I take advantage of the green light to write Chu ci, and I hate the fragrance, powder and black parting.
No one can see you without pity and hatred, and you will cry a thousand cigarettes.
Li He's poems about bamboo are aimed at expressing the long-held sadness in his heart. Combining Li He's life and life experience, we can see that the image of bamboo is superimposed with the poet's own direct lyric image, which is no longer an independent entity. Writing in this way is a combination of reality and fiction, which are not contradictory and make people feel infinite when reading.
The first two sentences, "I write Chu Ci in the green light, and I hate the fragrance of spring powder and black points", mean: scrape off the green skin on the bamboo branches, write my Chu Ci-like poems, and the white powder is bright and fragrant, leaving lines of black words. These two sentences describe the poet writing poems on bamboo, which are fluent and profound.
The "green light" in the sentence refers to the bamboo skin, which clearly shows the color of the bamboo skin. "Chuci" refers to songs and poems created by poets.
The poet thought of Qu Yuan's experience from his own life experience, and here he implicitly expressed his depressed inner resentment through The Songs of the South. The first sentence is seven words, which have both actions and feelings, and the meaning is very rich.
Especially when describing the shape of bamboo, the poet used the method of contrast and reflection: Hsinchu exudes a strong fragrance, and the bamboo joints are covered with white powder, which looks vibrant, beautiful and lovely. But where the poem was inscribed, the green peel peeled off and the ink dripped, which defiled the beautiful image of bamboo. The poet skillfully uses the colors of "greasy fragrant spring powder" and "black partition" to form a sharp contrast and express his inner anxiety.
The last two sentences, "heartless, hateful, everyone sees it, and tears when exposed." Hsinchu is heartless but full of sadness and hatred. Who can see it? Dew drops like fog, and tears fall on a thousand branches. These two sentences mainly express the poet's resentment.
"Ruthless hatred" refers to the poet inscribed poems on bamboo slips. The poet damaged the beautiful face of Hsinchu, which can be said to be a kind of "ruthlessness", and this ruthlessness is precisely caused by the uncontrollable resentment accumulated in the poet's heart for a long time.
What kind of resentment is this? Yao, a scholar in Qing Dynasty, wrote such a thought-provoking remark when commenting on Li He's poems. There is a wonderful comment: "kill them and write grievances without good materials;" There is no love outside, but there is repressed hatred inside. "
Li He was born in Changli, his hometown. I don't know if he wrote a poem about bamboo. In another poem about bamboo, the poet wrote: "If the long pole is lowered and the jade is cut, it can be seen that the mother bamboo shoot is the dragon material." The poet once boasted of "Dragon Material", hoping that he could smoke thousands of feet at night and soar like Hsinchu, but no one appreciated it. In desperation, he can only go back to his hometown and live next to bamboo all day.
Li He wrote this poem on bamboo in order to dispel the resentment in his heart. However, whether it is ruthless or hateful, no one can see it, and no one knows.
This can be seen from the sentence "Who is ruthless and who hates". The poet abandoned the declarative sentence that directly expressed his mind, and resorted to the pen of interrogative tone and sentence pattern. In the open and closed writing techniques, poetry also presents a variety of styles.
Carefully savoring the last sentence, the poet implicitly answered the question raised in the previous sentence, with euphemistic wording but full of emotion. It tries to depict the sad face of bamboo: it is smoky and indistinguishable, just like a sad woman hiding her face and crying. Dewdrops dripping from time to time on bamboo branches and leaves are similar to the image of a woman crying because of sadness.
On the surface, the poet writes about the sadness of bamboo, but in fact, he empathizes with things, that is, he turns people's emotions into things, and people's grievances into bamboo's grievances, thus creating a moving realm where things and me are integrated and scenes blend.
The whole poem adopts the techniques of "comparison" and "xing", empathizing with others and expressing feelings by borrowing things. As far as the expression technique is concerned, the form of writing bamboo is real, and the feelings of writing people are empty; From the perspective of life, on the contrary, people's feelings are real and the shape of bamboo is empty. Because the poet writes bamboo, from beginning to end, but there is no poet's own face and spirit everywhere.
The sorrow of bamboo is just like the sorrow of people, and the sorrow of bamboo is also connected with the sorrow of people. Writing about bamboo is like writing about people, which is intended to be confusing and elusive, intentionally or unintentionally.
However, the poet is deeply interested in bamboo, and his feelings are pinned on bamboo, which avoids the oral dialogue that directly expresses his heart, thus forming a spiritual dialogue between the poet and bamboo.
Li He's poems about bamboo are the emotional devotion of poets, and also a microcosm of the emotional world of ancient literati with Li He's life experience.