How to practice coloratura treble skills?

Characteristics and training methods of drama, coloratura and lyric female height: how does a female voice, such as soprano, move up and down? Ke: I started practicing with G in a small group. I taught them to put their breath into the mask, that is, to find the right way to make sounds first. The soft cover should be put high and flat, and the mouth should be round. If it is difficult to pronounce a sound, then I will start with the vowel U and sing until the second group of small words E-F; After that, the mouth and pharynx are slightly opened and expanded, but the closed position established on the U sound remains unchanged, and nothing moves below. The treble requires a big mouth, but the throat can't move at any time. Maybe sometimes I will raise myself to the required level on the C of the third group. But it should be unconscious and try to improve as little as possible. The coloratura soprano has her own characteristics: she sings very brightly from the F in the second group of fine print. This is the characteristic of coloratura soprano. I think the dramatic soprano is the most abundant, perfect and capable voice. I have proved this many times. For example, Karas, for example, is a wizard, a real wizard! I have met many dramatic singers like her, and their singing organ structure is like this. This structure enables them to sing very low notes, such as A below soprano. In some cases, they can sing high notes directly to E of small groups, which is of course rare. However, if the dramatic soprano has a good voice and studies hard, there is a great possibility for her range to develop. E in small groups is not a patent of coloratura pronunciation. The dramatic soprano can also practice such a range through hard work, which took Marley Blanc and others about ten years to obtain. Those who spend less time studying can only sing three groups of small C. Drama soprano has the most perfect throat: long and thick vocal cords, the strongest voice and rich overtones. Through long-term corresponding learning, they can sing e in small groups. In my teaching practice, there are also some dramatic sopranos who can reach this range. To be honest, they can't keep high notes for long. The range of lyric sopranos is generally limited to the high C. Of course, I'm not talking about coloratura sopranos. They can sing very high notes. Fred: Maybe you can show us with your voice. What do you think is the difference between the vocal range of Russian singers and that of Italy? Ke: I've been talking for hours today. I'm too tired to give a serious demonstration. Colladay sings the ascending scale with an open voice, knowing the high-pitched C. When demonstrating with the Italian register formation method, C to G in the second group of small words are sung with a circle A, and then they turn from G to U, and continue to sing the scale with U, and gradually turn on the voice at this position. When she tried to repeat the song in "Russian way", she made a voice mistake when she walked to g-a in the second set of small characters. The problem of vocal area and closure is often related to the activity of vocal organs. How to treat chest humming? Did you point out to the student the feeling of chest ringing when he was singing? Ke: I didn't tell the student about it until his voice was basically formed. If his voice is naturally rich in breasts, I will allow him to sing easily and naturally as usual. If his voice is wrong and he has no chest, I will advise him to pay attention to his chest, put his hand on his chest and ask for a good chest echo. "Did you hear that? How does it sing there? It should always be like this! That's the right sound! If there is no chest cavity, the correct sound state cannot be formed. " You must have a chest when you sing. At the same time, I also ask students to always have a strong intention to send sounds to their brains. Colladay demonstrated two ways of vocalization: singing open A, singing only with the chest, singing round A and singing with the head. Branches: the relationship between chest sounds and head sounds is different in different parts. The natural chest sound of soprano begins with e, or the lower one. If there is no chest sound, it is not necessarily a soprano. For example, from my chest area to the e-f of the small group, sometimes the soprano's chest area can reach G, and then until the C of the small group 3 has no chest sound at all, she sings well before the B of the small group 2, that is, a little in the mask and a little on her head. Some coloratura sopranos started singing like this earlier, and so did one of my female students. She is singing at Scala Theatre now. She has opened my eyes and made me understand a completely special situation. Margaret Linate once sang according to the lyric soprano. She sang very well, but her voice broke when she sang the second group of small A; Going up, everything is sung again, terrible and incomprehensible. I tried everything I knew. She was so depressed that she even cried. I can't figure out what the problem is. Tell her to see a doctor. Once I walked into the classroom and heard her singing arpeggios in staccato, so light and accurate, just like a coloratura soprano. I thought to myself: What's the matter? Is she a coloratura soprano? I said to her, "Hey! Sing it to me again, son, you sing so naturally. " In this way, we can easily sing C, D and even clean E in three groups of small characters! ! ! What a surprise! Her voice is so round and plump that it turned out to be a lyrical coloratura soprano. That's it, this lighter singing method, her A in the second group of small characters becomes as symmetrical as all the sounds. As long as she sings with lyrical coloratura soprano, her switching tone will change. I have studied this problem for a long time, and I am convinced that it is easier to sing well with a light voice, whether it is coloratura or lyric soprano. This is what happened to me in practice. The voice broke again and again during the conversion, because the method she applied was too heavy and heavy for this kind of voice, and that's the problem. I found it online. I wonder if it will help you.