How to play the erhu without music? From taking notes to pulling emotions?
Grade 1 grade 1 5 can be defined as primary, grade 6 8 as intermediate and grade 9 10 as advanced. 1 7 level to learn seven traditional major scales and etudes. The whole erhu playing skills and bow fingering should be mastered before Grade 8, and those who practice kung fu will have solid basic skills. The evaluation requirements for judges and teachers are still relatively loose. As long as you master the three elements of music: pitch, timbre and rhythm, if you can pull out the emotion of music, you will get good or excellent in the exam.
If you don't have the above conditions, don't talk about anything as long as you can't pronounce it correctly. If you can't even find the scale of the five traditional seven tones, it proves that your basic skills are too poor and your proficiency is not enough. You have to close your eyes and change the keys, and you can press the keys freely. If you recite the music while playing, your mind will be distracted, and you can't talk about entering an emotional state.
I told the students that if they want to perform on stage, they should pass the basic skills first, and don't be afraid to play repeatedly. You can't win this song a thousand times. You can only win the prize if you test yourself and play it five times before you go on stage, because whoever practices hard will win, because no one can surpass him in the range of music he plays. His understanding and expression of musical feelings are as eloquent as those who have read 300 poems of Tang poetry. Therefore, people who can't run don't pay attention to how to trip. Get quick success and instant benefit, and die on this song. Although you eat hard, experts will see many flaws when you move your bow. Stiff movements and unreasonable distribution of bow segments will destroy cadence.
4 When playing the emotion in music, we should also understand the expression of emotion by notes and melody rhythm, that is, singing notes is just like reading a book. You can't move people without understanding the feelings in the poem. Why did Seiji Ozawa say that "Two Springs Reflect the Moon" and "The River is Declining" should be listened to on one's knees? Only by connecting with musical emotion can we understand the profound meaning of each note in the song. Why is it that teaching erhu must be like teaching Beijing opera singing, with a well-articulated and clear pronunciation and mellow voice? When learning erhu, students will practice according to their own requirements, which bow has a sound head, how fast the bow is, and how the air port is in place. If you just play freely, it will be difficult to be elegant!
For those who learn erhu, you should imitate it even if others play it well. Don't be impatient. You should try your best to play a difficult song, not the best, but strive for better. Your hands should be skilled, until the note is issued, your heart will change with your feelings, and you will reach the state of ecstasy and enter the state of music protagonist. Practice! Practice makes perfect, emotional talent can impress people, and pretend to be distracted!
Thank you for reading!
I'm glad to answer your question. Although it is one problem, it is actually two problems.
Say the questions one by one. "
Depectrification requires a process, which varies from person to person. Regardless of the difference in memory and age, there is a common feature, that is, it must be practiced for a certain period of time to achieve the requirement of "off-spectrum".
It should be noted that in this "off-spectrum" process, you can't rush for success. After playing it once or twice, you try to "off-tune". Lesbians stop and go, but "off-tune" is slower. Without a certain accumulation, it is impossible to guarantee "off-spectrum" as soon as possible.
From this point of view, we have reason to believe that regardless of the performance level. Most people can do it as long as you are willing to work hard. However, the following strict sense of "from playing notes to pulling emotions" is not something that everyone can do, and those who can do it are by no means overnight.
Then again, there is no hierarchy on the issue of "from playing notes to stimulating emotions", which is the goal pursued by erhu learners. If carefully analyzed, it can be divided into two categories?
The second category. Not only intoxicated myself, but also touched others. This kind of person should be a performer. To achieve this, one must be a "storyteller", which requires not only a solid performance foundation, but also higher requirements for his comprehensive quality. His performance can be said to be a comprehensive performance integrating cultural accomplishment, musical sentiment and personal experience.
There is a saying from a musician's predecessor that I appreciate very much. In fact, playing erhu boils down to two words: one is moving and the other is singing. Does this only refer to erhu? Can other musical instruments be understood in this way?
It is not a day's work to "move" according to the norms and "sing" from the heart. The so-called "one minute on stage, ten years off stage". It is impossible without the rigorous pursuit and serious practice of music. I remember going to Beijing more than ten years ago and meeting Deng Jiandong, an erhu player, and asking him a question, "When you get a new tune, how long can you perform on the stage?" His answer is simple, "four months", see? You didn't read wrong or write wrong! …
Speaking of this, "from playing notes to pulling emotions" is not a performer's patent. Our fans can also step into this ranks. Although the track is difficult, the process is roughly the same. I think everyone will need such four processes.
First of all, be "correct"
At this stage: the bow, fingering, rhythm and intonation should be put on the score. I call it "four elements". Accurate, practice.
Second, be "familiar"
This stage is a process of "off spectrum". On the basis of "right", pay attention to the expression mark and strength mark of music, and the strength changes, and you can pull it down smoothly.
Third, be "good"
This stage has completed the process of "de-spectrum" and entered the stage of input and proficiency. This time is not simply playing with notes …
Fourth, be "absolute"
The performance level at this time is beyond many people's reach, friends, don't give up and practice hard! I believe that a master is among the people!
How to play the erhu without music? This will be easier. Practice makes perfect. As long as you are willing to work hard to practice the piano, if you practice more, you will naturally memorize the music, and then you can perform on stage. But whether you can pull your feelings out is another question.
It is a dialectical problem from playing notes to feeling. A high-level musician is not necessarily emotional. Low-level musicians can also pull out feelings.
The expression of musical feelings depends largely on the musician's sense of music, which is manifested in many congenital factors. Therefore, the level of performance does not represent the quality of music. With the improvement of performance level, the understanding of music, the growth of age, the guidance of teachers, etc. , will make the melody played by musicians full of expressive force.
If you want to pull out an expression, you should do this:
1. Learn the music by heart. When playing, you won't be distracted by what the notes are. If you want to think about the notes of the next sentence after playing this sentence, it is impossible to express it at all. Your attention is not on the music at all, but on the notes, so you won't feel it when you pull it out.
2. All the marks on the score are memorized. Reciting music scores is not simply memorizing notes, but also those marks, such as strength marks, fade-in marks, fade-in marks, breath marks, Legato marks and so on. The purpose is that even people with poor musical sense can play through these symbols and get a general concept.
3. The main theme of music, singing scores, singing melodies with expressions, and then imitating with erhu. After all, vocal music singing is the most attractive, which can pull out the flavor of vocal music singing and is a step closer to emotional expression.
4. Music analysis. To play a piece of music, we should understand the music from many aspects, including the composer's brief introduction, the background of music creation, how many paragraphs the music is divided into, and what the emotions expressed in each paragraph are. If you have an understanding of these, you must have a new understanding of the whole music, and the taste of playing will change with the change of understanding.
5. Listen to the master tape. Imitating recording practice, the so-called master, of course, will have his own unique view on music, and everyone will formulate his own fingering and bowing according to the characteristics of music. The melody of the same tune is the same, the fingering and bowing are different, and the emotional gap expressed will be very large, which is also a very important part of erhu emotional expression.
These steps are very useful if you want to express your feelings in erhu performance. After you master them, plus your own understanding, you can play the whole song with emotion.
If you want to get ahead, you must work hard.
I know it very well. In fact, reciting music is a very painful thing. Recite sentence by sentence, from the front back to the back. I can't recite it for a while, but I have to review it from time to time and consolidate it with instrumental music.
Memorizing the music, like memorizing the text, should be based on understanding, such as the paragraph structure of the song, the law of rhythm change, where the tone sandhi is, and so on. And form an outline and image in your mind, so it is easier to remember the music.
In addition, I would like to recommend the rules of people's memory and forgetting to netizens here. You can refer to it when memorizing music: If you have memorized a certain piece of music, generally speaking, in order to save time, don't worry about it for five hours, but you must review it after five hours to avoid short-term forgetting. If you can recall the score, you won't forget it in ten hours. Of course, you have to review it after ten hours. In this way, each review can prolong the corresponding memory time, and it will gradually become a permanent memory in less than two or three days. Of course, you can't let it go for a long time, or your brain will be filled with other contents. Therefore, you should always play off the spectrum, and your memory will be deeper.
If you are interested, you can try it. It may help you.
Two words: skilled.
Playing the erhu out of tune means that you can play the erhu more skillfully after memorizing the music, which is conducive to the display and expression of emotions.
If you play a song that you are familiar with, you will naturally be very familiar with the melody of this song, and it will be much easier to recite the score, or you can play this song with the rhythm of the melody without looking at the score.
If it is a completely unfamiliar song, you will have no idea about the melody of the score, and memorizing the score will take more effort.
Read the score skillfully before playing, listen to the melody in the music more, and it is better to hum along with the rhythm, which is more conducive to deepening the memory of the melody of the score.
When you are familiar with the melody of the music score, you won't feel strange when you watch the music score practice again.
After repeated practice, I practiced the music score skillfully. When playing, I deliberately didn't look at the music. I play and recite parts from the memory of the score. If I don't recite it, I will practice and repeat it until I know it.
In fact, if you want to recite the score quickly while playing a piece of music, the key is to remember it by heart. Often a piece of music can be memorized before it is played skillfully.
If you just look at the music and play blindly, you can recite it, but it's much slower.
Therefore, it is suggested to concentrate on practicing the music and recite the music score in the shortest time, so that you can practice more skillfully after taking off the music.
You don't have to think of any way to pull the erhu off the spectrum, so you will succeed naturally. That's an old saying, "Only hands are familiar".
What needs to be said is the second sentence of the question, "from playing notes to pulling emotions."
Either watch music or play notes. Many people who have been playing music with their hearts all their lives are actually playing notes.
I don't know when it started, but there is a misunderstanding in society that music can only be played if it has to be memorized.
It is a rule that professional music group bands must bring music stands when rehearsing performances. Because there are all kinds of expressions and speed symbols on the music. Reading music is more accurate and the rehearsal effect can be maintained.
A professionally trained person can play music by reading music scores.
Only when you eat hard can you be skilled!