How to treat the copyright dispute between Jing Li and Gu Jiandong, the non-genetic inheritor of silk reeling technology, in "Double" and "The Story of Yan Xi Palace Crew"?

Magnolia and bamboo are the materials of rotten streets in Chinese painting, but for a work, what color, shape, size and position, and the collocation of all elements are the results of the author's innovation. As long as it is not the copyright of the original painting, it is of course original! In addition, regarding the patent application, if the design meets the requirements of the copyright law, it can constitute a work in the sense of the copyright law, so even if the design patent has not been authorized, it is not necessary to wait for the design patent to be authorized, and the rights can be protected according to the copyright.

The composition of The Story of Yan Xi Palace is exquisite from the big scene to the details, with symmetrical composition, golden ratio, antique furnishings and strong outdoor light. After the screenshot, many scenes can be compared with the movie scenes. JUNG WOO said that the original intention of filming The Story of Yan Xi Palace was to shoot a drama with a strong sense of history and a strong court aesthetic, so they did a lot of historical research and referred to the ancient paintings and books of the Qianlong period, which restored the quaint taste of that era. Not only that, intangible elements are also absorbed into the lens, such as velvet flowers, silk reeling, Xiangyun yarn, embroidery and so on.

Regarding the dispute over the copyright of silk reeling, the fan production was indeed made by Lingyun Fan factory, and the fan pattern and the reply given by the fan factory should have existed before. The answer is yes. The reply is not clear and no definite answer is given. But in my opinion, is it necessary to apply for a national patent before a future work is published? Otherwise, it is not plagiarism if others steal it.