1, the space battleship Yamato (1974, Leiji Matsumoto), the mobile warrior Gundam (1979, Yosiyuki Tomino), the evangelist in the new century (1995, Hideaki Anno), is known as "the three climaxes in the history of Japanese animation". This title is more concerned with the impact on the entire animation industry. The Cosmos Battleship Yamato made the Japanese audience realize for the first time that animation can also carry weighty content, not just children's patents. Since then, there have been more animations for young people and even older people.
Gundam, a mobile suit, politicizes mobile war films (radish films), abandons the traditional concept of "either good or evil", makes the plot and thoughts unprecedentedly complex, and creates an enduring animation series (Gundam series), and related model games become the focus of the producers' profits; EVA is a dark horse that suddenly appeared in the long-term downturn of Japanese animation. It is not only very innovative in content and performance, but also very successful in related business operation systems.
Especially in the face of the confused and closed inner state of the younger generation, EVA has become a social phenomenon. EVA is a shot in the arm for the animation industry. After that, Japanese animation is richer in content, more diverse in forms and more detailed in market differentiation. Up to now, no animation has been parallel to the above three in promoting the industry. (Maybe Akiyuki Shinbo's "The Little Circle of Magical Girls" by 20 1 1 is, but it will take time to test)
2. Gospel warriors in the new century, mobile battleship Nadeshiko (1996, Qiaoxiong Sato) and girl revolution (1997, Kunihiko Ikuhara), are known as "the animation of the three otaku (otaku) in the 1990s". The question asked by the subject may be very close to this. On the one hand, these three animations have a lot of neta tribute content, on the other hand, they are indeed high-quality unconventional works. Even if you are not an otaku, the audience who don't pay attention to neta will be impressed. It is different from the current "Morphy Animation". In that era when the market just tilted towards otaku, there appeared such three animations, which could easily kill the current works. Without this kind of work, who will go to the altar? So when it comes to the "three masterpieces", ACG circles often think of these three works. The above is purely personal!