Few people say that "pai" has a great influence on the inheritance of the post-teacher, horse history and long history, but it is not called "pai", and there is no essential difference in their cross talk, at most, according to style. To become a faction, you need to have distinctive artistic characteristics, unique artistic opinions, and many followers and inheritors, which are difficult to work in the cross talk industry.
Because any kind of characteristics or culture is integrated into cross talk, it is still a traditional cross talk. If it is not integrated, it is juggling and a failed innovation. Moreover, the traditional crosstalk techniques have covered all the techniques that constitute a burden in China language, and there is no essential difference between crosstalk. Moreover, in form, crosstalk can be divided into stand-up crosstalk and mouth-to-mouth crosstalk, and even extended to crosstalk dramas. It is not feasible for open schools to adopt formal differences.
There are many excellent crosstalk in Miao Fu, many of which have been polished by theaters and tours, and have been rated as the peak of crosstalk by Wei Liu. This is not mine, CCTV Spring Festival Gala. In the early days, I lived on a glass of wine and performed in the grand theater, which can be said to be on an elegant stage. Last year's anhui tv Spring Festival Gala, Shi Shixin said that this year's four provinces Spring Festival Gala, China's taste is quite good.
Other whimsical, the most westward journey, and today's illness are all works of the Spring Festival Evening TV station. Once known as the king of the Spring Festival Gala. The atmosphere of the theater tour is very high. , and can drive. But be subtle. Not as naked as a German club. His works include "A Talk on Etiquette" and "Lin Daiyu Entering Jia Family". There is a crying theory, and the pearl turns over. It should be played well.
The main features of their cross talk are strong creative ability, many new jokes and high taste. Some people call it Wen Ju Crosstalk, and it takes a little cultural accomplishment to understand their cross talk. Otherwise, we can't catch it and we can't understand it. Their cross talk has an extreme cross talk, which was toured last year and called misty poetry. Shanghai Station and Hangzhou Station are also very popular, but the audience should be said to be too small for young artists to like.
Disadvantages, dialects, can be understood in the south, and northerners may be a little troublesome. In the phonology world, few people say what kind of cross talk this is. Although there are often Beijing School and Tianjin School, there are even Houma School and Changpai School. But in fact, in the phonological world, the expression "Pai" is very resistant.
Because cross talk is not like Beijing opera, it will form a certain genre, and it is difficult to form a genre, because cross talk actors are all the same. Master Ma also emphasized this point in an interview in his early years. There is no Ma-pai crosstalk in the world, only Ma-jia crosstalk.
In this way, it may be that Master Shaoma is deliberately modest, but it is also the objective reality of cross talk. If there is a genre, the theory of Ma-pai crosstalk can still be established. After all, many crosstalk critics have also summed up the characteristics of many Ma-style crosstalk, just to establish that crosstalk does have a "genre".
Genre is the division of artistic style. Miao Fu himself has only one or two representative works, far from forming any artistic style. As a genre, the most important thing is the unity of style. Some people say that Tianjin crosstalk is good at portraying characters, while Beijing crosstalk is more atmospheric.
In Shaanxi, only in recent years, the number of crosstalk performers has increased, far from forming a unified performance style. Miao Fu has just revived Shaanxi Crosstalk, which is enough to make him resist. Forget Shaanxi pie.