The exhibition tour caused great repercussions in various places. Undoubtedly, it is the pinnacle of contemporary Shaanxi fine arts, which is of great cognitive significance and academic value for art theorists to deeply analyze the development process of Shaanxi fine arts after Chang 'an Painting School and grasp the new pattern of contemporary Shaanxi fine arts. Zhang Gao has a picture album with a seal on the cover: "SAO HU Zi", which he said is the swearing words of the Hui people in West Street, which means the ram raised. It's the first time to learn swearing, but the words are printed, and it feels very fresh. What I opened was a whole western female body line drawing book, which was obviously copied from somewhere. Although it was not as neat as the academic school, it showed his extraordinary passion. It was in the middle of the Cultural Revolution. (1968- 1970) Zhang Gao disdains Chen Xiangyin's old tune in painting, but he is very close to Mr. Shi Lu. It was once rumored that he monopolized Shilu in Beijing Hotel. In fact, it was just that he intended to take care of the teacher and instilled more "initiative" into the creative master. In the late 1970s, Zhang Gao once again entered the graduate school of Professor Li Kuchan of the Central Academy of Fine Arts, but by this time he had completely left the ship.
Get rid of the fetters and fetters, still go its own way, and the painting style is getting more and more beautiful. I almost believe in my bones that Zhang Gao is a "Japanese devil". Because he loves to mix foreign wine with "Erguotou" and coffee with "Biluochun". His paintings are colorful and the brushwork is stretched, but they always reveal some enchanting "oriental printing" styles. Zhang Gao knows well the artistic conception and charm of Chinese painting, but he does not pursue the desolation of the ancients or the dullness of literati painting. On his calendar, there are few bad weather with compassion, and some are thriving enthusiasm and aestheticism.
In the 1990s, Zhang Gao made frequent visits, and after returning, he made a batch of exotic flowers and herbs in the British Palace, which are rare in Chinese painting. Occasionally, some naked women he loves are embedded in it. I was shocked by its boldness and boldness again. Perhaps, art is the art of pleasing yourself, first of all, it is your own touch, otherwise no one will be touched. Thun said: "If your performance or writing makes people feel that you are not pleasing yourself, but doing it for them, you will instinctively feel disgusted and resistant." I think Zhang Gao's uniqueness and narcissism have at least established its independent value. Far better than those one-sided stereotypes.
1998, I visited the United States with Zhang Gao's colleagues and accompanied them for more than a month. I really wanted to find a sentence to describe my impression of him. Seven years older than me, he is like an overexertion madman in America, joking or joking, with no fetters at all. Ladies say that his smile is like a "blooming chrysanthemum" full of love and passion. Or stay up late to shoot TV pictures related to love; Or ask everyone to find American pills related to love; I don't care what others think. I saw a naked tall one. A year ago, I saw him again and learned that he spent three years studying computer programming in Shanghai, with the aim of developing the authentic calligraphy font of Xi 'an Beilin, which was comparable to Handing in Taiwan Province Province. And adopt "organic light-emitting display technology (organic light-emitting diode)-I"
An advanced painting carrier. Surprised, I saw another Zhang Gao who dared to think and act alone in the world.
Beiping was recorded in Kemotang in September, 2002: How to paint with organic light-emitting display technology in China? It is your own business to vent gloom or create light in this brand-new carrier. Only chance
I prefer a prepared mind.
An Old Idiot Mid-Autumn Festival: The Ancient City of Puxi 'an