counsellor Duan and Commissioner Ke Mengde visited and exchanged views. Cheng Dali visited the hotel by bike. Deeply moved; Xinhua News Agency released a full-text draft for this exhibition, which was broadcast on CCTV's "Noon News", commented by many media in Beijing and reported on the front page of Shaanxi Daily. In July, Yi Ying wrote "Between Reality and Self-Talking about the Painting of Tide Sea"; In August, Yin Shuangxi wrote "Anti-Daoism Movement-Chaohai Ink Painting"; In September, Mo Zhai wrote an article "Fitness is a Hero-the Taste of Chaohaida Boneless Ink Painting"; On June+10, 5438, he was invited to participate in the' 98 Shanghai Art Biennale and exhibited seven large-scale works. The work 1996 Series II was collected by Shanghai Art Museum; 165438+ 10. In October, Sun Yisheng wrote "Bitterness, Hunrong and ethereal —— On the Great Ink Painting of Chaohai";
1999: 1 In June, 2006, Shao Dazhan wrote "Taking a Unique Road of Innovation-Talking about Chinese Painting in Chaohai" and three ink and wash works, and the author took a recent photo; In April, "Chaohai Modern Ink and Wash Art Exhibition Seminar" and 29 articles including Shao Dazhen's prose, Yi Ying, ink and wash works and artistic photos were published in the eighth edition of Culture and Art Newspaper. In May, he was invited to hold "Chaohai Modern Ink and Wash Art Exhibition" and seminar in Shenzhen Art Museum, and exhibited 60 large-scale works. Pi Daojian, Zhu Jinluan, Li, Pei Jianhua, Ma Qinzhong, Wei Qingji and others attended the meeting. Zhu Jinluan, curator of the Hong Kong Museum of Art, presented five collections. The work 199 1 Series II was collected by Shenzhen Art Museum; Comments on the Evening News broadcast by Shenzhen TV Station and various media reports; In June, he was invited to hold "Chaohai Modern Ink and Wash Art Exhibition" in Foshan Library, Guangdong Province, and exhibited 46 works. And give an academic speech in the museum; From June+10, 5438, he was invited to hold "Chaohai Modern Ink Art Exhibition" and held a seminar in Shanghai Art Museum, exhibiting 65 works. Hong Xu, Wang Bangxiong, Shu, Chen Xinmao, Wang Tiande,,, attended the meeting and made speeches. Comments on the Evening News broadcast by Shanghai TV Station and various media reports; In June165438+1October, he was invited to hold "Chaohai Modern Ink and Wash Art Exhibition" in the exhibition hall of Shanghai University Academy of Fine Arts, exhibiting 46 works and giving academic speeches; His four works "North" and a series of works 1998 were collected by Shanghai Art Museum. "Chaohai Modern Ink and Wash Art Exhibition Seminar" was published in Journal of Shanghai Art Museum; Cao Hengchun, chairman of Allianz Volkswagen Insurance Company, a Sino-German joint venture, and his party came to visit and presented 10-20 works collected by this institution. Five large-scale works were exhibited in Chengdu "Gate of the Century: 1979- 1999 China Art Invitational Exhibition";
2000: On June+10, 5438, Wang Luxiang wrote "The Essence and Buddha Nature of Our Living-Watching the Tide and the Great Ink and Wash"; In May, he was invited to hold "Chaohai Modern Ink and Wash Art Exhibition" and a seminar on his works in Guangdong Art Museum 1. Pi Daojian, Wang, Li, Wei Qingji and others attended the lecture. The response was quite great, and the solo exhibition was postponed for ten days; The Second Maid was collected by Guangdong Art Museum; The Evening News broadcast by Guangdong TV Station was reviewed by many media reports. From June+10, 5438, he was invited to hold "Chaohai Modern Ink Art Exhibition" in Jiangsu Art Museum, exhibiting 56 large-scale works and holding a seminar. Wu Xiangyun, Ma Hongzeng,,, Jin, Luo Bangtai and He Cheng attended the forum. Chen Chuanxi, Chen Shouxiang and others came to visit and hold in-depth talks; Interview with Chen: comments on the Evening News broadcast by Jiangsu TV and many media reports; Invited to give academic lectures at Nanjing Art Institute and Academy of Fine Arts of Nanjing Normal University; His works "The Fifth Series of Cattle" and "The Sixth Dream of Hometown" were collected by Jiangsu Provincial Art Museum. Participate in China Art Museum Collection Exhibition, Shanghai Art Museum Collection Exhibition, Shenzhen Art Museum Collection Exhibition and Guangdong Art Museum Collection China Art Exhibition throughout the year. In February, 65438, as the cover figure of "Art Circle", he published the article "Ink and Wash Qinchuan-Reflections on the Regional Cultural Characteristics of Chaohai Ink Painting", with 26 recent photos of ink and wash works and authors; Master tutor;
200 1: 1 In June, 9 works were exhibited in the "China Contemporary Painting and Calligraphy Exhibition of the Light of the Chinese Century" hosted by UNESCO headquarters in Paris, and visited and exchanged in 7 European countries; In June, he was the cover figure of literature "Mountain Flower" magazine, and published 45 articles by Shen Qi, ink paintings and sketches. In August, he was invited to hold "Chaohai Modern Ink Art Exhibition" in Zhejiang Museum and West Lake Art Museum, exhibiting 60 works, and holding opening ceremony and seminar. , Bao Fuxing, Wei, Song Zhongyuan,, Zhuo, Zhu,,, He Jialin, Xie Hai and Zhang Yu attended the meeting and spoke. Dean of China Academy of Fine Arts Xu Jiang, Liu Jian, Song Jianming, Zhang Hao, Chea Chang, Wu Shanming and their wives visited and had in-depth talks. Comments on "Evening News" broadcast by Zhejiang TV Station and many media reports; The eighth series of cattle, breeze and dream are collected by Zhejiang Museum. In September, the "China Ink and Wash Experiment 20 Years 1980-2000 Exhibition" was held in Guangdong Art Museum, and three large-scale works were exhibited. When Zhu Jinluan, curator of the Hong Kong Museum of Art visited this exhibition, he once again proposed to collect three works on display. The work "1997 Series 3" was collected by the Hong Kong Museum of Art; Participated in Beijing "190 1-200 1 Centennial China Art Exhibition" and Chengdu "Modern Art Biennale"; The work "Jiu Niu Series" was collected by Chengdu Modern Art Museum; In June, 1 1, Jiangsu Pictorial published "The Tide of Paintings by Outstanding Artists in 2 1 Century"; Master's tutor qualification is inexplicably gone;
2002: In May, "One of Series 1998" was exhibited in "Shanghai Art Museum Collection Exhibition"; On June+10, 5438, seven works were exhibited in Beijing "Ink Painting True Color, Cultivation and Perception Invitational Exhibition"; After some turmoil, he obtained the qualification of master tutor;
In February, 2003, he was invited to the Chinese University of Hong Kong to hold "Chaohai Modern Ink and Wash Art Exhibition", in which Mo Jialiang, Cai Xichang, Yang, Zhu Jinluan, Zuo, Li Dongqiang, Chen Yuqiang,, and others participated and had in-depth exchanges. Give academic lectures at CUHK Shaw College and Art Department; Invited to visit Cai Xichang's mansion; In March, Chao Hai's ink paintings and six ink paintings by Mo Jialiang were published in Ming Pao Monthly Center. In April, a special issue of Hong Kong Pictorial Newspaper published nine ink paintings by Li Xiaoshan. In May, the work "One of Series 1998" was exhibited in the "Highlighting Schemata and Collection Exhibition" of Shanghai Art Museum; On June+10, 5438, the work "The Eighth of Cattle Series" was exhibited in the "First Beijing International Art Biennale"; During the years when he was invited to tour solo exhibition, Chao Hai consumed a lot of physical and mental energy, but he was meticulous about his courses in the Academy of Fine Arts, carefully coordinated the time before and after class, and completed the teaching task.
In February, 2004, he was the cover figure of Ten Faces, in which Shao Dazhao and Li Xiaoshan wrote articles, and I wrote Mu Jianxia and 37 recent photos of the author's art; In April, he was interviewed by Xu Hang, editor-in-chief of China Painting and Calligraphy, and published in the fourth issue, entitled Sculpture Ink Spirit and 19 works; In May, he was invited to the Chinese University of Hong Kong for academic exchange, and received the attention of President Jin, President of City University of Hong Kong, Vice President Li Zhuofen of Hong Kong University, former director of China Institute Chen Fangzheng, chief curator of Hong Kong Museum Ding Xinbao, Secretary General of Shaw Prize Foundation Zuo, President Yang of Shaw College and President Huang Nai Zheng of CUHK Xinya College, and had many in-depth exchanges. During this period, I had six in-depth talks with President Jin in more than two months, covering a wide range of topics. Dean Jin gave him ten books of his own, thinking that his ink painting art explained the cultural spirit in his works. Chao Hai suddenly felt that life was so beautiful. I deeply admire Mr. Jin's extraordinary personality and brilliant theory, and I am deeply impressed by his grand cultural morality, sense of responsibility and care for him. During this period, he was interviewed by the "Cultural Celebrities" column of Asia Television Hong Kong, which was broadcast worldwide; In June, President Jin wrote "A strange peak of China ink painting-I read Chao Hai's painting"; Invited to visit Zhang Desheng for in-depth exchanges; In August, Chen Chuanxi wrote "The Tide of Artists Crying for the Working People". It is said that "this article was conceived in 2003, started writing in the spring of 2004, completed on May 6, 2004, and revised in July"; In September, two works entered the exhibition "The First Nomination Exhibition of Art and Literature in Wuhan" and won the "Literature Award"; The work "One of the Series in 2004" was permanently collected by Art and Literature magazine. Kou Wengang, Cultural Counselor of the German Embassy in China, visited with his wife, which won his attention and continued in-depth exchanges. Counselor Kou recommended him to hold a solo exhibition in Berlin Art Palace, Germany, which has done a lot of work to promote high-level cultural and artistic exchanges between the two countries. He is very grateful. But things didn't go well. In 2005, as the year of Sino-German culture, Hamburg sent a message to Counselor Kou, recommending excellent painters to make a solo exhibition in Hamburg. However, it is his wish to make a solo exhibition of ink and wash art in Berlin Art Palace. 165438+ 10 was invited to the Chinese University of Hong Kong for academic exchange and held "Chaohai Modern Ink and Wash Art Exhibition" at Xinya College. President Jin and Professor Mo Jialiang presided over the opening ceremony and gave academic speeches in the Art Department. In 65438+February, the work "1997 II Series" was the cover of Shanghai Painting and Calligraphy, in which Zhu Kongfen edited "The Change of Contemporary Ink and Wash Art Concepts from Tide Paintings" and four ink and wash works;
2005: On June+10, 5438, China Fine Arts Publishing House decided that People's Fine Arts Publishing House would publish Tide Sea, a Collection of Contemporary Famous Paintings in China, and began to compile it. In July, after several months' efforts, all my colleagues worked hard together to complete the publication of Liu Xiaochun, Wang Luxiang, Li Xiaoshan and Chen Chuanxi, and published 150 pieces of "China Contemporary Famous Painting-Tide Sea". This album is the 47th in this series, and it has changed three important things: First, it has changed from Chinese to English; Second, the plate is not limited according to the rhythm of the work; Third, the text breaks through the original word limit; In August, China Fine Arts Publishing House and People's Fine Arts Publishing House held a new book publishing and works seminar on "Collection of China Contemporary Famous Paintings-Tide Sea" in China Art Museum. Yang Lin, Liu Jiming, Shao Dazhen, Shui Tianzhong, Hong Xu, Jia, Xue Yongnian, Kou Wengang, Yin Shuangxi, Mo Zhai, Zhao Lizhong, Li Yi, An Yuan, Yu Yingbo and Zhao Xiaolai attended the meeting and made speeches. Chen and Chen wrote written speeches and congratulatory letters respectively. Fan Dian: Chaohai Album is a good book with quality and weight. Although the painter himself participated in it, Mr. Dali's attention, editing and printing efforts contributed greatly. Obviously, this album adds new luster to the "Dahongpao" series ... and gives the "Dahongpao" series a veritable "contemporary" significance. ”； Xinhua News Agency and China News Service issued press releases for this purpose, and many media reporters attended the meeting, interviewed and exchanged reports and commented; 1 1 In June, Chen Chuanxi wrote "The Tide of Artists Crying for the Working People", which was included in 35 "Painting Notes-Comment on Modern Masters and Everyone";
2006: In the spring, I was invited to the Chinese University of Hong Kong for academic exchange. Received the attention of Mr. and Mrs. Yang Zhenning and was invited to a banquet. Teacher Yang kindly inquired about the extension, characteristics and connotation of China Xuan paper ink materials, and talked about the cultural ecology, the construction of creative mechanism and so on. It is believed that his ink painting art is profound culture, true creation and full of national noumenon. What makes him feel even more is that Mr. Yang has given magazines with his ink paintings to American painters and friends in art galleries for appreciation many times. On June+10, 5438, the work "Niu Liu Series" was the cover of "Guide to Chinese Painting Collection", and published "Selected Works of Famous Artists" and my article "Soul Return-A Random Talk on Ink Painting Art" and 25 works; Three large-scale works were exhibited in Shanghai Duolun Art Museum, "Ink Regeneration: 2006 Shanghai New Ink Art Exhibition"; Three works participated in the "Farmers China Art Museum Collection Invitational Exhibition"; In March, he met with British Consul General Hu in Guangzhou. In April, he was the cover of China's art classics. Chen Chuanxi's critical articles, including my own words, ink and wash works and 43 recent photos; In May, Jin, former president of the Chinese University of Hong Kong, met with Liu Zunyi, the current president, and had a friendly and in-depth cultural exchange. In June, the work "North" was exhibited in the "Shanghai Art Museum Collection Exhibition"; After the interview of Art Research 200 1, Chen's Experience and Pursuit, Experience and Aspiration-Tide on Art and eight ink and wash works were published. In August, the work "One of the 2004 Cattle Series" was the cover of Art magazine, and the column "Observatory" of the magazine published Chen Chuanxi and "Scholars on the Tide Sea", and 20 photos of ink painting works and artistic activities; On June+10, 5438, five new works participated in the "First Invitational Exhibition of Ink and Wash Alliance" in Songzhuang, Beijing, and were interviewed by German newspaper frankfurter allgemeine zeitung. Later, he had many in-depth exchanges with Simon and Gao Hong, cultural critics of the newspaper. In February, 65438, Simon wrote "Seeing Life with Unexposed Modern Original Ink and Wash: A Record of the Tide of China's Frank Son of Contemporary Art", which was published in frankfurter allgemeine zeitung together with the ink and wash works and the author.
2007: On June+10, 5438, the article "Tide the Sea and Turn Everything into Heart" published on the front page of the second issue of China Culture Newspaper Art Weekly (titled by the editor-in-chief of the newspaper), among which seven ink paintings and Shen's "Tide the Sea Modern Ink Art Essay" were published in the Special Issue of Famous Artists; In February, I met with the Ambassador and his wife at the invitation of German Ambassador to China Stenczer. At the same time, Yue Muli, a German financier, carefully watched and appreciated the painting collection for many times and conducted in-depth exchanges: first, collecting ink and wash works; Second, hold a solo exhibition for Chao Hai in his institution. Thank you for paying attention to him; In May, two huge works were exhibited in the "Contemporary China Edition Art Invitational Exhibition" of Beijing Today Art Museum, and were interviewed by frankfurter allgemeine zeitung and Italian newspaper La Nova. Dialogue with Mr. Fan Dian, curator of China Art Museum, June, 5438+1October-The article "Shaping the Soul of Ink and Wash with Life Experience", with 22 ink and wash works and 27 artistic photos by the author, was published in June165438+1October, and was the cover of this issue.
2008: In May, he participated in the "Young and Middle-aged Contemporary Art Exhibition" held by Shaanxi Culture Festival in Shaanxi Art Museum; In June, he was nominated by art theorists: China contemporary ink and wash went to the "China Blue" cultural and art exhibition of Catina Tuo Manor in Malm?, Sweden; In July, he participated in the "China Contemporary Ink and Wash Exhibition" held by the China Art Museum and exhibited it at the Berlin National Museum; In September, he participated in the "Changfeng Wan Li China Art Museum Collection Exhibition" and exhibited it at Shaanxi Art Museum; On June+10, 5438, seven ink and wash works and Mr. Simon, a German cultural scholar, wrote an article: Observing life with unrestrained, primitive and grand modern ink and wash-a comment on "Frank's Son of Chaohai Contemporary China Art", published at the World Art Forum in Berlin, Germany;
2009: In May, he participated in the "China Contemporary Ink and Wash Art Exhibition" held by China Art Museum and exhibited it at Taipei Art Museum. In August, Tidal Sea: Turning Everything into Soul (Being), The Beauty of Flying Antenna in Dunhuang and the Beauty of Modern Ink Accumulation in Tidal Sea-An Excerpt of Rain Silk in Dunhuang (Being in Gold), A Wonderful Peak of China Ink Painting-The Language of Tidal Sea Painting (Being in Gold) and seven works were published in People's Daily on August 14. In September, he participated in the "First Chinese Painting Art Exhibition" held by Xi 'an Art Museum (formerly Qujiang Art Museum); 10 participated in "Shaanxi Art Invitational Exhibition" held by Shaanxi Art Museum;
2065438+00: February, "How Traditional Ink and Wash Show Contemporary Culture —— Art Theorists Talk about Artistic Innovation with Chaohai as an Example", Fan Dian, Chen Chuanxi, Xue Yongnian, Cheng Dali, Li Xiaoshan, Li Yi, Yin Shuangxi and six ink and wash works were published in Guangming Daily on February 4; "New Language, New Spirit, Pure Modernity, Creating a New Form of Ink Painting Art in China —— An Interview with the Famous Painter Li Shusen" was published in the People's Column of People's Daily Overseas Edition; In April, he participated in China Art Museum's "China Art Museum Collection Exhibition"; In May, he participated in the "Chinese Painting Invitational Exhibition" of the 9th Guangdong Art Festival; In September, he participated in the "Invitational Exhibition of Peasant Painting in the Times and Times" held by Zhejiang Art Museum in Zhejiang Province;
20 12: 10 In June, the Tidal Sea Water Ink Exhibition was held in Poly Art Museum.
2013: In September, as one of the series of activities of the Bishkek Summit of the Shanghai Cooperation Organization (hereinafter referred to as the SCO), the international art exhibition "Journey to Peace" opened in Kyrgyzstan on 12. Mr. Chao Hai participated in this exhibition as a special artist from China.