The east wind moves everything, and the grass speaks the heart.
Dead branches have no ugly leaves, and dry water spits out clear springs.
Heaven and earth were vigorously transported, and xi's whip did not stop.
If you don't become famous early, what will Zhusi say?
When Tao and Li were young, who could live their lives?
Wealth and immortality are wasted into two losses.
Stones are still on sale, but the wind and frost have no long-term quality.
Fear of the sunset, singing and drinking are strong.
Autumn frost suddenly invaded Liu Pu at any cost. Ideal Translation and Annotation Translation of Yuefu Gongxiao
Peach blossoms and plum blossoms bloom in the sun, colorful and decorated the Spring Festival.
The east wind revived everything, and everything seemed to be blooming.
Beautiful new leaves have grown on the dead branches, and fresh spring water is flowing in the dry stream, which is full of vitality.
Naturally running the world, the sun keeps running on the Japanese train.
If you don't make a name for yourself early, how can you make your name go down in history?
Peach and plum must stay in spring, but who can make spring stay forever?
Time waits for no one, and the rich and the immortal will pass.
The power of the stone will be worn away, and nothing will last forever in the wind, frost and sun.
I was so afraid that the sun and the moon would fly, so I sang and drank, thinking it was fun.
Just like the willow trees in first frost in autumn, suddenly, I am old and my health is failing!
The creation background of Long Songs is a Yuefu poem written by Li Bai imitating the theme of the old Yuefu. It is difficult to verify the specific time of his creation, but it can be seen from the content of his creation that it must have been written after the third year of Tianbao in Xuanzong of Tang Dynasty (744), that is, "Giving Gold to the Mountain". Only in this way can he express the deep and endless sadness of "being rich and immortal, wasting two", thus "singing hard and drinking hard" The appreciation of Li Bai's Long Songs is deeply influenced by ancient words on the same topic. Long song, the old saying or writing in time to make contributions, don't be sad; Or write about immortals taking medicine to prolong life; Or write about wandering homesickness, sentimental life is short. Lu Ji's "Long Songs" hates fame and fortune, and bamboo and silk are not announced; Xie Lingyun's "Long Songs" feels the speed of time and kills ambition; Liang wrote "Long Songs" to eat, drink and be merry; Shen Yue's "Long Songs" fell in love with Jinhuatang after a hard journey, but its fame is unknown, so it is difficult to promote bamboo silk. In short, people who wrote ancient poems with long lines before Li Bai expressed their sadness, their pursuit of a better life and their melancholy and sentimental hearts when they were moved by the scenery. Li Bai realized life from this, and Lenovo reflected that he had achieved nothing in his career, failed in wandering immortals, repeated the mistakes of the ancients, fell into pain, and did not express his unhappiness. So, I swallowed it to my heart's content. Passionate words and sad hearts blended with people's feelings throughout the ages, feeling human feelings and experiencing the joys and sorrows of life.
The first ten sentences of this poem are the first paragraph. The first two sentences say that peaches, plums and wintersweets bloom early and flowers are in full bloom, which is actually just a year's glory. It is a natural law that peaches and plums bloom in spring every year, so bloom is a symbol of spring and beauty. After being locked in a cage on a cold day of claustrophobic winter, he turned and was touched by the warm morning sun in spring, and everything on the earth revived, showing a positive and vigorous vitality. As the spirit of all things, human spirit has multiplied and made great progress, which is the common sense of things and human nature. Therefore, people call the beautiful moments of life youth. However, the author's cognition is not limited to this, but to further explore the spring of peaches and plums in bloom, which requires the delicate cultivation of Chunyang and painstaking selfless efforts, and the survival and development cannot be separated from the sunshine in spring. From this, the author realizes the interdependence of the relationship between monarch and minister, which paves the way for the reason of "fame is not early" The image of describing heaven once had the meaning of symbolizing a king in ancient poetry. In spring in bloom, a sage meets a sage. There are similarities between the laws of nature and human common sense. Writing peaches and plums is clearly a metaphor for the monarch and ministers. This may be the hard work of "winning the game"! The description of beautiful images contains beautiful feelings and the pursuit of beautiful things. Beauty is beauty; However, the shortcomings are only the glory of the year, so it is more worth cherishing. Then the author praised the wonderful use of spring with four poems, "The east wind moves everything, and the vegetation expresses its will." Dead branches have no ugly leaves, and dry water spits fragrance. "The east wind warms everything on the earth, the spirit of the sun germinates, everything wakes up from hibernation and strives for a new posture, which constitutes a beautiful realm of life rhythm. As a result, the plants tried their best to show their heroic spirit, and the dead branches and ugly leaves in winter disappeared. "No ugly leaves" means "unexpected beautiful leaves", and the dried-up spring water also spews a fragrant water column. These four sentences begin with a small peach and plum bloom, telling the earth a panoramic view of the spring return to the earth. Beautiful peaches, plums and Li Ying are lining the east wind, constantly cultivating everything, making the vegetation look brand-new, drying the spring, spitting out fresh fragrance, showing the beauty of spring and writing the realm of spring. Generally speaking, the six poems are the aesthetic feeling produced by the poet's touching the scene, and they are described as the image and artistic conception of spring beauty with plain and natural words and poems. The poet is in the environment, but outside the country, and his pen is wonderful and blends with the environment. Plain description embodies profound aesthetic feeling and philosophical cognition, but it is absolutely different from the reasoning of natural textbooks. The last four sentences of this paragraph are changed from the description of spring scenery to discussion, expressing feelings and seeking the source of strength that causes this beautiful scenery. " Vigorously transport heaven and earth, xi will whip non-stop. If you don't become famous early, what will Zhusi announce? "According to the opinions of ancient philosophers in China, the author also thinks that this is the divine power of nature and the movement of heaven and earth, so there are four seasons, namely, spring, summer, autumn and winter, which leads to the respective laws of natural survival, development and death of all things in the universe, forming different scenes in different seasons. However, people always prefer spring to winter, but this is the law that people can't change this change of yin and yang at that time. Of course, they also observed the birth and decline of everything from the endless flow of time, including human life and death, and realized a life truth. People should show their arms and make contributions in the beautiful moment of youth, just like peaches and plums in spring. People should admire and praise when they are alive, and leave a good reputation in history after death. However, in reality, Li Bai, despite his beautiful ideals, values of being a human being and spirit of unremitting efforts, can't get the warm care of the "Japanese" (the emperor), but he is the boss of his youth, driving a six-dragon Sun God car, and the driver keeps urging him to catch up. If he can't become famous early in his youth, he can't stay in the bamboo and silk history books. He died in obscurity and was hated by people. External invisible pressure and internal anger accumulate, and finally generate their own dissatisfaction. From the past, the present situation to the future prediction, it expands the time and space, is simple and profound, elegant and vigorous, and develops the traditional characteristics of five-character ancient poetry. Poetry writing here should stop both poetry and meaning, but what is left to people is why fame and fortune have not been established early and how the ending is suspenseful.
The last ten sentences of this poem are the second paragraph. The first two sentences take care of the beginning and deepen poetry. Since peaches and plums are bent on pursuing youth, they should show their beauty when they are young. Then someone can take the sun away on credit and make it motionless. Isn't youth forever? It is impossible that the word "who" is in doubt. Imagine its ability, comfort yourself from fantasy, and enjoy the fun from fantasy, so as to relieve the inner pressure and get rid of the predicament. But fantasy is temporary, and when it turns into reality, it turns from fanaticism to calmness, filtering the trajectory of life with reason and clarifying the gains and losses, thus creating a painful poem of "riches and immortals, wasting their lives". I have a new judgment on my words and deeds, and I know what I did wrong yesterday. The pursuit of fame and wealth and immortality are the hedonic consciousness and life values of the ruling class. Being an official is a sign of realizing the value of life, and naturally it is either rich or expensive. In this case, it breeds the illusion of immortality and false demands, with the aim of maintaining one's position of power and position and living conditions forever, and gaining both fame and fortune. Being an immortal if you don't want to be an official means being detached from things, self-reliant and equal to officials, and you can also get a good reputation. But in the Tang Dynasty, it was also a shortcut to be an official in the south, which was commonly used by feudal scholars in the early Tang Dynasty. Li Bai is no exception. He paid homage to officials and visited famous mountains, monks and immortals, earning both fame and fortune. Today, I failed, accomplished nothing, wasted my life, regretted it, and fell into the abyss of pain again. Then I remembered that the ancients once said "life is not a stone" and "how can you live long without a stone?" So it developed into "the stone is still sold, and the wind and frost have no long-term quality." Even if life is rock-solid, stones will crush the whole body into rubble under the long-term wind and frost attack and abrasion, not to mention people are not stones. In spring, peaches and plums, plants and clear springs are naturally difficult to maintain the beautiful appearance of spring. The implication is that people can't live forever, and fame and fortune must be obtained as soon as possible, otherwise there will be no danger; Even if you get it, you can't live forever. Therefore, the ancient people's experience of seeking officials, "according to the Tao and Tianjin early", realized the life value of bamboo and silk. On the surface, these two sentences have nothing to do with the first two sentences, but they seem to be disconnected, which is a denial of the immortal's longevity. The development of poetry, the ups and downs of feelings, and the ups and downs of ideological trends are the portrayal of the leap of poetry, leaving people with suspense, pursuing the ending, tempting and getting to the bottom of it. When he regrets yesterday's mistake, he will definitely change his route and make a new choice. "I'm afraid of singing and drinking after sunset." Eat, drink, sing and drink. Otherwise, we will be behind time, decadent body, it is impossible to eat, drink and be merry. We will go to an empty world of death and waste our lives. A "strong music" tells the hidden sadness in its heart. It was a reluctant artificial joy, an unhappy artificial joy, a song and wine to dispel the sadness in the chest, and a temporary anesthesia. This conscious anesthesia is a manifestation of more pain in the soul, an extraordinary expression of Li Bai's art, and a deep song that everyone feels but doesn't realize. This is the way for everyone, not the way for small families to be stretched. However, even this hope of self-restraint is difficult to realize and satisfy. I sadly wrote the ending poem: "Autumn frost spared no effort and suddenly invaded the willow." The harsh autumn frost has never been kind, and Xiao kills everything without regret. Suddenly, it came and violated Liu Pu's posture. Liu Pu, in the name of vegetation, is weak and cannot stand the wind and frost. After first frost, it was withered and lifeless. There is an allusion here. According to Shi Shuo Xin Yu, Gu Yue was the same age as Emperor Liang Jianwen, but the ancient method was early white. Ask Gu: "Why do you become white first?" Gu replied: "The posture of the moon looks down in autumn; Pine and cypress pose cream. " Liu Pu's posture refers to self-care, and the posture of pine and cypress refers to Jian Wendi. Li Bai used this code name to match his identity, and his humble body could not stand the wind and frost. Autumn frost is not only a force of nature, but also a cruel blow from evil political forces. The result of attacking the unprepared weak and humble body with irresistible force is self-evident. The conclusion is not only meaningful, but also deeply emotional. Uneven, making people cry. When you cry, you can really call it Long song.
Li Bai's Yuefu poems, which combine the advantages of previous works with the same theme, are unique, with qi as the theme, nature as the religion, fresh and elegant, extraordinary and refined, and are written by everyone. The poem begins with a poem by Bi Xing, touching the scene. However, it is not a work that talks about peaches, plums, impermanence of life, eating, drinking and being merry in time. Instead, it shows its extraordinary use and expresses the value of life beyond ordinary people's minds. It is by no means the selfish desire of ordinary villains, but the exaltation of the spirit of the prosperous Tang Dynasty. It describes the patriotic aspirations of a generation of elites, praises the beautiful natural spring scenery, pours out the love for beauty and the pursuit of beautiful ideals, opens up his resentment of unsuccessful career and the painful heart of self-liberation, and makes people fully understand his inner feelings. A jumping heart, stirring changes and endless feelings affect the beautiful natural landscape and reveal social injustice. Beautiful ideals are always difficult to achieve, so I am worried and struggling, and I will inevitably encounter the bad luck of autumn frost. The destruction of beautiful human nature is not a phenomenon of the times, but a phenomenon of class society. This is especially true in the prosperous Tang society, which makes people think deeply.
Li Bai (70 1-762), whose word is Taibai, was a romantic poet in the Tang Dynasty and was praised as a "poetic immortal" by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei. Lipper
Farewell to the king, shaking like stone dust, I will lie in the frosty autumn. In mid-autumn, the water is blue and there is no dust. Eyes rested on Surabaya, and the sea was bright. Look at the river, look at the geese, and travel to and from the south in autumn. Wuyuan is green in autumn and huma is proud. Books in the distance return to dreams, and only empty beds are Su Qiu's enemies. Crows fell on the moon, crowed coldly, slept on maple trees, and slept in fishing lanes by the river. Since ancient times, I feel sad and lonely every autumn. I think autumn is more than spring. A frosty red leaf left the branch and flew near. Let me write a poem. The house in Pingshan looks from a distance. After the autumn rain, the clear river sets off the clear blue sky. Qiu Guang, ask Cang, what is it? Pine and bamboo contain new autumn, and the porch and window are bright and clean. From autumn to Nagato, the grass in autumn is yellow. Draw a picture of Shuang Yan, out of the palace wall. Autumn is cloudy and sunny, and the yard suddenly gets cold. Now that the wild goose has flown south, I have no more messengers to send to him.