3.3. To go to extremes is to make your life out of balance instead of falling to the ground. " This is the principle of which character in Lao She's works (b) A. Lao Ma B. Zhang Dage C. Qi Tianyou D. Niu Laotou
3.5. The character who embodies the fierce conflict between the old and the new in Four Generations under One roof is (b) A. Qi Laotou B. Qi Ruixuan C. Qian D.
3.6. What kind of characters does Lao She use to describe (a) A. New citizen B. Old citizen C. Decent citizen D. Urban poor
3.7. The chivalrous man in Divorce is (b) A. Zhao Ziri B. Mr. Ding C.D. Li.
3.8. The following description of the new moon is wrong: (b) A. "I" is the image of the urban poor. B. Joy is the image of the urban poor. C describes the fate of an insulted and injured person who was thrown to the bottom of his life. D use the image of "crescent moon" to set off the miserable life and fate of weak women.
3.9. The tragedy of "valuables destroyed" is reflected in the tragedy of which of the following characters (b) A. Me in A Crescent Moon B. Old Ma C. Zhang Dage D. Old Niu in The Legend of Niu Tianci
3.1. The language error in Lao She's novels is (c
3.1. The images of the urban poor created by Lao She are (bcde)a b Xiangzi C, "I" D, Xiao Cuiqi.
3.2. Mr. Qi's description is correct (Abde) A. It shows the feudal backwardness that existed in old Beijing residents. B. Kind, ignorant, simple and secluded old-school citizens. C finally, he changed from a weak poet to a strong warrior. He talks about decency and ostentation everywhere. E finally, he bravely stood up and defended human dignity.
3.3. The description of Qi Ruixuan is correct (ACDE) A. The image of an old-school citizen B. He doesn't care about state affairs and family affairs, and has no ideals and pursuits C. He is an intellectual who can't get rid of traditional cultural ethics. He finally devoted himself to propaganda and the war of resistance.
3.4. The correct description of money is (ACD). A. An old poet with China classical charm. B. An old-fashioned citizen image. C. Eventually, he changed from a weak poet to a strong warrior. D. It embodies the indomitable and self-sacrificing national spirit. E. He was killed for assassinating warlords.
3.5. The correct description of "I" in A Crescent Moon is (abce) A. The image of the urban poor B. An insulted and injured person is thrown to the bottom of life C. A prostitute with flesh and blood and soul D. A "beast" in a civilized city E. Exposing the darkness and cruelty of society.
3.6. The correct description of Xiangzi is (ABCD) A. A. A famous model of the image of urban lower-class workers in modern literature B. He eventually became a "beast" without a soul C. He was locked in a dark environment and a corrupt society and had to degenerate D. He truly reflected the miserable life of the lower-class citizens in old China. His tragedy is first of all a tragedy of character.
3.7. Which of the following tragedies reflects the tragedy of almost nothing (BCE) A. Tragedy of "I" in Crescent Moon B. Tragedy of Zhang Dage in Divorce C. Tragedy of Qi Ruixuan in Four Generations under One Family D. Tragedy of Xiangzi in Camel Xiangzi E. Tragedy of Ma Lao in Two Horses.
3.8. The tragedy of appearance is (Abde) A. Social tragedy B. Personality tragedy C. Fate tragedy D. Soul tragedy E. The common tragedy of the urban poor in the old society
3.9. The "Beijing flavor" of Lao She's novels is embodied in (ABCD). A. description of Beijing residents' life scenes and life world B. revelation of Beijing's cultural characteristics C. communication between citizens' customs and citizens' hearts D. language style E. "transforming national character"
3.1. Lao She's "bureaucratic" characteristics of Beijing's citizenization include (Abe) A. stressing etiquette, sticking to the rules B. taking care of face C. chivalry D. diligence and kindness E.
3.1. The outstanding contribution of Lao She's novels is from the standpoint of (cultural criticism), inheriting the spiritual tradition of Lu Xun (transforming national character) and the artistic expression of Beijing civil society and characters he is familiar with.
3.2. (Lao She) is regarded as the most outstanding citizen poet in the history of modern literature in China.
3.3. The image of citizens in Lao She's works can be roughly divided into four image series: (the image of old-school citizens), (the image of new-school citizens), (the image of decent citizens) and (the image of urban poor).
3.4. (Lao She) is the "most important performer and critic" of China civil society.
3.5. Lao She's most outstanding and successful old-school citizen image is (Chinese sons and daughters).
3.6. The image of the old-school citizen created by Lao She in Ermayina is (an old horse).
3.7. The image of the old-school citizen created by Lao She in The Legend of Niu Tianci is (an old cow).
3.8. In Divorce, Lao She portrayed the old-school citizen as (Zhang Dage).
3.9. Mei Yun is an old-school citizen image created by Lao She in Four Generations under One roof.
3.1. Qi Tianyou is an old-school citizen image created by Lao She in Four Generations under One roof.
3.11. Old Newman is an old-school citizen image created by Lao She in The Legend of Niu Tianci.
3.12. Sister-in-law Zhang is an (old-school) citizen image created by Lao She in Divorce.
3.13. Mrs. Niu is a (conservative) citizen image created by Lao She in The Legend of Niu Tianci.
3.14. In Two Horses, Lao She portrayed a superstitious, moderate, lazy and untidy slave image as an old horse.
3.15. The story of two horses took place in London, England.
3.16. In Divorce, (Zhang Dage) is happy, hidebound and beautiful as an adult.
3.17. In Four Generations under One roof, (Qi Laoren) best embodies the character of the old-school citizens.
3.18. "No matter how chaotic the world is, we Peiping people must never forget the etiquette", which comes from the mouth of "four generations under one roof" (Qi Lao ren).
3.19. In Four Generations under One roof, (Qi Ruixuan) went through a long period of confusion and drag out an ignoble existence, and finally devoted himself to anti-Japanese war propaganda.
3.2. In Two Horses, Lao She created a new citizen image (pony).
3.21. Zhang Tian is really a new citizen image created by Lao She in Divorce.
3.22. Mark Tong is a new citizen image created by Lao She in Divorce.
3.23. Teacher Zhao is a new citizen image created by Lao She in The Biography of Niu Tianci.
3.24. In Divorce, "I read three tabloids every day, but I don't know about state affairs, only remember the advertisements in the cinema" is (Zhang Tianzhen).
3.25. (Qi Ruifeng) In The Four Generations of a Family, he died shamefully under the selfish attack and revenge of the accomplices of traitors and lackeys.
3.26. Zhao Si is a (decent (ideal)) citizen image in Lao Zhang's philosophy.
3.27. Li Jingchun is a (decent (ideal)) citizen image in Zhao Ziyue.
3.28. Li is a (decent (ideal)) citizen image in Two Horses.
3.29. Mr. Ding is a (decent (ideal)) citizen image in Divorce.
3.3. Qian is a decent citizen image in Four Generations under One roof.
3.31. In Zhao Ziyue, the assassinated politician was (Li Jingchun).
3.32. (Qian) finally changed from a weak poet to a strong warrior in Four Generations under One roof.
3.33. Joy is the urban poor portrayed by Lao She in Camel Xiangzi.
3.34. Xiao Cui, a rickshaw puller, is an urban poor depicted by Lao She in Four Generations under One roof.
3.35. Xiaowen and his wife are the urban poor portrayed by Lao She in Four Generations under One roof.
3.36. ("I") in A Crescent Moon is the image of an urban poor.
3.37. The image of "Crescent Moon" sets off the tragic life and fate of a weak woman, which makes the novel have a strong lyrical atmosphere.
3.38. Lao She's description of (the urban poor) is full of lyrical and tragic colors.
3.39. "Destroy the valuable things in life for others to see" is the original words of (Lu Xun).
3.4. Lao She's novel (Crescent Moon) describes the tragic fate of how beautiful and pure girls are defiled and trampled in the dark.
3.41. From the psychological structure of the novel, Camel Xiangzi is a novel (exploring the soul).
3.42. Through Xiangzi's tragedy, Lao She discussed the conflict and harm to human nature (urban morbid civilization).
3.43. When portraying the image of the urban poor, Lao She's novels reflect the tragic characteristics (valuable things are destroyed).
3.44. In shaping the image of the old-school citizens, Lao She's novels show (almost no tragedy) characteristics.
3.45. The Beijing flavor of Lao She's novels is first manifested in his description of Beijing citizens (life scenes) and (life world).
3.46. The Beijing flavor of Lao She's novels is also reflected in the revelation of Beijing's unique (cultural characteristics).
3.47。 Lao She likes to use (official accent) to summarize the characteristics of Beijing citizen culture.
3.48. There is a unique (cultural criticism) consciousness in the citizen world of Lao She's novels.
3.1. Why is Lao She "the most important performer and critic of China civil society"?
3.2. How many kinds of citizen images can Lao She describe? What are their characteristics?
3.3. Analysis of the image of Zhang Dage in Divorce.
3.4. a brief analysis of the image of qi ruixuan in four generations under one roof.
3.5. Analysis of the new citizen image created by Lao She.
3.6. Analysis of the image of Qi Ruifeng in Four Generations under One roof.
3.7. Analysis of the image of good citizens created by Lao She.
3.8. a brief analysis of the image of yin in four generations under one roof.
3.9. Analysis of Lao She's image of the urban poor.
3.1. A brief analysis of the tragic characteristics of two horses.
3.11. On the tragic characteristics of divorce.
3.12. Analysis on the revelation of Beijing culture in Lao She's novels.
3.13. On the language art of Lao She's novels.
3.1. Why is Lao She "the most important performer and critic of China civil society"? A: The outstanding contribution of Lao She's novels is to inherit Lu Xun's spiritual tradition of "transforming national character" from the standpoint of cultural criticism, and artistically express his familiar Beijing citizen character. Lao She's untiring creation throughout his life has left precious spiritual wealth for China literature. He has written Lao Zhang's Philosophy, Zhao Ziri, Ermayina, Divorce, Biography of Niu Tianci, Camel Xiangzi, Four Generations Living Together, as well as Crescent Moon, Broken Soul Gun, My Life and Liu Jia. Because of this, Lao She is regarded as the most outstanding citizen poet in the history of modern literature in China, and the "most important performer and critic" of China citizen class.
3.2. How many kinds of citizen images can Lao She describe? What are their characteristics? A: The image of citizens in Lao She's works can be roughly divided into four series: the image of old-school citizens, the image of new-school citizens, the image of decent citizens and the image of urban poor. (1) Old-school citizens are the laggards of the times, hidebound and timid, and they are China people deeply influenced by tradition. (2) Influenced by some new education and capitalist lifestyles, new citizens blindly pursue new trends, just pick up a few words from them to decorate themselves, inherit the reluctance and cowardice of their predecessors, and become a kind of people whose souls are deteriorating. (3) Most decent citizens are simple and kind urban civilians. Are chivalrous or doers. From these characters, people can see the life ideals of traditional ordinary citizens. (4) The urban poor live at the bottom of civil society, and their lives are extremely difficult. Their tragic fate fully illustrates the darkness and cruelty of society.
3.3. Analysis of the image of Zhang Dage in Divorce. A: Brother Zhang is a typical Beijinger. He is cheerful, knows how to live, sticks to the rules, has a good temper, is friendly, and is very beautiful as an adult. The sacred mission of Zhang Dage's life is to be a matchmaker and oppose divorce. As a clerk in the accounting office, I am busy all day, working hard for others and reconciling contradictions. Zhang Dage's principle of doing things is: "Everything is screened by a small sieve and will never go to extremes; To go to extremes is to make your life out of balance, but fall into dullness. Brother Zhang hates falling down. His clothes, hats, gloves, pipes and walking sticks are all used by modern people for half a year. Stubborn people dare to use them for three or two months and have to think of a good style. " His life is not ideal, and he has no extravagant hopes for his son. He only wants to graduate from college and become a clerk in a kind way. "Don't take things too seriously, you can have more extensive contacts, and you have a wife at home-it is best to be an old-school family. If you know some words, you will have a fat boy. " The author shows and satirizes the daily life philosophy and behavior mode of treating people from Zhang Dage.
3.4. a brief analysis of the image of qi ruixuan in four generations under one roof. A: Qi Ruixuan is an important figure living under one roof for four generations. He is the eldest grandson of this "four generations under one roof" old man Qi, who has received modern cultural education, patriotism and some modern consciousness. But he is also a descendant of a big family bred in the cultural atmosphere of old Beijing. Influenced by modern civilization, he has a longing for a bright future and free love, but he has inherited the burden of the ancient tradition, accepted the loveless marriage against his will for his parents and grandfather not to cry, and found some comfort for himself in loneliness and disappointment. He has a sincere patriotism, "It is better to eat meat under the sun than to eat dung under the national flag"! However, due to the heavy burden on the family, I can only encourage my third brother to serve the country faithfully, but also bear the burden of humiliation and filial piety for the family. He didn't want to go along with the traitors, but he couldn't be loyal to his country because of the burden of his family, and he constantly endured the pain of his soul. After being insulted by a foreign priest, he went to the British embassy to find a job to support his family. This is precisely the mental pain caused by intellectuals' inability to get rid of the shackles of traditional cultural ethics and to protect their families when the nation is in danger. Finally, with the help of his brother Ruiquan, after a long period of confusion and drag out an ignoble existence, Qi Ruixuan finally devoted himself to the anti-Japanese war propaganda.