1. Impressionist oil painting is basically a direct painting creation, usually with white canvas as the main background color to obtain the strongest color, but some use cream or light gray canvas as the background color depending on the tone of the picture. Generally speaking, the texture of canvas should not be too fine. Thick texture can make the paint color layer loose, and the color connection will not be too rigid, which is also conducive to dry coating. Except for a few painters such as Renoir and Laudrick, who like to use Bo Tu's method, most typical impressionist painters use heavy colors and different fine strokes to match colors. The pigments used are mostly opaque and translucent, which produce rich color contrast and vibration effects through color overlap or collocation.
Second, although painters in post-impressionism and new impressionism are essentially different from traditional impressionism in concept, they have no fundamental difference in materials and techniques, but only emphasize subjective color. Neo-impressionist painters completely separate colors according to the principle of seven colors in the spectrum, and even use only the color points in the uncoordinated basic colors in the spectrum to paint, so it is also called pointillism in a strict sense. But there are still obvious differences between the pens used by different painters. Monet's Free and unfettered, pissarro? Round and old? Van Gogh? Boldness and Seurat's rigor and meticulousness have their own merits.
Third, the impressionist painting steps are well known. Generally, if you sketch outdoors, you will paint directly with a little bit of thick pigment, which will form a strong brushwork texture and produce the effect of color juxtaposition. Because most scenes are sketched at one time, wet painting is the main method, and it is rarely diluted with coloring media when it is not needed. In oil painting or works that need to be carried out many times, we should pay attention to the order of thinning first and then fattening. Generally, turpentine is used to dye the ground color thin first, and then a thicker color is used to deepen it. You can also draw the cover color by dry painting and brushing, so that the background color and the upper color form a complex and colorful effect. Don't mix the pigments too dead, let the different colors naturally coordinate and visually mix to get a stronger contrast. The treatment technology based on thick coating should also pay great attention to the contrast of thickness. There should be a breathable place, and pigments should not be piled up blindly. Otherwise, the picture will be very cumbersome, and there will be problems such as oil absorption or cracking. For the unsatisfactory parts, it is best to scrape them off in time, dry them and brush them again.
Fourthly, impressionist painting pays attention to the transformation and connection of the overall color rhythm of the picture. It is very important that the charm is smooth and the pen is loose. This is the same as freehand painting. If you pay too much attention to details, it will appear stiff and rigid. Therefore, we should boldly summarize the handling of the body and strive to be "carried away", which means the characteristics and charm of color and pen.
The above is the introduction of the relevant knowledge about impressionist oil painting techniques that Bian Xiao introduced to you today. I believe many professionals like impressionist oil painting, because its painting style is very suitable for our present era. The above small series gives you a detailed introduction to impressionist oil painting techniques. I believe that for friends who are interested in everything, today's explanation of Xiaobian is very useful and valuable. That's all for today. I hope it will be helpful for your future painting.
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