Inhale: 1, suppose you are hungry, and suddenly the smell of cooking wafts from the window, burning shrimp? Stewed fish? Please smell it. What is this? 2. A bottle of perfume is broken. What kind of perfume is it? Please talk about it. Now that we are in a garden, please smell lilac, balaam, jasmine, tuberose and purple rose. Take a real flower listed above, wrap it in a handkerchief and judge its name by smelling it. Using olfactory sketch in performing arts is helpful to experience inhalation. Be comfortable when practicing, avoid tension and rigidity, take a deep breath and inhale quietly, so that all internal organs feel comfortable. Exhale: 1. Please clean the dust off the table, but don't blow it by hand. 2. Put a paper towel on the table and inhale and blow it off. Take a few pieces of tissue paper of different sizes around the table, take a deep breath and blow it clean at once. Take a candle and light it on the table, then blow it out. Take a step or two back and blow it out. At the same distance, blow out the candle and shake it, but don't put it out. This kind of exercise is to let the practitioner realize the function of qi and the function and control of deep breathing on diaphragm. Breathing: 1. Think of yourself as a balloon, full of fragrant gas, stick a small hole between your lips with an embroidery needle, and then gently press your hand on your abdomen to let the gas out slowly (breathe slowly and evenly, relax your limbs). 2. Try to breathe slowly, quickly, quickly, quickly, slowly, breathe through your nose, breathe through your mouth, breathe through your mouth, and breathe through your nose and mouth at the same time. Through these exercises, actors can use breath in any situation when playing roles, laying the foundation for further pronunciation and pronunciation. 2. Pronunciation First of all, please find out which parts of your body can be pronounced, and point out their names, such as vocal cords, throat, tongue, lips and nose. Then, explain the physiological situation of the vocal organs in detail, and consult a physical health expert professor if necessary. Throat: 1. Take a deep breath and yawn. The throat will naturally sound because of the vibration of the airflow. 2. Still yawning, but consciously strengthen the vibration of airflow. With the movement of the diaphragm, sometimes you can feel the pressure of your heel lifted on the floor, and the sound is lifted from your throat to your mouth, and then from your mouth to your head cavity, making a continuous majestic and loud sound. For example, when singing, just like singing, "look up to heaven and scream." When practicing singing, if you feel a sore throat, it is against your physiological requirements. The sound and * * * are not in the right position. Don't shout. If there is no itching problem in each vocal organ, it is normal. Tongue: 1. Suppose you are doing a stage effect, and you use the tip of your tongue to make the sound of a machine gun. 2. It's like sitting on a speeding speedboat and making the sound of a motor with the tip of your tongue. 3. Sing scales or operas with your tongue. 4. Read newspapers, poems and essays with your tongue. Teeth: 1. Open your mouth by using oral muscle activity to make the upper and lower teeth collide or rotate. If you try to understand this exercise once or twice, you don't need to do it again. 2. Stop each other's activities with the sound of the word "corpse". 3. Imitate the evacuation sound that a locomotive (such as a locomotive) will start. Lip: 1。 Make firecrackers with your lips. 2. Imitate the sound of motorcycle speeding. 3. Sing a song with your lips. 4, whistling, shooting birds, playing the piano, drama. Nose: 1. Shut your mouth. There is a nose that will make a "hum, hum" sound when a child is spoiled. 2. Use nasal sounds to express the language action "Attention!" "What?" "What garlic! ? "I see, and so on. 3. Pronunciation through the nasal cavity, playing music, singing or performing a drama. Mixed pronunciation practice: after practicing a single voice, practice the mixed or combined pronunciation of each voice: 1, and recite the standard attention letters. (Experience the accurate movements of the vocal organs. ) 2. Choose several tongue twisters suitable for throat, tongue, teeth and lips ... recite them. 3. Take a deep breath and count the words 1- 100 to see how many words can be counted in one breath. Please hold a number contest. (on the condition of one breath). 5. Use a stopwatch to check the time that molecules can persist in one breath. 6. Take a breath, stop for one second every dozens, and continue to count down, but you can't change your breath. In the same way, every dozens of numbers, do it again with a different breath. 7. When counting, the teacher claps his hands at any time, and the practitioner stops counting, but he must hold his breath without inhaling; Clap your hands again and keep counting. 8. Choose several short and long sentences in a novel or script, and ask the practitioner to correctly estimate the amount of gas required for each sentence. Inhaled gas must be exhaled accurately when used, and no shortage or surplus is allowed. This will allow actors to use breath economically on the stage and avoid the problem of "unprecedented" pronunciation. 9. Rotate your mouth, chest and head repeatedly, counting from one to ten, and then read a poem and prose in the same vocal area. Long-distance vocal practice: the actors perform in the theater, which is large and the sound is small, so the audience can't hear it; The theater is small and noisy, but it is harsh. Therefore, actors must exercise their sense of spatial distance and use their voices very accurately. 1, suppose you are a conductor, use "Attention!" "Align to the right!" "Look ahead!" "Count off!" "Turn left" and "March in haste!" Wait for these passwords to instruct one person, five people, ten people, fifty people, one hundred people, one thousand people … to practice voice control. 2. Imagine reading aloud to the group, the whole class and the whole hospital with an essay or a poem ...; It can be assumed that reading will be conducted in a small auditorium, experimental theater, capital theatre and Beijing Gymnasium. Practitioners of the last two exercises need to explain the number of people or the venue to the teacher first. When you do it the second time, you don't need to specify the number of people and the venue in advance. The teacher will judge. 3. When the yogi tells a story, the teacher first stands face to face with it, then gradually moves away from it one step, ten steps, fifty steps and one hundred steps, and then gradually approaches it one hundred steps, fifty steps and ten steps. No matter where the teacher goes, he should send every word to his ear and control the sound through exercise. 4. Give the recitation to a lamp indoors, on the treetops outside the window and on the moon. Sound can only be concentrated and powerful if it can be aimed at certain objects and targets. When practicing, the farther away you are, the more you feel like moving mountains and rivers. Practice reading aloud on the stage or behind the indoor scenery or outside the classroom. This is for characters who sometimes need to speak outside the door, because some actors always don't pay attention to making it clear when they are outside the stage, which often makes the audience in the back row unable to hear. Obstacle vocalization exercise: 1, talk or laugh in your mouth with half a mouthful of water for one minute without leaking a drop of water. This exercise is to eliminate the problem of spitting on the stage. 2. Run 50 meters outdoors and then go back to the classroom to read a passage of literature. When practicing, you should be good at controlling your breathing, so as not to change your face or breathe. 3, master the speech characteristics of stutterers, but you must read a literary material, then close your eyes or block your ears, bend over or lie down and read hundreds of materials. Breathing exercise: 1. Count with your breath or read a note. When two practitioners tell a secret story, the teacher can hear it clearly no matter where he goes in the theater. Pronunciation practice of abdominal language: learn to master the chirping of cows, sheep, chickens, ducks, cats and dogs, as well as the approximate sounds of thunder, wind, trains and motorboats. If we find the above-mentioned singing acoustic image, that is to say, we find the characteristics and laws that accord with its pronunciation. My experience has proved that this is harmless to human vocal organs, but it can expand the field and color of the pronunciation of Hefeng rich people. It is best to ask a dental technician for guidance. Imitate pronunciation practice: 1. Learn Peking Opera, local operas, Quyi, etc. Learn from famous opera artists in China by using records, and then learn songs from foreign singers. You can sing in a low voice and savor it. If you really learn like it and learn it accurately, it means that you are exposed to the scientific methods of famous pronunciation. As long as there is no shouting, it will not hurt the imitator. These wealth reserves will play a role in any drama for a drama actor. 2. Recite a foreign language poem or essay and experience the charm of other national languages. 3. Appreciation 1. I often listen to the music festivals of Chinese and foreign singers and talk about the advantages and related problems of these famous artists. 2. Cultivate the ability to love and appreciate all kinds of music. 3. Collect more legendary stories of famous vocalists' voices and deeds to arouse their enthusiasm and imagination for learning. Fourth, practice singing and learn to sing with vocalists for a long time. This is the biggest benefit in my study. Learning rich experience in national singing plays a very important role for drama actors to exercise their voices on the stage and reflect the musicality of language. Generally speaking, practicing a good voice is not as laborious as "grinding a steel beam into a needle", but it is not flat and there is no slope. If a dramatist wants to get a lasting, clear and useful voice, it is not a magical thing. As long as he studies hard, the weapon of sound will be mastered by us.
Adu, think about what he used to do, carrying cement! Of course, I'm at a loss! So his voice is a little hoarse and he feels out of breath. If you want to imitate, you can find that feeling!