Praise in one, multi-theme and multi-angle interpretation, a thousand readers have a Hamlet.
1, fable poem:
(1) narrative and discussion are combined, with strong feelings. (2) The plot is vivid and vivid. (3) The language is simple and plain, and the meaning follows the script, forming a simple and plain language style.
2. Leisure poems and miscellaneous poems:
This kind of poetry is lyrical, natural and fluent, lively and cordial, and some are well-known. But from the perspective of subject matter, there is not much innovation in image.
3. Sentimental poems:
The representative works of sentimental poems are Pipa Xing and Song of Eternal Sorrow. From an artistic point of view, these two long poems, which need time to express their feelings, represent the highest achievement of Bai Juyi's poetry.
The theoretical charm of Zaner: 1. The function of poetry is to make up for current politics and enlighten human feelings. "Singing only causes diseases, please let the emperor know" ("Send to Tang Sheng")
2. The content of poetry should reflect reality and current affairs. "Articles are combined with the times, and songs and poems are combined with each other." (Nine books are of the same origin) "For the monarch, for the minister, for the people, for things, not for writing" (Preface to New Yuefu)
3. The form of poetry should serve the content. But we should also attach importance to the form of poetry and be full of emotion and voice.
(1) "Poet: Root Emotion, Miao Language, Hua Sheng, True Meaning" (nine books are the same)
(2) The language of poetry should be easy to understand.
Zansan's artistic features (1) are full of twists and turns.
(1) The combination of realistic plot and imaginary plot makes long poems full of legend and romance.
(2) Using the method of opening and closing ups and downs, the plot is ups and downs and changeable.
(2) The characters are vivid.
(1) Li Longji: lascivious and earnest, sincere and persistent in love.
(2) Yang Yuhuan: beauty and loyalty.
(3) Narrative, lyrical and descriptive.
Specific analysis
Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expression technique of China's traditional poetry, which is good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, forming the lyric characteristics of poetry. Poets sometimes inject the thoughts and feelings of the characters into the scenery, and use the refraction of the scenery to contrast the mood of the characters; Sometimes we grasp the distinctive scenery and things around the characters, express their inner feelings through their feelings, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. From the rambling of Huang Chen to the lush of Shushan, from rainy night in the palace to triumphant return, from day to night, from spring to autumn, we are moved by things everywhere, always thinking of people, and repeatedly rendering the protagonist's hard pursuit and search from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. This kind of ups and downs, layer by layer rendering, let the characters' feelings swirl up and reach a climax. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and makes the poem "delicate in texture" and more artistic. As a narrative poem that will never be sung again, Song of Eternal Sorrow has a high artistic achievement. Throughout the ages, many people have affirmed the special artistic charm of this poem. What infected and seduced readers with the art of Song of Eternal Sorrow? Touching, I am afraid, is its greatest artistic personality, and it is also the power that it can attract readers, make them infected and tempted for thousands of years.
An "everlasting regret" has amorous feelings!
Bai Letian said. It can be seen that the poet's heart really poured too much emotion into the Song of Eternal Sorrow.
Bai Letian's life is full of sadness, and the judgments handed down from generation to generation have effectively exposed the people's suffering and tyranny. For example, Qin Zhongyin, a realistic poet who advocates that "articles should be written in time and poems should be written for things", wrote a sad and indirect love story, which reminded me of Bai Juyi's own love life. Although Bai Juyi's career was bumpy and unhappy, he even used Buddhism and Taoism to paralyze himself and seek spiritual liberation, and he hated the corruption of state affairs at that time. But I think this poem is more about praising love or alluding to his feelings.
On the other hand, since ancient times, emperors have not loved mountains and rivers and loved beauty, and lewdness and dogs and horses are also their patents. So the figure of a dynasty's decline, following the footsteps of a woman's grievance, slowly came to an end. "A femme fatale" is an excellent reason for emperors to give an excuse to future generations when they feel that their country has gone far. Women are just victims of tragedy. They just used their own powder to win a little favor and a man's arms for their status and interests, but they were finally given death. This also warns them not to forget the consequences of excessive exploitation while getting what they want.
Finally, the romantic pen gave us a little comfort, and let me always believe in the beauty of true love in the port of time.
The advantage of "Song of Eternal Sorrow" is that this song is a touching seed buried in the poem.
The Song of Eternal Sorrow is divided into three sections, from "Emperor China's desire for earth-shattering beauty" to "Broken Feather" as the first section, which describes the love life and love effect of Tang and Yang Guifei, and the resulting national famine and chaos and Anshi rebellion. Among them, the first eight sentences are about Yang Guifei's beauty and what Tang got. Ming was the emperor of the Tang Dynasty, but the poem said "Emperor Wu of the Han Dynasty", which was a habit left by people who wrote ancient poems in the Tang Dynasty. Fall in love with the country: refers to a beautiful woman who falls in love with the country. Yuyu: refers to the emperor, who rules the world. Eighteen sentences from It's Early Spring. People use "having a girl is happier than having a boy" to describe Yang Guifei's love and the luxury of the Yang family. Huaqingchi: On Mount Li in the south of Lintong County, Anton, Xi, there is the emperor's palace in the building, which is famous for its hot springs. Condensing fat: it is a metaphor for people's white and smooth skin. Walking: headdress of ancient women. "But spring night was short, and the sun rose too early, so the emperor gave up his early hearing." He wrote about Tang's infatuation and ignored politics. He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night. There are other ladies in his court, 3,000 are rare and beautiful, but his favor is 3,000 concentrated in one body. "Write Yang Guifei spoiled to what extent is inseparable. Then the author compares their relationship with the allusion that Emperor Wu of the Han Dynasty doted on Chen Ajiao and wanted to build a golden palace for Gillian. "Brothers and sisters are listed in the soil, and because she is so aboveboard, she has glorified her clan. She brought happiness to every father and mother in the whole empire, because she gave birth to a girl instead of a boy. " One person gets the word, chickens and dogs ascend to heaven, Yang Guifei is favored by one person, and Yang Zongmen immediately becomes strong. My younger brother Yang became the prime minister, and my sisters became good wives and mothers, fighting for power and profit. This is what Du Fu's "The Second Way" is about. Empresses and concubines of the emperor are also human beings and have lust, just like civilians; But the emperor has authority in his hand, and his lust is often inseparable from the use of this authority. This makes their love effect very different from that of civilians. Lust is not a big crime, but it leads to excessive rewards, allowing bad people to steal power and disrupt the platform, which is not far from the destruction of the country and family. "... the high rose plum palace, entering the blue clouds, and the wide breeze carrying magical notes. Soft songs and slow dances, the music of string bamboo, the emperor stared at her. "These four sentences echoed the previous" and the emperor, from now on, abandoned his early listening ",further describing that Tang was addicted to debauchery and neglected the country. The luxurious life of the rulers in the Tang Dynasty was based on the cruel plunder and extreme poverty of the working people. Du Fu described the happy life of Tang and Yang Guifei on Lishan Mountain in "Ode to 500 Words from Beijing to Fengxian", and then said: "Sharing the same pavilion and parting silks originated from cold women. Whip his husband's family and get together. " He added: "The wine in Zhumen stinks, and the road has frozen bones. It is difficult to distinguish between glory and death. "It is precisely because the ruling clique is so fatuous and decadent and the class contradictions are so sharp that once the great aspirant An Lushan launched a rebellion, the dazzling pyramid of the Tang Dynasty immediately collapsed." Until Yuyang drums, shaking the earth, broken color feathers "vividly illustrates this process. Yuyang: the name of the county, which belongs to the jurisdiction of Jixian County in Tianjin today. This area is sometimes called Yuyang County and Fanyang County. An Lushan was appointed as our time in Fanyang, Pinglu and Hedong, and the base camp was in Yuyang. Drum: A musical instrument used by the army. Yuyang Daigu refers to the rebel army led by An Lushan; In November of the 14th year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty (AD 755), An Lushan launched a rebellion. Cai Yu: The name of the dance music comes from Kaiyuan Xiliang. It is said that Tang personally polished it and wrote lyrics. After Yang Guifei entered the palace, she was good at dancing.
From "the Forbidden City, a nine-story palace, vaguely in the dust" to "but no beloved soul visited his dream", sentence * * * 42 is the second paragraph, describing the rebellion in Mayi, the murder of Yang Guifei, and Tang's yearning for Yang Guifei from now on. Among them, the first ten sentences are about the mutiny of Ma Weiyi. Jiuchong City Que: refers to the capital city. The emperor's court has nine doors, so it is called the palace. Smoke and dust: refers to enemy police. Heading southwest from thousands of troops: refers to Tang Mingdi and others who fled from Chang 'an to Sichuan in June of the 15th year of Tianbao (AD 756). Cuihua: refers to the ritual ceremony of the emperor. It is only 30 miles away from the capital, outside the west gate, and its place is Mayi Post, which is located in Xingping West, Shaanxi. Sixth Army: The army called the Emperor of Heaven in ancient times, referring to the Imperial Guards of the Tang Dynasty. No hair: no further progress, which means mutiny here. At that time, the mutinous soldiers first killed Yang and Yang Guifei's two sisters, and then forced Tang to give Yang Guifei a death present. Flowers, cuiqiao, broom and jade scratching head are all ornaments on Yang Guifei's head. "Hidden in the yellow dust blown by a cold wind" wrote the following eight sentences about Tang's thoughts of Yang Guifei on his way to Chengdu and during his stay in Chengdu. Cloud: the air passage in the mountain. Jiange: Jiange Gate, a dangerous barrier between Shaanxi and Sichuan in ancient times, is located in the northeast of Jiange County, Sichuan Province. Emei Mountain: It is in the southwest of Emei County, Sichuan Province, not on the way to Sichuan from Shaanxi. The poet piled up here, emphasizing the dangers of the mountain road between Sichuan and Shaanxi. In Li Bai's Difficult Road to Shu, there is a saying that "there is still a bird's path to the west of Dabaishan, which can cross Emei Mountain". The same mistake. The following four sentences are written in "On the same day in last contact, the dragon car is heading home": When Tang Jun recovered Chang 'an, Emperor Tang Ming returned to Beijing from Chengdu, and then passed through Mayi Post, seeing the present and thinking about the past, he was hurt by the scenery. Everything goes back and forth: the situation changes, and the Tang army retakes the two capitals. This happened in September and October of the second year from Tang Suzong to Germany (AD 757). Dragon: It refers to Tang's driver's car. That memory, that pain. Where is her white face? There is only an empty grave and the body is gone. Since then, the story has been added with myth. At that time, there was a legend that Yang Guifei had been "dismembered" and died as a fairy. The following 20 sentences, "The monarch and the minister care for each other in tears", are about how the emperor of the Tang Dynasty saw things and thought about people after he returned to Beijing, and he was so sad that he didn't want to live. Believe in the return of the horse: let the horse go by itself and say that people are not in the mood. Great grandfather: the name of the water in Daming Palace. Weiyang: The name of the palace where the emperors of the Han Dynasty lived, referring to the Daming Palace in the Tang Dynasty. Xigong: Taiji Palace, called Xigong or Xinei in the Tang Dynasty. Nannei: Xingqing Palace. The Tang people called Daming Palace, Taiji Palace and Xingqing Palace three major districts. Daming Palace was the place where the then emperor Tang Suzong lived. After returning to Beijing, the abdicated Tang was placed in Taiji Palace and Xingqing Palace. Liyuan disciple: refers to the court song and dance troupe that once served Tang. It is said that Tang personally taught them to rehearse. Pepper room: the palace where the empresses live, painted with pepper paste, one takes its fragrance and the other takes its many children. A Jian: Eunuch. Qing 'e: It refers to maids. The above two sentences share the responsibility of Tang and Yang Guifei, meaning that the people who served them before are now old. Yuanyang tile: roof tile with asphalt interlocking. Emerald blanket: A quilt decorated with emerald feathers. The above layers show that Emperor Tang Ming misses him all the time, and everything and scenery evoke his nostalgia for Yang Guifei.