As we know, crosstalk art comes from the bottom society. Artists engaged in this industry are mainly landless peasants, and their identity is divorced? Scholars, farmers, workers, businessmen? Outside of Westminster? The fifth kind of person? .
In order to realize their right to exist, such people created the system of ancestor and teacher inheritance. In fact, this phenomenon also belongs to the helplessness of the bottom artists.
Under the influence of ancestor worship, artists spontaneously formed various guild organizations to accept apprentices and teach. Organized under the special conditions at that time? Industry related groups? It can not only unite industry groups, but also resist the oppression of other community forces.
In this way, from the founder, artists have been passed down from generation to generation, forming a complete pedigree, which can pass on the performance skills from generation to generation and continuously improve.
However, the disadvantages of its conservative psychology are also obvious, which affects and hinders the communication and dissemination of skills in a wider range.
The same is true of the cross talk industry. Under the influence of this dependence on ancestors and the practical needs of industry inheritance, it also formed a lineage of learning from teachers and a unique custom of learning from teachers, which has been passed down to this day.
For example, in the current Deyun Society, Degang Guo made a special typesetting for his crosstalk disciples. Cloud cranes are all over the world? .
But when Mr. Zhang Wenshun arranged these eight words, they were not for Degang Guo's disciples, but for the next generation of Deyun Society, so Degang Guo's disciples were using them and Jing Li's disciples were using them.
Looking back on Liu Yuntian, he first worshipped Meng Fangui as his teacher. This teacher Meng is also a famous crosstalk performer, a national first-class actor, Mr. Meng's proud disciple and his fellow brother. Later, he studied under Degang Guo. In 2004, he joined Deyun Society to perform and formally partnered with Cao Yunjin. In the same year, he participated in the drama "A Troubled Day" in the Sino-French Cultural Year.
After leaving, Liu Yuntian was not a disciple of Deyun Society, but he was still a disciple of Meng Fangui. Meng Fangui is not in Deyun Society, but he still uses it? Cloud? Word, this is one of them.
Second, isn't Degang Guo willing to take it back? Cloud? In other words, he has to take into account the face of his compatriots and brothers.
Back then, after Lao Guo founded the Beijing Crosstalk Conference, a small crosstalk theater in Beijing, Meng Fangui and Li Jindou followed suit and founded the Beijing Weekend Crosstalk Club. The two sides studied, supported and cooperated with each other for some time? Honeymoon? .
It was only after Guo became popular in 2005 that the friendly atmosphere between the two sides was broken. Meng Fangui criticized Degang Guo many times. For example, when performing in Tianjin, he returned to the scene for 25 consecutive times and was criticized by Meng as having no artistic accomplishment. In addition, in addition, he has repeatedly publicly criticized Degang Guo. Picking up the dross that Master Hou threw away when purifying crosstalk? In a word, Meng's friendly attitude towards China has changed.
Meng Fangui's apprentice Liu Yuntian naturally followed Cao Yunjin out of Deyun Society.