Piano fingering skills training, with the improvement of living standards, many people now choose to learn some new skills or expand their interests in their leisure time, such as learning painting music. Among them, piano is the choice of many people. Let's take a look at the piano fingering skills training.
Piano fingering skills training 1 How to practice piano fingering 1
Practicing piano fingering is actually of little significance, and mastering piano fingering is not difficult at all.
The questioners are all beginners of piano, and they seem to find piano fingering mysterious.
What is piano fingering? It is nothing more than six fingering methods, namely, pointing, piercing, expanding, crossing, homophonic changing and shortening. They are all basic fingering in piano performance, and are almost always used in piano music or etudes with slightly complicated structure.
It is not difficult to play phrases and melodies according to the basic requirements of these fingering. The key is to learn to use them flexibly. I can make fingering for new music by myself. Through them, my fingers can become dexterous and agile, and I can play music skillfully.
Therefore, as long as piano beginners are familiar with and understand the basic playing essentials of several fingering techniques, they should concentrate on how to play all kinds of fingering skillfully and skillfully, and be good at comprehensive application.
Every fingering has to go through a practice process from slow to fast, from simple to complex, from easy to difficult, and strive to greatly improve and strengthen the function and flexibility of fingers through such basic fingering training.
This is the real meaning of what we call practicing piano fingering.
Skills of rapid rotation of piano II
First of all, the fast wheel finger should be based on clear particles and uniform rhythm.
To achieve this goal, we must practice slowly first, and then gradually speed up.
Secondly, no matter what fingering method is adopted, arm movements are not needed, but wrists are properly assisted.
The most important thing is to keep your fingers as close as possible, as low as possible from the keys, and then close them to your palm (or side) after touching the keys briefly, and never swing up.
Third, all fingers touch keys with fingertips, and never use the whole belly of the first joint.
Piano fingering skills training 2 How do beginners practice fingering?
Practice method of piano fingering for beginners: correctly understand what fingering is.
Fingering, similar to the order of writing. If you want to write well, you must know the order of writing. Piano fingering is more important than stroke order. Because even if there is no normal stroke order, you can write recognizable words; However, without correct fingering, it is often impossible to successfully pop out musical notes and sentences.
Correct fingering is reasonable fingering. Rationality conforms to the relationship between fingers and keyboards, fingers and notes, and fingers. Only by being reasonable, can we play logically, regularly, methodically, and without haste or impatience.
1, the correct fingering should be based on the independence of each finger, and it will be beneficial to the development of the independence of each finger.
The correct fingering is to give full play to the specialty of each finger.
3, the correct fingering, can play a good phrase and express a good timbre, which is conducive to overcoming technical difficulties.
4, the correct fingering can also help recite the spectrum. Sometimes, by remembering a key fingering, it is easy to hear the following sounds. The memory of music is often associated with the memory of fingering.
At the same time, fingering is also related to musical style. For example, Chopin's fingering seems to be his "patent". Only he has it and only his fingering can play his music well. In short, if you don't know the basic principles and methods of correct fingering, you can't master piano skills smoothly.
Piano fingering practice method for beginners —— Introduction to piano fingering practice
Basic rules of arranging fingering
Piano beginners can refer to the following points if they encounter "fingering problems":
1, to minimize hand displacement. Five fingers aim at five sounds, which is the home position of the hand. If a piece of music has only five notes within five degrees, it should not be transposed in principle, and only the original fingering can be used. When the melody goes beyond the fifth degree, it will be transposed. The principle of displacement is that it can be stable in a new position (new original position) for a period of time after moving once, and it can also be "more useful" to avoid constant displacement. It is necessary to look forward and backward, and figure out for yourself which sound and how far it is most beneficial.
2. There are two kinds of displacement. One is the displacement of finger extension (first, the extension between thumb and other fingers). The other is the displacement of big finger from the bottom of other fingers or from the top of big finger. In principle, these two displacements can be "stretched", so there is no need to "cross".
3. Don't avoid the fingers that don't listen, but don't deliberately use the fingers that don't listen, use the fingers that should be used.
4. In principle (but not in any case), 1 and 5 fingers should be used for the continuity of two long notes beyond the octave. This follows the principle of "shortening the distance and saving time". If you try it, you will find that any two notes separated by two octaves, the moving distance of the former hand is obviously smaller than that of the latter, compared with playing with 1 and five fingers with open hands.
Piano fingering skills training 3 i. Basic fingering of piano
There are pointing, stretching, contracting, crossing and homophonic fingering. Generally speaking, we start with simple pointing, and then practice complex fingering.
In the practice of sequential fingering, 1, 2, 3, 4, and 5 fingers respectively correspond to the five sounds of do, re, mi, fa, and so, and the five fingers are placed on the keyboard in sequence with no gap in the middle.
The fingering refers to the fingering that moves the handle to the left when the melody goes down. Yuefingering can make the whole melody smoother when playing. Generally used in the performance of flat scales. The method is to play 2, 3 and 4 fingers on your thumb. When playing, fingers 2, 3 and 4 should pass through 1 respectively, and then play the lower notes.
Finger expansion is to stretch your fingers on the keys with a five-finger interval greater than five degrees. The distance between fingers 1 and 5 is six degrees, and the interval between fingers 1 and 2 is a key. Fingers 1 You can only wear fingers 2, 3 and 4, but you can't wear fingers 5. General finger 1 is more common in music.
Homophonic fingering refers to playing the same sound with different fingers, which is used in conjunction with finger extension and finger crossing in music.
Second, the fingering of playing the piano with the left hand 1234567
Take C major as an example: left hand: little finger 1, ring finger 2, middle finger 3, forefinger 4, thumb 5, middle finger switch 6, forefinger 7, thumb 1.
The fingering of the left-handed scale do re mi fa sol Lasdo is 5 4 3 2 1 (three fingers crossed from the big finger) 3 2 1 If you want to continue playing (four fingers crossed from the big finger) 4 3 2 1 3 2 1 and so on.
Four skills in piano playing:
1, performance "listening"
Josef hofmann, the greatest American pianist in the 20th century, said: "Scale practice is very important, which can not only train fingers, but also train ears to feel harmony, understand intervals and understand the whole range of the piano.".
There are many ways to get started on the piano. Judging from the current situation in China, staccato is widely accepted and adopted. Although staccato started with a single sound as an element, one sound at a time, "drop a finger" and stop a "lift", but the problem is that everyone is also practicing staccato, but the methods of practice are very different.
Whether the practice is correct or not must be tested by sound. You should learn to listen by practicing the first monosyllabic staccato. Whether the sound is fully emitted when the finger touches the key and the hammer strikes the string; Whether there is good vibration and * * *;
Fingers stand on the keys, ears should listen to the maintenance and extension of sound, and learn to distinguish between good and bad sound. On this basis, let the students understand that the bad sound is directly caused by the wrong playing method.
When we are learning to listen to single tones, the second step is to listen to the connection and tendency between sounds from short songs and whether each group of sounds is even and balanced;
The third step, when you start to learn the small linking of two sounds, you should listen to whether the two sounds are linked, whether the first sound of the small linking is combined with the right drop in tone, whether the second sound is combined with the right rise as the end sound, and whether the sound is softer, more euphemistic and weaker; The fourth step is to listen to the progress of phrases in combination with the beginning, end, tone, intonation and strength of the sentence after learning several sounds and phrases.