The first film is the language of memories, reappearing the scene of seeing Liang Geng off at that time. On a clear evening, the setting sun is low, and the oblique light reflects the river, which is a Enigmatic color. However, Youzhou is going away at this time. "Qing Chuan" can be clearly seen, but seeing that a lonely boat leaves slowly with heavy sadness, they are far apart from each other from now on. How can this not make the boat extremely disappointed! "carry" and leave. The first two paragraphs clearly show the farewell time and natural scenes, revealing a heavy heart that cannot be separated. Between the second sentence and the third and fourth sentences, there is a jump in the process of watching the boat alone, leaving a blank in the imagination of guiding the boat. There is no writing about how to stand on the shore and stare for a long time, and there is no such thing as "the lonely sail is far away and the blue sky is exhausted". In fact, it is the eyes that follow the lonely boat and gradually look away, and Ping Ye is sucked into the fundus. At this time, I saw the fields are flat and wide, the spring grass stretches, and the birds returning at dusk fly far and near in the wilderness. The bird's return to fly is not only a sight, but also a touch of things, causing farewell injuries-the bird can still fly freely and gather in the evening, but the boat is drifting with the flowing water in this dusk. Among them, it reveals the feelings of the boat drifting away and the pain of being demoted. On the occasion of farewell, it's hard to restrain the infinite resentment; How sad it is to recall the farewell scene!
In the next film, I wrote a farewell scene, expressing my deep thoughts on Youzhou and the resentment of being banished. "White clouds" and "bright moon" are long and long, and I often look at clouds and the moon and miss Liang Geng. It is difficult to cross the barrier of Guanshan in the form of "a thousand miles of Wan Li", and its own situation-Tiaoxi is divided into East Tiaoxi and West Tiaoxi. All you can see is the white clouds floating in the sky of Wan Li, but where is your boat? Can Baiyun also bring his thoughts to the boat on the horizon? The bright moon shines on the stream, and it should also shine on the boat that goes away with the running water. Xie Zhuang's "Moon Fu" says: "There is a bright moon every thousand miles". Looking at the moon and carrying a boat, the bright moon seems to have feelings, taking her thoughts to the distance. Looking at the clouds on the moon, clouds and the moon are the sustenance of longing for love here. In the last two sentences, I express my sadness and hate for being relegated to the position of Youzhou, and further point out that the deep feelings of parting are due to the fact that the two boats have the same fate. "Disguised in Changsha" used the fact that Jia Yi in the Western Han Dynasty was slandered as a teacher of Changsha King because of being slandered by powerful people (Jia Yi was therefore called "Jia Changsha" by Houzhou) to express his disappointment. This "hate" is not only caused by Liang Geng's being demoted, but also intertwined with the author's own pain of being demoted. The deep yearning for Liang Geng is based on the same experience of being disgraced, and the hatred in the humiliation is deeper and deeper, which breaks the boat's heart. At this banquet where friends and boats gathered in Tiaoxi, Liang Geng was not seen alone, and this "hate" was even longer. This deep thought and emotion can be regarded as the emotional thread that runs through this word, and this sentence can also be regarded as the "eye of the word" that points out the emotional content of parting. This kind of farewell memories and thoughts after leaving are not the general feelings of parting between children and relatives, but precisely the feelings of parting guests. The more you see the difference, the more sorrow and hate continue. In the last sentence, the image of the lush spring grass on the riverside indicates the depth of this parting regret. "The Songs of Chu Recruit Hermits": "Wang Sun swims and never returns, and spring grass grows." After the boat, it is often symbolized by the continuous spring grass. Miss the distant boat and look at the spreading spring grass, which makes the boat even more fascinating.