The next day, the bald owner came to Qijia and opened the picture scroll. There are only three shrimps in the photo. Shrimp is not big, but it is also alive and kicking. The bald man thought, I can't give my five taels of silver for nothing. Look at Qi Baishi, he is going to have a seizure. Qi Baishi pointed to the painting and asked him to have a closer look.
2. In the painting "Two Crabs Begonia", Begonia has four leaves with different postures. Among the leaves of Tang Tang, wild geese are interspersed with red, and the colors of red and green complement each other. Begonia, which should have been placed among the leaves of the pond, found its own way, came out from the side and made a somewhat swaying gesture. There are two crabs at the bottom of the painting, one by one wrong, echoing the ink pen dragonfly at the top left. The money was earned by the old man Qi Baishi by borrowing mountains. The seal is Qi Baishi.
This picture shows the work of Dou Fang. The layout of the picture is wide and random, and the objects are interspersed freely and densely. Vivid posture.
3, "Qi Baishi Peony Map" "There is only the West in the world, and the public only has peony." Elegant peony is an important theme admired by literati in past dynasties, and it is a symbol of wealth, auspiciousness and happiness. The peony created by the old man Baishi in his life can be described as "colorful", but "ink peony" is extremely rare. Most of the peonies written by the old man are freehand brushwork. In the picture, peony is written in boneless light ink and decorated with rattan; Paint leaves with stone, bluestone and green, and write vigorous branches with seal cutting; Finally, the veins are outlined with thick ink lines. The leaves and stems of peony flowers are inclined to the left of the picture, as if a breeze had blown.
The branches of boneless painting reveal Da Gui's uncut, relaxed and natural attitude between brushstrokes. Modeling is just "between similarity and dissimilarity", which is the consistent aesthetic standard of the old man Baishi. At seven or eight o'clock, the meaning of the courtyard corner jumped from the paper and was full of life.