Introduction:
This book is a self-study book that breaks through the traditional guitar teaching mode, and guitar lovers at all levels can learn a lot from it. There are more than 100 pictures and photos in the book. After learning this book, you can also become a guitarist with good theory and skills.
This book can be used as a self-study textbook or a face-to-face teaching textbook for guitar lessons. The book consists of three chapters, twenty-four chapters and five appendices. In order to enable self-learners, especially beginners who lack knowledge of music theory, to study comprehensively and systematically, the first volume of the textbook "A Complete Collection of Related Knowledge" uses a large number of pictures, photos, music scores and the most popular words, and explains music common sense, music theory foundation, harmony knowledge, playing techniques, various modes, solo arrangement and so on in depth and detail. The second article, Topics and Problems, answered the universal questions. The third issue of "Practical Exercise" includes 157 gradual exercises from shallow to deep, 1 1 fingerplay solo and four complete solos with picks, as well as 40 beautiful rap songs.
This set of teaching materials is based on the principles of easy to understand, graphic presentation and audio presentation, with strong pertinence and practicality, so that you can understand it at a glance and learn it at once. As long as you learn and digest this textbook from beginning to end, you will step into the free kingdom of the guitar world, and playing a good guitar will no longer be a dream.
About the author:
Teach yourself to watch guitar in March (with two CD)—— attached)-Liu Chuan Guitar Series (edited by Liu Chuan and Zhu Ying)
Liu Chuan, a famous guitarist and educator, graduated from university. 1984 began to learn classical guitar, 1986 switched to folk guitar and electric guitar, 199 1 engaged in guitar teaching activities, 1993 founded Beijing Fenghua Art School. He has published more than 30 guitar monographs and recorded many teaching and appreciation tapes. This talented, enterprising and responsible young man is highly praised by guitar lovers for his rigorous scholarship, good teaching, courage to explore and keep making progress.
Directory:
The first encyclopedia of related knowledge
Chapter 1 Understanding Guitar
First, the origin and development of guitar
Second, the types of guitars.
Third, the name and function of each part of the guitar
Fourth, the purchase and maintenance of popular guitars.
Five, folk guitar, classical guitar strings installation method
Sixth, the adjustment of the neck curvature of folk guitar
Seven, the maintenance of the guitar
Eight, try your right hand.
Try your left hand.
Chapter II Detailed explanation of game knowledge
First, the posture of holding the piano
Second, the guitar tuning method
Third, the inspection method of asphalt.
Fourth, the right hand playing method
Five, the left hand according to the string method
Six, commonly used guitar playing skills.
Seven or twenty-four fingering combination exercises
Chapter III Detailed explanation of music theory knowledge
First of all, the sound we hear
Second, the characteristics of sound
Third, the sound that constitutes music-musical sound
Four. International standard sound
Fifth, the music system.
Vi. Fame and roll call
Seven, sound group
Eight, twelve average laws and whole tones and semitones
Nine, phonetic symbols and equal sounds
Chapter four: notation, six-line notation and chord diagram
First, the notation of notation
Second, the rhythm solfeggio
Third, the notation of six-line spectrum
Fourth, guitar chord representation-chord diagram
The fifth chapter mode
Mode and scale
Second, the big model
Third, minor style.
Fourthly, the series and proper names of each tone in the mode.
Chapter VI Interval
I. Interval
Second, the degree and number of intervals.
Third, the classification of intervals.
Fourthly, the nature of interval.
Verb (abbreviation for verb) interval transformation
Chapter 7 Chords
First of all, the concept of chord
Second, the classification of chords
Third, the construction of the trinity.
Fourth, the seventh chord and the seventh chord
Five, the acoustic characteristics of various chords
Sixth, the name of the chord.
Chapter VIII C major and A minor
Integrated circuit specialty
Second, the scale in C major.
Three. juveniles
Fourth, the relationship between C major and A minor.
Five, C major, A minor chords and fingering points at all levels
Sixth, the main chord, subordinate chord and the role of subordinate chord.
Seven, chord conversion method
Chapter 9 Day Games
I. Rhythm and beat
Second, the rhythm type
Third, the use of fingers in the right hand.
Fourth, the playing method of the sweeping rhythm
Five, cut the sound playing method
Six, commonly used strength symbol table
Chapter 10 Harmony Vocabulary
First, the tone in the mode.
Second, the interval in the model.
Third, the chords in the mode.
Fourthly, the pattern characteristics of positive triad.
Verb (abbreviation of verb) harmonious function
Six, the type of termination
Seven, the basic connection mode of chords
The third chapter is the expansion of XI's harmony vocabulary
Chapter 12 in g major and e minor
Chapter 13 D major and B minor
Chapter 14 in e major and c minor
Chapter 15 F major and D minor
Chapter 16 A major and F minor
Chapter 17 B major and G minor
Chapter 18 Common Tools for Guitar Playing and Singing
Chapter 19 Harmony Arrangement of Songs
Chapter 20 How to Arrange Solos
Chapter 21 Solo Scale Fingers
Chapter 22 Improvisation Skills
Chapter XXIII Transfer
Chapter 24 How to read the staff
The second question is explained and answered.
The first chapter is a special explanation.
Chapter II Questions and Answers
The third practical exercise
Chapter 1 Practice in C major and A minor
Chapter 2 Practice in G Major and E Minor
Chapter III Comprehensive Practice of Other Tunes
Chapter IV Common Usage of Broken String
Chapter 5 Common Chord Practice
Chapter VI Finger Play Solo Practice
Chapter 7 Pick a Double Guitar Practice
Chapter 8 The first wonderful performance and singing
appendix
Appendix I Summary of Common Rhythms
Appendix II Common Chord Graphs of Each Tone
Appendix III Convergence of Low Bar Chord Diagram
Appendix IV Chord Composition Table of Each Tone
Appendix V Chord Reference Table for Each Timbre Configuration