Can Hou rank first in phonology?

Before he died, he made a mistake, but he just denied that Ma Ji was the "master" of phonology. The phonograph industry has a strong sense of Jianghu, which is probably the most seniority-oriented industry in China. Hou dares to speak like this, which is "ultra vires system" and has to be called "unqualified" by his peers.

Hou publicly said that to be the "boss" in the cross talk circle, at least five standards must be met: 1, and it must be an authoritative performer; 2. Be able to write classic scripts; 3, to have theoretical results, the popular point is to write a book; 4. Be a recognized educator; 5, to be a critic, once the industry atmosphere is wrong, you can guide it in time. Needless to say, these five requirements are tailor-made for his father. It is said that one of Hou's favorite words in educating girls is "Don't forget every grain of rice you eat and every silk you wear is given by crosstalk", and Hou really never forgets "Ben".

Hou did not hesitate to offend his peers. what is the purpose? Of course, it is to maintain Mr. Hou's "first" position in the industry forever. Although his father died 10 years ago.

Hou Ken took risks and came out to woo him. Of course, he was a little selfish. But to be fair, Hou's words still hold water. Hou Lao has a famous saying, "Quyi is a golden rice bowl, and you can't finish it all your life." In fact, generations can't finish it.

Hou's ability is all-round. Since China had the folk art of cross talk, only Hou has all these conditions, and he is a great master. The so-called "master" is not necessarily the best professional ability, but it must be the highest position. Ma, an old man, is also an "uncle". 1980, when the two met for dinner, Hou had to respectfully bring the first two dishes to Ma's table, claiming that he dared not make an exception.

In terms of "professional ability", the horse does not have to "candidly admit defeat" to lose to him. At a young age, he was famous as the "cross talk champion" in Liyuan, but there was nothing he could do. After he ascended to a high position and was appointed by everyone, his position in all aspects was beyond the reach of a horse. So, one day in August of 1983, Hou made a special trip to Tianjin to visit Ma, and Ma was flattered. He quickly called for a photo and wrote an inscription as a souvenir. Hou's position as the top spot in the industry is universally recognized, and no one can shake it. No matter how hard he tries, he can shake the whole music circle, and he can't move that seat.

There is a saying in their circle, "No Hou, no cross talk". The meaning of this statement, of course, does not mean that Hou is the originator of cross talk, but that his contribution is unparalleled in the contemporary era: 1. At first, crosstalk was popular in the streets with "dirty mouth skills" and folk acrobatics, and its "vulgarity" was even worse than that of three people. It was originally the object of elimination, and Hou Linbao saved this business with "civilized cross talk"; 2. Hou not only promoted cross talk from a "stall" to an "authentic culture", but also made it as tall as Beijing Opera and Kunqu Opera by virtue of his personal connections and influence (neighbors' names can scare people), thus making it an elegant hall such as parties and CCTV. According to the data, Hou was one of the 65,438+00 people personally appointed by Mr. Xiangtan to implement the policy. Who can match this prestige?

There is an article about Hou, entitled "From Rivers and Lakes to Rivers and Mountains". These six words can explain all the reasons. 1982, Hou and several professors co-authored "Tracing the Origin of Crosstalk", and said at the beginning: "Crosstalk was born in the old society and grew up in the new society." He is the head of this cross talk.

On the overpass, telling stories and drumming are street juggling to make a living. After Lin Bao was sold at the age of five, he never saw his parents again for the rest of his life. All his income from studying art for three years is a suit of clothes and a pair of socks. He just wandered around and stayed in a brothel for several years, calling himself "like a beggar". 2 1 year-old, went to Shenyang to perform art. What was the result? Joe, who is also an entertainer, was directly splashed with cold water, and then he lay on his stomach until he collapsed to the ground, and then casually threw it into the toilet to dig a hole and bury it. Frightened Hou hurried back to Tianjin.

Later in life, in an interview, I personally said that I became famous in Tianjin in the1940s, and I had some savings on hand, so I didn't want to be so embarrassed anymore. It was the first time he put on a suit alone. Go out, meet peers, the somebody else is still bah, directly sneered, "wow! People who say cross talk wear suits-people! " -This "person" means putting on airs in Tianjin dialect. At that time, the status of crosstalk artists was so low.

Therefore, some people now engage in "cross talk history", saying that they are worried about being obliterated as "vulgar things", but Hou is helpless and advocates improvement and creation of "civilized cross talk", which is actually wrong. Before the founding of People's Republic of China (PRC), Hou was a reformist with strong initiative. Now there are words, photos, records and other evidence, and it is said that there are even recordings. Just because Hou has been through too much, he doesn't want to vilify himself.

In his early years, he read the famous English novel The Gadfly, which had a great influence on his spirit. He tells people how he feels "The protagonist is physically and mentally bitter and has to act as a circus clown to make people laugh. What a cruel and unbearable trampling and distortion. "

A few years ago, Hou Xin, Hou's daughter, published a biography of her father, which mentioned a story that could explain this "hidden story":

1965-1In the early 1990s, he was invited to give an academic lecture at Nankai University, during which the president proposed to give a lecture to the students. Hou immediately changed color, saying, "I'm here to attend classes. You should go to the theater to buy tickets for cross talk, which embarrassed the principal on the spot. Someone said, "Hou Linbao's self-esteem is almost allergic." . Xue Shengyu is a disciple of Hou of Peking University. He once said who the teacher was: "In any club, he never plays with clowns or teases you. His spiritual and spiritual world is not only serious, but even sad. " This is the other side of Hou, and it is also a more real side.

The so-called "master" must also keep up with his character. When a gentleman's sword collapses in Yue Buqun, Huashan immediately falls apart. This is the truth. In this regard, Hou is also very respectful. As for the legacy of some "three religions and nine streams" in the old society, he certainly has it, but there is no need to criticize it. People come to see festivals. Nankai and Degang Guo are also convinced of this. He can't do that scene, and he doesn't have that kind of consciousness. Apart from other things, you said that you only brought a few apprentices, and how many years have you been famous, and your men have to write "Xie Benshi" posts one after another. Is this the qualification and virtue to carry the banner and be the "boss"? When you compare everything, you can see the truth and the doorway.

Nowadays, the phonograph world is prosperous and distinct from generation to generation. In fact, it has long been leaderless, and no one listens to anyone. The main reason is the lack of talents, and no one can beat the masses. Isn't it a moral article like Hou that no one can be persuaded? After Degang Guo, there will be many Degang Guo; After Lin Bao went, it was really "the general fell on the tree". This is the most serious problem in the field of phonology in China.

Hou is the best crosstalk master, which is undeniable, but it can't be said to be the first. There is a saying in phonology that there is no first martial arts and no second martial arts! Master Hou can only be said to be the first-class master of that era. At least, Ma, Guo Qiru, Xiao Ren and others are not far behind him.

Every crosstalk performer has his own characteristics. Master Hou's six fires are absolutely first-class, but stand-up crosstalk is not as good as horse. In their time, it can be said that a hundred flowers blossom! They are all first-class masters, and no one can say "one, two, three", except some people have different levels of appreciation, so they all have their own levels, but according to the artistic achievements of cross talk, they are all * * * masters.

Please don't take it amiss to come uninvited. First of all, I want to make it clear that cross talk is a language art, not a competitive event, and there will never be a national champion recognized by the whole country. Everyone's likes and dislikes are different, so it's hard to say who is the first. Especially Mr. Hou. He has made great contributions to his life. Before liberation, the crosstalk performer who could gather in the teahouse was rarely seen except him, which established the status of crosstalk in the Jianghu and made great contributions. After liberation, he took the lead in reform, abandoned dross and improved cross talk. This is a political resource. Most importantly, he has a student named Ma Ji, and Ma Ji's disciple and grandson are still the political helmsman in phonology. Jiang Kun, Feng Gong and Tang Aiguo are all important figures in Quxie. So the touts of these people, as teachers of Ma Ji, are naturally held in shrines. Maybe at this time, some people will say that Hou is also a very good crosstalk performer, which I admit, but personally, Hou is so famous because of his protection at first, and then Mr. Hou gradually has his own world. It can be said that success may not be possible without Hou and Hou. Of course, this is just a guess, a family statement. Let's go back to the question just now. Crosstalk is not a sport and cannot be compared. The audience has their own preferences. Any ranking can only cause more controversy, and at most it is a chicken feather. Don't spray if you don't like it. thank you

No, Hou's contribution is to move cross talk from street art to court art, which is understandable, but Hou can't be the first in artistic accomplishment, virtue and artistry. Horses are masters, but Hou can only be masters. Because the horse is unparalleled in art, what is commendable is that she is both virtuous and artistic!

Art is endless. According to historical changes, people's needs are different in each process, so it is difficult to comment. Keep up with the times and keep pace with the times.

There is no doubt that Hou's gadgets are very advanced. Nevertheless, Hou can only be regarded as the best crosstalk artist in the transition period of New China. Ma Ji is the first crosstalk performer in New China. Ma Ji turned crosstalk into a stage art, a literary creation, improved the taste of crosstalk, expanded the space of crosstalk, and made crosstalk a real literary art ... Ma Ji's position in phonology is unprecedented. Unprecedented, because Ma Ji has never had such a high level of cross talk; After all, Ma Ji's literary talent is so high that later generations, such as Jiang Kun, seem to have inherited the mantle of Ma Ji, but in fact they are guilty and unable to inherit and develop the art created by Ma Ji. In addition, since the new period, the old customs of the phonograph industry have revived, and the school of clues has been submerged, so that young people don't know there are clues. What a pity! However, ignorance does not mean that the level is low, and its historical high has its own evaluation! Just like Peking Opera, the four famous operas are great, but the real peak of Peking Opera should be the modern Peking Opera represented by model operas since New China. Although all the old operas of this school and that school are sung on the stage now, no one can reach the height of the model opera or even become a swan song. Ma Ji's art, like model operas, has a high standard in the history of art, and Ma Ji is the first person in cross talk!

Night walk, a cross talk by Master Hou, makes you laugh my head off, waiting for the first place in the phonological circle.

I think it is deserved, no matter from my personal skills or my contribution to the art of cross talk!

Although Ma, Li Baorui, Xiao Mo, etc. With high qualifications and their own famous stunts, they can't compare with their peers in an all-round way!

Mr. Hou's crosstalk is the representative of "elegant" crosstalk, which is because he has been telling crosstalk to leaders for a long time. Mr. Hou's Six Fires is one of the best in the field of phonology. People can't tell the difference from the time he invited Mr. Ma and Mr. Zhou to a restaurant for dinner and then imitated them to sing. As his son, Mr. Wang's Filariasis is also very good; He can be seen in cross talk dramas and dialects. But what we often see is his cross talk, and stand-up cross talk is rare. Unlike Mr. Ma, he can talk with one mouth. Mr. Liu Baorui, we can see his single mouth and his collective mouth. So this should be Mr. Wang's shortcoming. To be sure, Mr. Wang will become the "master" of cross talk. But he said "number one" needs to be discussed.