Five Female Artists of Bauhaus School

Bauhaus is an egalitarian enterprise, aiming at breaking down the barriers of hierarchy. Radicals are not radical in accommodating women. In the early days of Bauhaus, there were more opportunities for women, but as the school was quickly flooded by female applicants, the knitting workshop quickly became the gathering place for most female students (although there were some obvious exceptions). Architecture is considered as the highest course offered by Bauhaus College, and women are not admitted.

Anne albers

Perhaps the most famous Bauhaus weaver is Anne Albers. She was born in Berlin on 1899. Her name is Anilis Fleischman. This 24-year-old independent girl has studied art since she was a child. 1923, she decided to enter Weimar Bauhaus School, which has a history of four years. When asked where she wanted to be arranged, she insisted on joining the glass making studio because she caught a glimpse of a handsome young professor in it. His name happens to be Josef Albers, who is 1 1 years older than her.

Although she was refused to work in the glass workshop, she found her life partner, Josef Albers. They got married in 1925 and lived together for more than 50 years until Joseph died in 1976.

In Bauhaus, Albers was famous as a writer and knitter, and finally became a master of knitting workshops in 1929. She obtained the graduation certificate after completing the graduation design, which is an innovative textile designed for the auditorium, which can reflect light and absorb sound. Albers spent her whole life using the practical textile design skills she learned in Bauhaus to complete all tasks from school dormitories to private houses. She? Clat design was made by Noel.

Albers went on to teach knitting in the post-modern school Montenegro College. 1933, after the Nazi forced the closure of Montenegro College, she and her husband moved there.

Gunta stolz

Gongda Street? Lzl 1897 was born in Munich, Germany, formerly known as adelgund saint? Lzl. stolz arrived in Bauhaus and worked as a Red Cross nurse during the post-war period 19 19. Although she came from a family of weavers (including her grandfather), she didn't immediately start her education in the weaving workshop, which later formed her arrival to adapt to a large number of women going to school.

1927 When the school moved to Dessau, stolz was the first female teacher and eventually became the owner of the knitting workshop. She accepted an interdisciplinary approach and cooperated with her peers to decorate the furniture of Marcel Brewer, a Bauhaus teacher, architect and designer. She decorated her colorful textiles.

St? Lzl married Arie Sharon, a Palestinian Jew, and obtained Palestinian citizenship, so that her family fled Germany during World War II.

Stolzl resigned from his post in Bauhaus on 193 1 and was tired of the anti-harassment caused by her husband's inheritance. The family moved to Switzerland, where Saint Lzl ran a textile factory until she was in her seventies. She died in 1983.

Oti Berger

Born in Croatia, otti Berger1898 is a very successful textile commercial designer. She started her own business outside the Bauhaus style.

1926, Berger entered Bauhaus's textile workshop in Dessau, and was famous for his ability to express weaving theory orally. 1930 published an influential paper "Stoffe im Raum". Gongda Street 1929? During lzl's maternity leave, Berger briefly served as the head of Anne Albers's knitting studio.

1932, Berger set up her own knitting studio, where she made patented designs, but her Jewish ancestry prevented her from entering the imperial visual arts Committee, which hindered her business growth. With the strengthening of Nazi forces, Berger tried to escape from this country, but failed to find a job in Britain.

1937, she finally got a position at Bauhaus College in Chicago (1933, Laszlo Mohori-Naji and other Bauhaus professors left there after the school closed), and she briefly walked around Yugoslavia to visit a sick relative. However, before she arrived in the United States, going abroad was forbidden. Oti Berger died in Nazi concentration camp in Poland on 1944.

Aveling

Isle Fehling is a German costume and set designer. 1920, she came to Bauhaus and had a stage and sculpture class. 1922, at the age of 26, she applied for a patent for the design of the circular stage, which can perform in all directions.

After leaving Bauhaus, she became a successful stage and costume designer, famous for her architecture and geometric design. She is the only fashion designer at the Southpir Theatre in Berlin.

Although film's occupation is drama, she has never given up her love for sculpture. She is engaged in abstract and figurative work and has made many busts for important figures on the German drama stage.

Like many Bauhaus artists, Felling's works were labeled as "degenerate" by the Nazi Party in 1933. 1943, her studio was confiscated and her works were blown up, leaving almost nothing behind.

Yi Shi Gropes

Ethel Gropius is not an artist herself, but she is a key figure in the success of the Bauhaus project. Yi Shi, is that Walter? Gropius's second wife, she is an unofficial spokesperson for school public relations and marketing. She often writes articles about this school, which are published by German publishing house.

The pursuit of Yi Shi and walter gropius is unusual. When Yi Shi heard Walter talking about Bauhaus in a speech at 1923, he fell in love at first sight. Louise is engaged. She left her fiance and married Walter who divorced Alma Mahler three years ago.

Bauhaus is both a school and a way of life, and Izz Gropius is the tool of this way of life. As the director's wife, she is regarded as a model of "Bauhaus woman" and manages a fully functional and well-designed family. Yi Shi Gropius's influence on the success of Bauhaus School should not be underestimated, but he is largely unknown.