1, historical perspective
In the history of China's poetry, Qu Yuan was the first poet who described the natural beauty in great quantities and combined it with his concern for the country and the people. This is a fine tradition of China's classical poetry.
Mao Zedong's poems inherited this fine tradition. He is good at combining natural beauty with social beauty and expressing the content of social beauty through the vivid artistic image of natural beauty.
By describing autumn scenery in Changsha and recalling his revolutionary struggle life in his youth, this word puts forward the question of "Who is in charge of ups and downs", and expresses his optimism about the future of the Chinese nation and his great ambition to take what's going on in the world as his own responsibility.
2. Aesthetic perspective
Aesthetically speaking, sublime beauty is manifested in the external aspect, which is embodied in magnificent scenes such as tall, vast, majestic and magnificent. German philosopher Kant divided sublimity into two categories: mathematical sublimity, such as the volume of mountains; The sublimity of mechanics, such as the momentum of a storm.
Chernyshevski, a famous Russian literary critic, also said: "One thing is much bigger than everything compared with it, and that is sublime." Confucius also linked "greatness" with sublimity and praised: "greatness! Yao is the king. This is embarrassing, only the sky is big, this is just embarrassing. "
This kind of sublimity, broadness and magnificence is vividly reflected in the description of mountains and rivers in Chairman Mao's poems. Qinyuanchun Changsha is one of the best articles.
3. The angle of scenery description
"You see all over the mountains, and all the forests are dyed; The river is full of water, and hundreds of people compete for the flow. The eagle hits the sky, the fish is shallow, and all kinds of frosty days compete for freedom. " From the content point of view, write mountains, Woods, Xiangjiang River, ships, eagle fish and so on. There are both natural objects and animals and plants, with complete categories and full of vitality. From the perspective of landscape writing, the author has a distance from the perspective, from logic, from point to surface, from reality to nothingness, from nature to human beings.
4. Artistic perspective
The artistic expression of China's classical poetry attaches great importance to the blending of scenes. Liu Xie said: "The taste is complicated, but it is boring when it is light." (Wen Xin Diao Long) Xie Zhen said: "Landscape is the medium of poetry, and love is the embryo of poetry; It is a poem, a few words are unified, and the vitality is endless. " The word "Poem Four Styles" has reached the realm of well integrating scenes.
Step 5 be ideological
The sublime beauty is manifested in the inner aspect, which is the reflection of a great and noble mind. Ron Girnus of ancient Rome put forward that sublimity is "the echo of a great mind" in his article On Sublime. The second half of the word focuses on lyricism, which is the expression of this great spiritual echo. This expression is first obtained through memory.
Extended data:
Creation background
Qinyuanchun Changsha was written by Mao Zedong in the autumn of 1925. Changsha is the place where Mao Zedong's personality was formed. Changsha is also the birthplace of rural revolution in China and the center of early revolutionary activities in Mao Zedong. 19 1 1 year, Mao Zedong came to Changsha No.1 Normal School in Hunan. Due to the social background at that time, Mao Zedong formed his own world view more clearly by talking about life and state affairs with his classmates.