1 Introduction to Liu Yong
Liu Yong was originally named Sanbian, and the word Jingzhuang was later renamed Liu Yong, with clear meaning. Because he ranked seventh, he was also known as Liu Qi, a famous poet in Chong 'an, Fujian, and a representative of graceful and restrained school.
Liu Yong was born in an official's family. He studied poetry when he was young and had the ambition to make a name for himself. In the fifth year of Xianping (1002), Liu Yong left his hometown and moved to Hangzhou and Suzhou, indulging in the romantic life of listening to songs and laughing. In the first year of Dazhong Xiangfu (1008), Liu Yong went to Beijing to take the imperial examination, and failed repeatedly, so he devoted himself to writing lyrics.
In the first year of Jing You (1034), Liu Yong was already in his twilight years. He served as the promotion officer of Zhou Mu Yong ying, the magistrate of Yuhang County, the judge of Xiaofeng Salinity, and the official of Sizhou, so he was called Liu wasteland.
Liu Yong was the first poet who made a comprehensive innovation in Song Ci, and also created the most tunes in Song Ci. Liu Yong worked hard to create slow ci, transplanted his fu method into ci, and at the same time made full use of vulgar language, which had a far-reaching influence on the development of Song ci with its unique artistic personality such as appropriate image, incisive description and plain line drawing.
2. Celebrity comments on Liu Yong's characters.
Su Shi: Everyone says that Liu is old-fashioned, but it is like "the wind in first frost is tight, the river is cold, and the residual photos are buildings". The Tang people are tall, but that's all. ?
Hu Yin: The lyricist, the last creation of ancient Yuefu ... Liu Yiqing came out later, hiding the metric system and doing his best. The good one thought it was impossible to add any more.
Chen: His (Liu Yong's) ci style is not high, but his rhythm is harmonious and his meaning is appropriate, and he describes the music perfectly.
Ye Mengde: While raising children, Liu Yong wandered around and was good at singing. Every time the musicians in the teaching workshop get a new tune, they always try to resign themselves to fate and start wandering around the world, so the sound will spread for a while. Yu Shi, the Dantu, saw a Western Xia returning to the official cloud: "Anyone who has a well can sing Liu Ci."
Liu Yongji: His popular works are the lyricism of this generation of geisha, and he will also be loved by this generation, so his works are widely circulated.
Xia Jingguan: The Qing Dynasty often tells a straightforward story. The Muslim dynasty changed its methods and sang three sighs in a circle, so slow words began to flourish in the Qing Dynasty and became greater than Muslims.
Wu: Under the atmosphere of the times when the Northern Song Dynasty emphasized vocal music, it is difficult to spread the lyrics widely and to enjoy both refined and popular tastes. (Liu Yong's Ci) is due to the new sound, that is, a large number of emerging tunes.
Extended data:
1, main works
Poem: The Song of Boiling Sea, with the title of Peak Temple, is written by Sun Kejiu, the inner minister.
Words: the sound of rain is cold, butterflies love flowers, lean against dangerous buildings, youth travel, Chang 'an ancient road, Ma Delay, watching the tide of the sea, winning in the southeast, autumn dusk, autumn showers, spring comes, He Jinbang, Qi's late autumn, jade butterflies, watching the rain and collecting clouds.
Huang is in charge of sunny days and spring in the garden, Xue is in charge, Jing Xiaosuo wins eight victories in Ganzhou, sprinkles rain on the river, sets a storm, stands on the long beach, partridges the sky, blows out the residual smoke into the night wind, drives, red dust and purple strangers, herself shakes her fairy and beautiful woman, colorful girls.
The ancient cup is poured with frozen water to eliminate traces, and the lichen silk in Jin Shu, Wu Fengqi is a barrier. Recalling the weather, the Imperial Palace is filled with thin pillows, female crowns, lotus flowers, moonlight autumn harvest, Jiro Guang Xie, cranes and idle windows.
2. Influence on future generations
As the first great poet who comprehensively reformed Song Ci, Liu Yong had a great influence on later poets. At the turn of the Northern and Southern Song Dynasties, Wang Zhuo said, "Today's youth" and "Nine times out of ten, if you don't learn from Liu Yiqing, you must learn from Cao Yuanchong".
He also said that Shen Tang, Li Jia, Zhou, Chao and Yong were "all in a beautiful sentence" and "originated from the Liu family". Even famous poets such as Su Shi, Huang Tingjian, Qin Guan and Zhou Bangyan benefited from Liu Yong.
Liu Ci has inspired Su Shi in the creation and application of Ci, the description of composition, the description of scenery, the combination of images and the development of themes. Therefore, Su Shi's ci, on the one hand, strives to be unique in addition to "Liu Wei".
On the other hand, it fully absorbed the expression and innovative spirit of Liu Ci, thus creating a generation of new words. Huang Tingjian's and Qin Guan's vulgar words come down in one continuous line with Liu Ci, and Qin Guan's elegant words are long-tuned, and the method of infection also comes from Liu Ci. The structure of Zhou Bangyan's slow ci is also born out of Liu ci.
Baidu Encyclopedia-Liu Yong