The facial makeup of the characters is serious, and black and white are clearly distinguishable at a glance. Some of the character portrayals are also not vivid.
In order to promote development, difficulties are set up, talk strategies, forced assists, deliberately sensationalizing, and opponents actively play tricks to dig holes for themselves. All the routines are familiar, and the plot is very blunt. And I don’t quite understand the meaning of the next chapter. It’s probably the medical version of the Rocket chapter.
The play involves legal, financial, and contract aspects that are not professional and take it for granted.
The villain is also whitewashed by xjb.
In short, "everything serves the plot." However, the plot is too simple. Although there are ups and downs, the gap with Naoki Hansawa is here.
Of course, the flaws do not hide the advantages. Uncle Kuan, Koji Yoshikawa, the perverted uncle, the eldest son, etc. all have remarkable acting skills. The high-spirited fighting spirit and unrepentant pursuit of dreams shown throughout the play are moving. Japan's hard work and rigor as well as its emphasis on intellectual property are clearly demonstrated.
The contrast between doctors, companies, presidents, and employees is sharp and powerful.
Those who have gained the right will receive many help, while those who have lost the right will receive little help. The way of heaven is good for reincarnation, and if you pretend to be struck by lightning, you have plenty of positive energy. It is worth mentioning that the close-up shots of facial distortion are very impressive. The teacher of this semester's mechanical design class is a college student born in 1977. After his undergraduate degree, he went to Japan for graduate school, then served as a university professor and director of a research institute, engaged in mechanics, and stayed in Japan for fifteen years. Although I have not been to the class a few times, I know that the teacher highly respects Japanese industry as a whole, especially precision parts. Many of the precision parts we use rely on imports from Japan. Japan, currently the world's third largest economy, has seen its industrial output decline since July 2015, and "the prospects for economic recovery are worrying." I hope this film can inspire the neon industry and us.
Also, why is Tao Tsuchiya’s face so big? The Kamen Rider guys have too few scenes. Why is Jun Ikei so crazy about hacking banks?