Now he is a member of China Arts and Crafts Association.
Member of Hebei Arts and Crafts Association
The inner paintings of Hebei master of arts and crafts are praised as "wonderful workmanship" and "a unique skill in China" at home and abroad, and they are a wonderful work in the traditional art of China. The creation of inner paintings requires superb skills. The difference between it and external painting lies in: first, the painting order is reversed, the inner wall is opposite to calligraphy and painting, and the outer wall can be in positive order; Secondly, the small spout restricts the operation of painting and calligraphy, and it is not easy to see the position of the pen when painting the interior wall. Therefore, internal painting should not only have a solid foundation for external painting, but also undergo strict training to complete a good work. It is precisely because the creation of internal paintings is not easy that when a masterpiece is presented, it is precious. When I saw Ding Yi (Nie Lei)' s elegant, rounded and simple calligraphy works in the crystal snuff bottle, it was so charming, just like fresh life juice flowing on the bottle wall, and I was moved. The more I read it, the more I feel that his calligraphy has the meaning of "the breeze comes out of the sleeve" and "holding the moon in my arms". It's incredible, awesome and heartfelt that such superb art comes from the hands of a refined scholar!
China's calligraphy art has a long history, which began in Shang Dynasty and matured in Eastern Zhou Dynasty. During the Jin, Sui and Tang Dynasties, calligraphers came forth in large numbers and reached their peak. Calligraphy in Song, Yuan and Ming Dynasties continued to innovate after Jin and Tang Dynasties. Calligraphers in Qing Dynasty advocated the study of North Monument, and also integrated a new style. Ding Yi can write a book in a one-millimeter jar. He can write with meticulous strokes and clear stippling. He is also unique in structure and layout, which is a miracle of contemporary calligraphy art.
Chinese painting pays attention to poetry, calligraphy, painting and printing, and the four-in-one is a complete work. For a painter in China, not knowing calligraphy means that the future of art is dark. Since he decided to engage in the art of internal painting, Ding Yi was determined to further develop the art of internal painting and open up a new world of his own.
Ding Yi, who loved calligraphy since childhood, practiced calligraphy with his father since childhood. His father is a famous local calligrapher. Under the strict guidance of his father, he began to practice from Ou Yangxun's masterpiece "Jiuchenggong Li Quanming", and gradually extended to the Eight Laws of Yongzi, the Thirty-six Laws of Ou Yangxun and the Ninety-two Laws of Huang Ziyuan. In the process of copying and learning, he did not avoid the cold and heat, wholeheartedly, tirelessly, and did not dare to be careless, trying to understand the subtlety and mystery of regular script, from which he realized the true meaning of the brushwork structure of European regular script. Even between meals and going to the toilet, I don't forget to practice hanging my wrists and elbows. I usually use chopsticks as an opportunity to practice when eating. During this period, he studied the Huadu Temple Monument and Huangfujun Monument in Ou Yangxun, as well as Meng Diantie, Zhang Tie and Hans Zhang Tie. In the long-term practice, Ding Yi realized that the most important thing in calligraphy is the pen, followed by the form. Regular script is moving silently, pointing to the back, and there are images in vertical and horizontal directions. If the inscriptions on inscriptions on bronze inscriptions are naive and natural, and there is a kind of natural representation, then regular script is more abstract and standardized. For this reason, in addition to studying books, his followers are not limited to the Ou Yangxun family, but widely collect various families. He also studied Wang Xizhi's Preface to the Lanting Pavilion in order to obtain his ethereal elegance and lofty sentiment. Learn from Shinan's Confucius Temple Monument to gain the spirit of its ancient temple, and learn from Chu Suiliang's Preface to Wild Goose Pagoda to gain its beautiful, smart and mellow natural style. In the creation of internal books, Ding Yi carefully pondered the coordination between the focus of writing and strokes, tried to master the mystery of writing, and tried to write round and straight, avoiding being like an operator. When writing, try to make good use of the center, the starting point is sharp and the landing point is round. Considering the shape of the snuff bottle in the painting, Ding Yi realized in his creation that the slight arc from left to right will make the brushwork vivid and affectionate; Point should be sharp and round, pick should be sharp and sharp, bend inside and outside, and hook should be half bent and half straight. The pen is flexible and limitless. In particular, the whole word should be written in different strokes, but in harmony. A line of words is patchwork, but it has always come down in one continuous line. If there is, it will naturally run through and look like a pearl necklace. At the same time, he also knows the importance of extracurricular work. He studied calligraphy from philosophy, ancient poetry, prose, rhythm, dance and other aspects, trying to figure out and understand the personality charm and ideological talent contained in it. Because of this, his calligraphy is full of skills and self-cultivation. It looks like handwriting, relaxed and elegant, but it is actually learned and edified. After nearly ten years of hard work, Ding Yi finally put the books with vivid shelf structure in China into the pot. The structure is neat but not rigid, compact but not cramped. The pen looks horizontal and vertical, but it is slightly inclined. The pen is clean, round and full. Every word is vivid, and every line has movable type. Like a tiger sitting on a dragon's plate, like an eagle before its exhibition, like a bird looking back, it is vigorous and beautiful, which fully embodies the art of calligraphy of internal painting in snuff bottles, bringing this difficult and high-skilled art to the extreme and pushing the art of calligraphy of internal painting to another peak after Ma Shaoxuan, a famous painter of internal painting in Qing Dynasty. In recent years, his internal book "Thousand Characters" is only 2 mm in size, which is so difficult that no one can match it so far. It can be called the most internal book, and it is a rare treasure in the existing internal book works. Other works in the book include Preface to Lanting, Heart Sutra, The Story of Yueyang Tower, Hundreds of Family Names, Thousand-character Works and so on. , known as "ingenious, strange in the book." Among them, the book "Thousand Characters" won the silver prize in the 2007 "Learn Three Cups" Interior Painting Grand Prix. His cursive "Farewell to Xin Jian at Furong Inn" won the gold medal in the "Holy Grail of Grass" national painting and calligraphy competition, and his works were also included in China's Collection of Paintings and Calligraphy, Complete Works of International Calligraphers, China Artists' Boutique Festival and other works. And published in China Hot Land, People's Pictorial and other newspapers. His biography is included in Who's Who in the World, Words of People in the World, Famous Works of World Excellent Experts, etc. He was awarded the honorary titles of "Famous Painting and Calligraphy Artists in China in the 2nd/Kloc-0th Century", "Contemporary Painting and Calligraphy Artists in China", "Top 100 Artists with Most Collectable Works" and "The backbone of China Contemporary Painting and Calligraphy Garden". It enjoys a high reputation in the collection circles at home and abroad. It is widely concerned by many collectors and art lovers.
Talented people come out of the country. The inner paintings are now included in the first batch of intangible cultural heritage in China, and have been certified as "Excellent Handicraft Badge" by UNESCO. History endows the great national painting art with the dual mission of inheritance and development. Only inheritance can develop, and development is the best inheritance. Ding Yi is one of the best. He is ambitious, studious, virtuous and artistic, and constantly explores the art of calligraphy! I believe that his inner world of calligraphy will be broader. 1996 won the first prize of the first Beijing Tourism Calligraphy and Painting Competition.
1998 Creating Ding Yi's Interior Painting Studio
200 1 was awarded by the Light Industry Department of Hebei Province as a folk arts and crafts artist in Hebei Province.
In 2004, his works won the second prize of the first national painting and calligraphy competition "Traditional Chinese Painting and Hometown Painting".
In 2007, the cursive script of "The Farewell of Furong Inn and Xin Jian" won the gold medal in the National Painting and Calligraphy Competition of "The Holy Grail of Grass".
In 2007, calligraphy works were included in the Representative Library of Contemporary Powerful Painters in China.
In 2007, the book "Thousand Characters" won the silver prize of "Learning Three Cups" indoor painting grand prix.
In 2007, the calligraphy works were permanently collected by the Organizing Committee of the National Calligraphy and Painting Competition "Puyang Cup Harmonious China".
In 2008, he was awarded the honorary title of "the backbone of China Contemporary Painting and Calligraphy Garden"
20 10 "Heart Sutra" won the bronze prize of "Learning Three Cups" indoor painting grand prix.
20 10' s works were included in China's painting snuff bottle.
The story of 20 1 1 was included in the Hengshui Cultural Survey by the Propaganda Department of Hengshui Municipal Committee.
His works participated in "Shanghai Fine Painting Snuff Bottle Exhibition" on 20 1 1.
The works of 20 1 1 were selected in the Jipai Painting Classic.
20 1 1 works were selected for the special issue of Interior Painting Art magazine.
Op. 20 1 1 Participated in the contemporary internal painting art exhibition "Generosity without Corner"
20 12 was awarded the title of "Master of Arts and Crafts in Hebei Province" by the Hebei Provincial Government.
In 20 12, the book work Prajna Heart Sutra won the silver prize of "Hundred Flowers Award", the highest prize of arts and crafts in China.
20 12 "Hundred Family Names" won the silver prize in the National "golden phoenix" Innovative Product Design Grand Prix.
Op. 20 12 participated in the painting exhibition of Henghu Qiuyue * Jipai.
The work 20 12 won the bronze prize in the 13th China Arts and Crafts Master Works and International Art Fair.
20 12' s work "humble room inscription" won the bronze medal in Shanghai "Zhongfu cup" interior painting grand prix.
20 12' s work "Thousand Characters" won the gold medal of "Contemporary Internal Painting Snuff Bottle" in China Antique Art Fair.